- You may be looking for the titular Toymaker.
The Celestial Toymaker was the seventh serial of season 3 of Doctor Who. It introduced the Toymaker, a recurring villain in the franchise. Most notably, the serial almost wrote William Hartnell out of the series: producer John Wiles's original idea for dispensing with Hartnell's services was to have the Doctor disappear as Hartnell during the Trilogic game, then reappear as another actor.
The larger truth, however, was that it was a serial that had, unlike most others, been shaped by two different production teams. Along the way, it had generated unusual criticism from rights-holders of other properties — including Wiles's own boss — who were concerned that their characters were being unhelpfully, if not illegally, used within the production. In fact, "The Final Test" was the only Doctor Who episode forced to have a continuity announcement to protect the BBC from legal action on behalf of a copyright holder.[source needed]
The Celestial Toymaker saw Innes Lloyd officially take over as the producer, which led to far less formal clothing for his female cast. For the first time, the female companion wears a miniskirt. The serial also suffered due to a hangover from The Ark that posted over budget, resulting in minimalist set design and reuse of costumes from Marco Polo.[source needed]
The last episode, "The Final Test", currently remains the only recovered instalment of this serial. The three missing episodes, along with the surviving episode, were animated and released on DVD, Blu-ray and Steelbook in both colour and black-and-white in 2024.
Synopsis[]
The travellers arrive in a strange domain presided over by the Celestial Toymaker — an enigmatic, immortal entity who forces them to play a series of games, failure at which will render them his playthings for all eternity.
Plot[]
The Celestial Toyroom (1)[]
Shortly after the TARDIS has departed from the Ark, the Doctor has been mysteriously rendered invisible — though Steven and Dodo can still hear his voice. When Steven moves his arm in the direction the Doctor's voice is coming from, he cannot feel anything; the Doctor is also intangible and appears to exist only by the sound of his voice. Dodo wonders if this has anything to do with the Refusians, the super-strong invisible inhabitants of Refusis II they recently encountered. However, the Doctor says this is some form of powerful attack that has penetrated the TARDIS. He tells Dodo and Steven to turn on the scanner, but nothing appears on the screen. However, the scanner is not broken; it's just not picking anything up. The Doctor tells Steven to open the doors and, against his and Dodo's advice, heads outside.
Elsewhere, a man dressed as a Chinese mandarin is lounging among toys and detritus. He is aware of the Doctor's arrival, as well as details of his companions. The mandarin approaches a large dollhouse, removes two small clown dolls, places them on the floor and they grow to life size. He tells them to "deal with" Dodo and Steven. The clowns lumber off.
Steven and Dodo find the Doctor now visible, but they also discover a life-sized toy robot with a video screen built into its chest. Steven sees images on the screen of himself on Kembel and in 16th century Paris. The Doctor warns Steven that this is a hypnotic screen and realises that they are in the world of the Celestial Toymaker; the screen is a trap designed to let him get into their minds. The Doctor explains that the Toymaker is an evil force that traps people and turns them into his playthings. Dodo notices that the TARDIS is now no longer in the room. The Toymaker appears and tries to get Dodo to watch the screen, which shows her in school uniform on the day her mother died, but Steven forces her to look away. Dodo suggests they escape in the TARDIS, which prompts the Toymaker to show them on the screen hundreds of TARDISes moving along on a conveyor belt on the screen. The Toymaker says to Dodo "Take your choice..." before vanishing with the Doctor. The two clowns appear and first begin to entertain Steven and Dodo, but the Toymaker reappears and explains that the two clowns are to act as their opponents. To win the TARDIS back, Steven and Dodo must beat his toys in a series of games. Every time they win, they will get a TARDIS from the hundreds of copies he has made in hope that it may be the genuine article. If they lose, they will become the Toymaker's playthings forever. Faced with no choice, Steven and Dodo agree.
In the depths of the Toyroom, the Toymaker alludes to a time when the Doctor has been here but left before the Toymaker could engage him in competition. The Toymaker explains that he specifically brought the Doctor to his world because he's been bored, and if he can trap the Doctor, he'll have a brilliant mind to play against for all time — unlike Steven and Dodo, who will be kept here as toys if they lose. The game he assigns to the Doctor is called the Trilogic game. This is a series of 10 triangular blocks piled in ascending order on point A of a triangular board. To win the game, the Doctor has to rearrange them in that exact order on point C, but he can only move one block at a time and cannot put a larger block on top of a smaller one. The Toymaker tells the Doctor he has exactly 1023 moves to complete the game; one wrong move, and he will lose and be kept there forever. He points out a counter on a robot's video screen to keep track of how many moves the Doctor has taken. The Toymaker tells the Doctor that he specifically chose this game as he feels travelling has made his mind old, lazy and weak. When the Doctor argues with this, the Toymaker says it was easy enough to trick him into leaving the TARDIS this time, compared to his last visit.
Steven and Dodo, meanwhile, are pitted against the two clowns, called Joey and Clara, in "Blind man's buff". One teammate will move around an obstacle course blindfolded, being guided only by coded buzzes from their partner in a soundproof booth. If the blindfolded person falls over, they lose. The obstacle course consists of a swing, stepping stones, a plank and a tube. Joey goes first and begins navigating the course effortlessly. Seeing this, the Doctor tries to call out to warn Steven and Dodo about the game, but the Toymaker cuts him off, and, as punishment, makes him invisible and intangible once more, except for the Doctor's right hand — bearing his blue-stoned signet ring — so he can still play his game which he then advances to move 152. Joey completes the course having not had any buzzes from Clara. Steven goes next, but has a hard time, especially because Joey has moved some obstacles around. Dodo is furious at this but she is unable to leave the booth and warn Steven, much to Clara's delight. As Steven is crawling through the tube, Joey turns it around so Steven emerges back at the start. Because of this, the clowns deem him to have failed and Clara is exultant that they've won; taunting Steven and Dodo by telling them they will never find the TARDIS. Steven is adamant it was a draw and says they should play again with Joey in the booth but Clara ignores him. Dodo inspects Joey's discarded blindfold, and finds it's transparent — meaning the clowns have been cheating all along. They then demand a re-match, this time with Joey wearing Steven's blindfold. They reluctantly do so and Joey finds it much more difficult this time, eventually toppling off the plank while Clara collapses lifelessly over the buzzer in the booth. A TARDIS appears, but it's a fake, containing only a door behind it. Steven and Dodo find a piece of paper with a riddle on it: "Four legs, no feet; Of arms no lack; It carries no burden on its back; Six deadly sisters, seven for choice; Call the servants without voice." They move on through the door, leaving Joey and Clara — who have now reverted to dolls — behind.
The Hall of Dolls (2)[]
Steven and Dodo move on through the false TARDIS and come across a strong door which Steven suspects is intended to delay them. They eventually get it open and proceed to the next room which contains different sizes and shapes of chairs in two adjoining rooms — three in one room, four in the other. They deduce that the first lines of the riddle must correspond to the chairs they see in this room.
The Doctor watches this unfold and, apparently familiar with the Toymaker's games, cries out, "It's chair number —" but he is cut off by the Toymaker before he can give them the answer to the game. The Toymaker takes away the Doctor's ability to speak and commands him to continue his game — advancing it to move 444. He acknowledges that Steven and Dodo managed to outwit his clowns and so decides they need more worthy opponents. He picks up a deck of cards and declares that he will send the Hearts Family to play against Steven and Dodo next.
Dodo and Steven are visited by the Toymaker, who informs them how he deals with cheaters by letting them know what state the Doctor is in. Dodo tries to point out the Toymaker's hypocrisy, but he disappears. The pair are joined in the chair room by people dressed as the King, Queen, and Knave of Hearts, as well as the Joker. They realise that the line from the riddle they found earlier, "Six deadly sisters, seven for choice", means one chair is the correct choice and the other six will kill them if they sit on them. The King and the Queen keep interrupting and distracting Dodo and Steven, so they go to the next room, with Steven convinced they are imaginary products conjured up by the Toymaker.
In the next room, Steven and Dodo find three TARDIS-shaped cabinets and one TARDIS they assume to be theirs. Inside the fake TARDISes, they find seven ballerina dolls — correctly assuming them to be the "servants without voice". Steven tries to command the dolls with his voice, but nothing happens and so they decide to place them on the chairs. As they attempt to do this the King and Queen return. Again Steven calls them imaginary, but they prove that they are real as well — equally as trapped by the Toymaker as Dodo and Steven are. They will gain their freedom if they win at the game. The King and Queen see the dolls and demand they be shared, so Steven and Dodo hide three of them, and the four players take one doll each. They split up between the rooms, and each tries a chair. The King puts his doll in a chair, and the chair shakes violently until the doll's head falls off.
In the other room, Dodo throws her doll into a chair, and there is a flash and a puff of smoke; the chair is electrified. Steven puts his doll in another chair, which starts spinning — going faster and faster, until the doll is thrown out and smashes itself to pieces against the wall.
Back in the main room, the King puts the last doll into a chair. Both chair and doll simply fade and vanish, presumably into oblivion, leaving just two chairs in their room. The King and Queen hatch a plan to use the Joker to sit on one of the chairs to ascertain if it's the right one.
Steven and Dodo have one chair left in their room, but the extra three dolls are still in the other room where the King and Queen are. Dodo hears the King and Queen coming and plans to sneak out to get them. But she quickly comes back and says the cupboard with the other three dolls is now locked and the King and Queen are angered that Steven and Dodo didn't tell them about the extra dolls. When the King and Queen wake the Joker, Steven sees through their plan and tries to stop them. Steven heads for the other room, and Dodo sits down in the remaining chair.
In the main area of the Toyroom, the Toymaker taunts the Doctor, telling him Dodo has chosen the wrong chair — the "freezing" chair.
Steven notices and rushes to Dodo. She says she suddenly feels cold and cannot move. Steven forces Dodo to concentrate on him and eventually pulls her free from the chair.
Meanwhile, the King and Queen try to convince the Joker to test a chair for them, but he catches on to their plan when the Knave laughs at his stupidity; the Joker resigns his position and runs away. The Queen gestures for the Knave to sit in the chair, but he runs off after the Joker. Unable to agree on who should try a chair next, the King and Queen decide to sit in one of the two remaining chairs together. For a moment, nothing happens, and it appears they have won until the chair suddenly collapses and traps them. Steven and Dodo enter and realise there's only one chair left and sit in it, winning the game. The TARDIS lights up, but it's another fake. Recalling that they haven't solved the entire riddle, Steven and Dodo try to "call the servants without voice" and call the remaining three dolls to them. Just then, the police box telephone rings. Steven answers, and it is the Toymaker. He tells them that they are doing better than he expected, but warns them not to get complacent; the Doctor is progressing through his game faster than they are and they're running out of time and luck. He then delivers the next clue: "Hunt the key to fit the door; That leads out on the dancing floor. Then escape the rhythmic beat; Or you'll forever tap your feet." There is a click, and then a dial tone. Steven and Dodo notice the King and Queen have become playing cards once more. As the two continue on, the three remaining ballerina dolls come to life and start to pursue them.
The Dancing Floor (3)[]
The Toymaker congratulates the Doctor on his choice of companions and decides they have earned some amusement. He selects two more dolls from the dollhouse: Sergeant Rugg, a soldier wearing a uniform from the Napoleonic Wars; and Mrs. Wiggs, who is dressed in a cook's uniform.
Steven and Dodo are at the next door but can find no way in. Dodo is frightened at the appearance of the "servants without voice". However, the door suddenly opens on its own, and they go inside to discover a large old-fashioned kitchen populated by the familiar-looking Rugg and Mrs. Wiggs. When asked about the Dancing Floor, Mrs. Wiggs directs Steven and Dodo to a large oak door at the back of the kitchen, but this is locked. Though Steven is getting thoroughly annoyed at the characters set against them, whose only job appears to be to "get his goat", Dodo appeals sweetly to Rugg. He helps them realise the game is "Hunt the Thimble"; the key to the door is hidden somewhere in the kitchen.
The Toymaker complains that the Doctor is not playing quickly enough and orders the advance of his game twice, to move 813.
Steven and Dodo discover a third character asleep in the kitchen, who looks uncannily like the Knave of Hearts. This character is wearing a kitchen boy's uniform. Dodo again appeals to Rugg, and he chivalrously helps her and Steven search for the key. Mrs. Wiggs is getting more and more irritated at the three of them tearing her kitchen apart. She eventually loses her temper, even at Rugg, at the shattering of some of her plates and cups. Rugg and Mrs. Wiggs quarrel violently, while the kitchen boy wakes and takes refuge under a table, but Steven tries to keep Dodo on task. Soon, food is thrown around and plates get broken, whereupon Dodo tries unsuccessfully to reconcile the two. Steven catches the kitchen boy trying to escape and tries to force him to tell him where the key is, but the kitchen boy escapes and locks himself in the pantry. As the food fight continues, Rugg threatens a pie that Mrs. Wiggs has made. She becomes very concerned and pleads with him to put it down. Dodo realises that's the one place they haven't looked, and all four go for the pie — which naturally doesn't stand a chance and is smashed on the floor. Sure enough, Dodo finds the key in the remains of the pie. She and Steven quickly apologise for the mess, open the door and go through. The Toymaker appears and angrily confronts Rugg and Mrs. Wiggs, exclaiming how they have wasted their "chance at life". He commands them to prevent Steven and Dodo reaching the TARDIS on the Dancing Floor at all costs, or "I'll break you like these plates". To demonstrate this threat, the Toymaker smashes the last remaining plate.
Steven and Dodo arrive on the Dancing Floor to witness three ballerina dolls performing a dance. They see the TARDIS at the opposite end of the floor, but realise it can't be so easy to get there. When they place their hands curiously over the floor, music plays and the dolls begin to dance. As Rugg and Mrs. Wiggs enter, having "made up", Steven makes a dash for it, but once the music starts, he is forced to dance, and the dolls surround him. Soon Dodo is pulled into the dancing, while Rugg and Mrs. Wiggs scheme to get to the "big cupboard" — i.e. the TARDIS — first. As Mrs. Wiggs begins to dance, the dolls change partners. Rugg finds he cannot resist and is soon dancing as well. Steven eventually becomes Dodo's partner, and they successfully jump off the floor and into the TARDIS as Rugg and Mrs. Wiggs dance on, left — as the rhyme says — to "forever tap their feet", or at least until the pair start shrinking to become dolls again. The TARDIS is another fake. Dodo is firmly convinced that these characters are alive, but Steven is doubtful.
Meanwhile, the Doctor is pleased with his companions, laughing despite the Toymaker being the only one who can see him. The Toymaker is livid with his "too human" characters. He takes out a doll, an "innocent, fat, jolly schoolboy" he calls Cyril, who he thinks will lull Steven and Dodo into a false sense of security.
Steven and Dodo find the way out of the cupboard and see another message: "Lady luck will show the way; win the game or here you'll stay." As they emerge from a passageway, Dodo screams when Cyril appears in front of them. Steven thinks he's seen Cyril before, and Cyril confirms that he was previously the Knave of Hearts and the kitchen boy. As Cyril shakes Steven's hand, Steven is shocked by an electrode and pulls away; Cyril giggles mischievously. As they realise the Doctor has reached move 902, Steven asks where the next game is and Cyril points them to it, but warns that they won't find it so easy this time: they will be playing against him.
The Final Test (4)[]
The next game is "TARDIS hopscotch". Each player rolls a die at their turn, with the number they've thrown appearing on the dice indicator to ensure no-one can cheat, and moves the number of triangles indicated. The first to reach the TARDIS, which stands on the "home" triangle, is the winner. Steven is very suspicious at the apparent simplicity, but is pleased at the 2 to 1 odds. Cyril warns that the area between the triangles is electrified.
The Toymaker taunts that Cyril hates to lose, so he makes sure he never does. He pushes the Doctor's game to move 930 and further taunts that Steven and Dodo's places in the dollhouse are prepared. Sure enough, there are two chairs inside labelled STEVEN and DODO.
Dodo is allowed to go first, then Steven. When Cyril plays, he sweetly informs them of another rule he hadn't mentioned before: if anybody lands on an already occupied triangle, the first player must return to the start. After one turn, Steven is ahead at triangle 7, having been given a free move by the dice indicator. But Dodo's next turn lands her on Steven's triangle and sends him back. To add insult, the dice indicator tells Steven he misses a turn.
The Doctor is removed from his ban of silence by the Toymaker and confidently states that his concentration will not be broken now.
Cyril appears behind Dodo wearing a gorilla mask, frightening her. In so doing, he has landed on her triangle. Steven threateningly moves towards Cyril, but Cyril calls him a cheater for moving when it wasn't his turn. Steven and Dodo both must now go back to the start. By now, Steven has had enough, exclaiming that Cyril makes up the rules as he goes along; and tries to go on, but he runs into an invisible barrier. The Toymaker then appears, saying the barrier yields only to those who play the game by the rules. With no choice, Steven and Dodo both jump back to the start and, as they do, Cyril nails Steven with a pellet from a slingshot. Steven rolls a six, but in his haste his momentum almost carries him onto the electrified floor. He asks if he gets a second turn for a six, but Cyril indignantly dismisses that idea: "Eh? Certainly not!"
The Doctor is pushed forward to move 1000.
Steven loses another turn, but Dodo rolls a much-needed six. While she is rolling, Cyril secretly sprinkles something onto his triangle. Cyril needs a three to get home; he rolls a two. Then, the dice indicator tells him he must move to triangle 9, putting him behind Dodo. Dodo's turn is interrupted when Cyril starts to cry, and Dodo spots blood on his foot. She goes over to help him, despite angry warnings from Steven. It turns out to be a ruse — what Dodo thought was blood is really red ink. Cyril tells Dodo that she's easy to trick, and exclaims that she must go back to the start for moving off her triangle.
Cyril is exultant at his next roll, a five; he wins! However, as Cyril reaches triangle 11, he slips off and straight onto the electrified floor. There is a scream, followed by a bang, a flash and a puff of smoke as Cyril is instantly electrocuted. When the smoke clears, all that is left of Cyril is a charred doll. Steven discovers slippery powder on the triangle; Cyril must have placed it there himself to ensure his victory but, in his haste to reach "home", forgot it was there and fell into his own trap. They must still play the game to the end, so Dodo — ignoring Cyril's order to go back to the start — rolls a four from her triangle and makes it home, though almost slipping on the powder herself.
The Doctor has been rematerialised fully, and at move 1022 sees that he will win the Trilogic game. He activates the Toymaker's scanner to see that Steven and Dodo have won their game also. He happily goes to see if the real TARDIS is undamaged. Steven and Dodo hear the humming of the real TARDIS and the Doctor joins them. The Toymaker continues to tease the Doctor and his companions via a robot's video screen, and the Doctor is forced to admit that the three of them could be dragged down in defeat with him. When the Toymaker suddenly appears in person and asks Steven "Would you dare play those little games again?", Steven moves to attack him, but finds this impossible; Steven's own strength is turned against him. The Doctor calms Steven down and orders both his friends into the TARDIS.
The Toymaker offers the Doctor a chance to serve him and share in his power, but the Doctor refuses and claims victory as he enters the TARDIS. A moment later, the Doctor re-emerges angrily to accuse the Toymaker of tampering with his ship. The Toymaker reminds him that the Trilogic game is not over; he must make move 1023 in order to leave. The Doctor moves to do so, but realises he can't — for when he does, the Toymaker's world will vanish, along with everyone in it.
In the TARDIS, the Doctor explains to his companions that the Toymaker is immortal and though his world may be destroyed, he can merely build a new one. They must find a way to finish the game and leave safely. The Toymaker begs the Doctor to let him have the TARDIS, as "it would be such an amusing toy". The Doctor asks for the Trilogic game to be moved inside the TARDIS, but the Toymaker refuses and says they must either stay there forever or make the last move and be destroyed. Steven offers to go outside and make the move himself so at least the Doctor and Dodo can escape, but the Doctor refuses to allow it — causing Steven to comment that they're not going to get anywhere by trying to talk their way out of the situation.
The Doctor is suddenly inspired by Steven's comment and, after Steven presets the controls, he attempts to orally command the Trilogic game to move forward, as the Toymaker had done. His first attempt fails, which the Toymaker laughs at, but then the Doctor imitates the Toymaker's voice and the move is made. He instantly commands Steven to throw the master switch, and the TARDIS safely dematerialises as the Toymaker's world is destroyed in a large explosion.
Safely on their way again, the travellers celebrate with a bag of sweets, which Cyril gave Dodo earlier. The Doctor puts one in his mouth, but suddenly yelps in pain and grabs his jaw...
Cast[]
- Dr. Who - William Hartnell
- Steven Taylor - Peter Purves
- Dodo Chaplet - Jackie Lane
- Toymaker - Michael Gough
- Joey the Clown / King of Hearts / Sergeant Rugg - Campbell Singer
- Clara the Clown / Queen of Hearts / Mrs. Wiggs - Carmen Silvera
- Cyril / Kitchen Boy / Knave of Hearts - Peter Stephens
- Joker - Reg Lever
- Dancers - Beryl Braham, Ann Harrison, Delia Lindon
Uncredited cast[]
- Dr. Who's hand - Albert Ward
Crew[]
- Assistant Floor Manager - Elisabeth Dunbar
- Choreographer - Tutte Lemkow
- Costumes - Daphne Dare
- Designer - John Wood
- Incidental Music - Dudley Simpson
- Make-Up - Sonia Markham
- Producer - Innes Lloyd
- Production Assistant - Snowy White
- Script Editor - Gerry Davis
- Special Sounds - Brian Hodgson
- Studio Lighting - Frank Cresswell
- Studio Sound - Alan Fogg
- Theme Arrangement - Delia Derbyshire
- Title Music - Ron Grainer
Animation team[]
- Production Studio - Shapeshifter Studios
- Art Director and Lead Artist - Anya Shcherban
- Visual Development and Lead Animator - Caitlin Cao
- Modeller - Irene Martinez Pascual
- Animators - Adam Boys, Chloe Grech, Jarra Vlasto
- VFX and Compositor - Chris Downey
- Additional Animation and Compositing - Tiana Blaiklock, Justin Leung
- Additional Concept Artists - Selina Fenech, Richard de Garyalho
- Animatic Editor - Hannah Lyn Walker
- Intern - Julian Michailidis
- IT Support - Richard Narramore
- Motion Capture Consulting - Raised by Monsters
- Motion Capture Producer - Matt Hermans
- Motion Capture Artists - Adam Boys, William Bartolo, Amanda McGregor, Lucia May, Lloyd Alison Young, Anya Shcherban
- Sound Restoration & Mastering - Mark Ayres
- Opening Titles - Rob Ritchie
- Script Supervisor - Mark B. Oliver
- Consulting Producers - Gary Russell, Lee Binding
- Production Assistant - Jarra Vlasto
- Production Manager - Chloe Grech
- Special Thanks to - Richard Bignell, Steve Bryant, Persephone Devjak, Robbie Dunlop, Toby Hadoke, Paul Hembury, Kieran Highman, Si Hunt, Kaleidoscope, Bradley McFarlane, Daniel Pham, Andrew Pixley, Peter Purves, Luis Quesada, Paul Rhodes, Basil Sands, Paul MC Smith, Luke Spillane, Robert Wyn
- Technical Director - Andres Romero
- Series Producer - David Devjak
- QAR - The Ark
- Business and Legal Affairs - Linda Duncan
- Production Finance - Esther Onifade
- Consumer Products - Fiona Ball
- Directed by - David Devjak (The Celestial Toyroom), David Devjak & Chloe Grech (The Hall of Dalls), Adam Boys (The Dancing Floor & The Final Test)
- In association with - Shapeshifter Studios and Big Finish Creative (UK) Limited
- Executive Producers - David Devjak, Jason Haigh-Ellery, Mark B. Oliver
- Executive Producer for BBC Studios - Russell Minton
Worldbuilding[]
- Dodo initially speculates that the Doctor's invisibility is due to the Refusians.
- The Toymaker invented the memory window.
Story notes[]
- This story had the working titles The Trilogic Game and The Toymaker. The then script editor Donald Tosh did rewrites on the script, as Brian Hayles was unavailable. As Tosh was departing from the show, he agreed with Hayles to take the writer's credit with Hayles being credited for the idea. But then once Gerry Davis was appointed as script editor, he was forced to make additional rewrites due to a budget shortfall which led to Tosh refusing to be credited as he did not approve of these changes. As Davis was unable to be credited due to being the current script editor, this left Hayles as the sole credited writer, even though he had not worked on the story for three months and the final scripts bore almost no resemblance to what he originally wrote. [1]
- Only the fourth episode of this four-part story, "The Final Test", exists in the BBC Archives as an incomplete 16mm black-and-white film telerecording, which is missing the closing "Next Episode" caption (see Home video and audio releases below). It was found by the ABC in Australia during the early 1980s, but the reel had actually originated from Singapore.[source needed]
- This is the first of six scripts to be written by Brian Hayles and (out of those six) one of only two not to feature the Ice Warriors.
- Ever since John Wiles took over as producer, he had endured an adversarial relationship with William Hartnell. He and Donald Tosh were also cognisant of Hartnell's declining health, which was robbing him of energy in the studio and impairing his ability to accurately recall his lines. Wiles and Tosh felt that the story's fantastical nature presented an opportunity to recast the Doctor, especially since it coincided with the expiry of Hartnell's contract. The serial had been structured so that the Doctor would be mute and mostly invisible for much of the narrative. It was suggested that, when he reappeared in the story's closing minutes, he could now be played by a different actor, who would then take over the series from Hartnell. A lingering doubt would be left in the minds of Steven and Dodo (and the viewers) as to whether the new character was really the Doctor, or part of another of the Toymaker's ploys. However, this scheme was soon vetoed by Wiles' superiors, and Hartnell was subsequently given a contract extension.
- The Toymaker was due to return in The Nightmare Fair, and Michael Gough was approached to reprise his role, but this was never made due to BBC1 Controller Michael Grade having unexpectedly decided to postpone the series for eighteen months.[source needed] This was part of the unmade Season 23 in 1986, which was later made into a Target Missing Episodes novelisation and a Lost Stories audio story; the latter starring David Bailie as the Toymaker, as Gough had long since retired from the acting profession.[source needed]
- Radio Times credits "Michael Gough as the Toymaker" for all four episodes, and "Dancers: Beryl Braham, Ann Harrison, Delia Lindon" for "The Dancing Floor"; with the other supporting cast members credited without specific roles under the heading "with" in the programme listings for all four episodes.
- In "The Hall of Dolls", whilst deciding which of the seven chairs — six of which are deadly, while one remains safe — to choose, the King of Hearts recites a version of the children's counting rhyme "Eeny, meeny, miny, moe" (used to select a person to be "it" for games and similar purposes), which includes the "n-word" in the second line. The use of this word was still considered acceptable by the BBC at the time of the story's original 1966 broadcast. Although the rhyme is still present on BBC Audio's CD release of the story's soundtrack, it has been obscured by Peter Purves's narration to correspond to modern views on the use of the "n-word". On the 2024 DVD release, the audio track is briefly muted after the first line of the rhyme to remove the use of the word, both in the animated and photographic reconstructions.
- Similarly, the word "celestial" is itself an old slur used to describe the Chinese. "The Celestial Toyroom" could therefore be the first Doctor Who episode to include a slur in its title. However, "celestial" can also be used to refer to something relating to outer space (which is where the Toymaker is from).
- William Hartnell was on holiday for the recording of "The Hall of Dolls" and "The Dancing Floor", and so the Doctor's appearances during the Trilogic game scenes is limited to pre-recorded dialogue for the former and a disembodied right hand (that of extra Albert Ward, sporting the Doctor's signet ring) for both episodes.
- Though Gerry Davis and Innes Lloyd received their first credits for a full serial, both men had in fact worked on Doctor Who before. Evidence of Lloyd's presence in the production office extends at least back to 26 January 1966, when he sent scripts of the first two episodes of The Gunfighters to director Rex Tucker. This was the same week that "War of God" first went in front of the cameras. John Wiles, however, may still have been around for at least some of the recording of The Massacre. By 14 February, a few days before "The Steel Sky" was recorded, Lloyd was fully in charge of the series. Thus he was known to have at least produced The Ark, and perhaps some of The Massacre, before receiving his first on-screen credit for The Celestial Toymaker. Davis, meanwhile, had actually received a credit on "Bell of Doom".[source needed]
- This was the first story to make use of flashbacks to past Doctor Who adventures. In this case, clips of Steven from The Daleks' Master Plan and The Massacre were screened in the Memory Window.
- Following the completion of the serial, the Trilogic Game prop came into the possession of Peter Purves, who was very pleased with Steven's increased importance in the serial. Unfortunately, after leaving Doctor Who, Purves endured a year and a half without work and came to see the Trilogic Game as the source of his bad luck. He finally discarded the prop, and ironically was rewarded with a role in Z-Cars the following day; and, shortly after that, came to the offer to become a presenter on Blue Peter.[source needed]
- This is the last story with missing episodes until The Invasion for which no tele-snaps are known to exist, due to the incoming production team resuming their usage. As such, only audio recordings and production stills exist for the first three episodes. Unofficial reconstructions even use screenshots from "The Final Test" to portray the episodes visually.
- The original storyline for the serial was very different, and much more adult and satirical in scope. After he was fired, however, John Wiles massively overspent on The Ark as a final act of spite against his superiors, leaving the incoming team of Innes Lloyd and Gerry Davis virtually nothing to make this story with. Davis therefore had to do a massive rewrite, cutting the story right down in order to accommodate filming with as many pre-existing sets and costumes as possible, changing the story's tone from satirical to surreal.[source needed]
- A crucial elements of Hayles' storyline was the involvement of a sinister older couple, and it was decided that they should be named after the title characters of the 1937 play George and Margaret by Gerald Savory, who was now the BBC's Head of Serials. The twist in the tale was that, although the entire story revolved around the imminent arrival of the eponymous duo, the play ended just as they were about to appear. Brian Hayles thought it would be amusing to finally depict George and Margaret in the flesh, but as pawns of the Toymaker who would play various games against Steven and Dodo. Both John Wiles and Donald Tosh had been very keen on this notion, and Savory's permission had been secured. Unfortunately, less than a month before the start of production, Savory had a change of heart, and instructed that George and Margaret should be excised from the serial. At this stage, Bill Sellars had already cast Campbell Singer and Carmen Silvera, and now neither Hayles nor Tosh was available for further revisions. As such, Savory gave Gerry Davis permission to undertake whatever modifications he felt were necessary to render the scripts usable. Reverting to the darker approach Hayles had initially pursued, Davis either replaced or merged George and Margaret with various pairs of characters who could be played by Singer and Silvera: the clowns Joey and Clara, the King and Queen of Hearts, and the pantomime figures of Sergeant Rugg and Mrs Wiggs.
- Cyril was originally going to take the form of the Artful Dodger from Oliver Twist.[source needed]
- The Dylan cap that Dodo wears was Jackie Lane's own.[source needed]
- It is believed the cliffhanger reprise from the fourth episode, "The Final Test", is surviving footage from the preceding episode, "The Dancing Floor", due to the surviving off-air soundtrack of the third episode syncing perfectly with the footage found in the fourth episode. This remains unconfirmed, however.[source needed]
- In the script for "The Hall of Dolls", the infamous "Eeny, meeny, miney, moe" scene simply dictates that the King of Hearts closes his eyes and recites the rhyme, without giving any specifics. Campbell Singer was the one who decided to use a version that included the "n-word".[source needed]
- The Toymaker's robes (a stock outfit from the BBC's wardrobes) were previously worn by Mark Eden in Marco Polo.[source needed]
- In an interview, Peter Cushing stated that he believed that his incarnation of the Doctor was canon. According to his theory, the Celestial Toymaker had kidnapped a future incarnation of The Doctor, wiped his memory and made him relive all his past adventures. This theory preceded the establishmnent of the concept of regeneration.[source needed]
- The Trilogic game was inspired by the Tower of Hanoi. Although it was actually invented in 1883 by a French mathematician called Édouard Lucas, its popular association with East Asia prompted the depiction of the Toymaker in the garb of a Chinese mandarin.[source needed]
- The original script featured a complex set-piece in a maze. Donald Tosh changed this to a game of hunt the key.[source needed]
- Michael Gough enjoyed working on the story so much that he encouraged his then-wife Anneke Wills to take the role of Polly.[source needed]
- The Toymaker was envisioned as possibly being another member of the Doctor's race: a more malevolent version of the Monk.
- The "Hunt the Key" scene replaced an elaborate sequence in a maze.
- Prior to the recovery of a high-quality recording in 2018, many of the off-air audio recordings that existed for the missing episodes of The Celestial Toymaker (such as those included in the Loose Cannon reconstruction and the 2001 BBC Audio CD release) were of a significantly lower quality than those of many other missing First and Second Doctor serials. This was due to the fact that Graham Strong, who had recorded the audio of many of these missing episodes, had since disposed of his recordings of The Celestial Toymaker due to his dislike of the story.[2]
Competition in the Toyroom[]
Producing The Celestial Toymaker wasn't easy, even by Doctor Who standards. Most of the difficulties stemmed from the fact that it arose at a time of transition in the production office. Though commissioned by the team of producer John Wiles and script editor Donald Tosh, it was ultimately completed by the new team of Innes Lloyd and Gerry Davis. The two sides simply had very different ideas about how the story should proceed.
All four episodes were in fact written three different times. When Brian Hayles delivered all four original scripts, Tosh and Wiles immediately saw that the scripts could not be practically realised, and thus Tosh rewrote them entirely (Hayle was unable to perform re-writes due to his commitment to the football drama United!, which he co-created). By the time he was finished, though, he was no longer script editor. Davis, his replacement, now had to deal with the fact that Tosh had inserted the use of the title characters from a play called George and Margaret by Gerald Savory without obtaining permission. Since Savory was now Head of Serials, and had the power to veto scripts, he quickly rejected Tosh's approach to The Celestial Toymaker.
Davis, therefore, had to tackle the scripts again. These rewrites got Savory's approval, but the old production team were left wondering what had happened to their scripts. Tosh opined that Davis' approach was "much lighter, more pantomime" than his own. The results were no more pleasing to John Wiles, who wrote a memo to Savory on 25 February 1966, after he had technically left the Doctor Who production office. In it, he claimed that the central battle of wills between the Doctor and the Toymaker had been downplayed to the benefit of new elements involving a more childish confrontation between the companions and the Toymaker's creations. Ultimately, Wiles would have liked to have seen the entire production halted, since its commissioning producer and script editor had gone — and with them, the original, more adult intent of the story.[1]
However, the story's problems weren't over even after Davis' script had been recorded. After the transmission of "The Dancing Floor", the BBC had to field charges from the estate of Charles Hamilton that the character of Cyril was in fact meant to be his popular children's character, Billy Bunter. The problem was exacerbated by the fact that actor Peter Stephens had ad-libbed the line "Known to my friends as Billy" during recording. Therefore, the BBC were forced to take a step never taken before or since: they had to have a special continuity announcement at the end of "The Final Test" which declared that the character of Cyril was not meant to be Billy Bunter, but merely a character like him.[3]
Changes in the animated version[]
- The audio is edited at multiple points throughout to remove various line fluffs, though some are still retained. Numerous sound effects are also added and the Toymaker's voice is altered in certain scenes so it has more of an echo.
- Many of the story's sets are drastically redesigned to give them a more surreal and abstract appearance.
- Instead of being fully invisible during the first TARDIS scene, a thin, hazy outline is present around the Doctor's body.
- Whenever the Toymaker communicates with Steven and Dodo, he appears as a giant figure towering over them.
- The Toymaker possesses the ability to change his size at will.
- Instead of showing an image in the memory window of hundreds of TARDISes moving past on a conveyor belt to the Doctor, Steven and Dodo, the Toymaker instead projects an image above his head of hundreds of TARDISes of varying sizes floating around him.
- The Trilogic Game board is an upside down pyramid which is divided into sections that rotate randomly and the Trilogic Game pieces never fully connect together; there is a small gap between each piece.
- The design of Clara is significantly altered; rather than having the rough appearance of a human woman, she is instead a miniature rag doll with button eyes.
- The booth where the instructions for Blind man's buff are conveyed has the appearance of a wind-up car instead of being a simple glass tube. It is also capable of moving instead of being stationary.
- The Blind man's buff course has a considerably more abstract design involving the player walking at 90 degree angles for much of it.
- The Hearts family have a far more stylised appearance, having comparatively low-poly models similar to origami and moving at a lower frame rate reminiscent of stop-motion animation. The Joker is also vastly reduced in height.
- The King of Hearts' recitation of "Eeny, meeny, miny, moe" is muted due to its use of a racial slur.
- When Dodo sits in the freezing chair, her skin begins turning to ice.
- The chair that the King and Queen of Hearts sit in ties ropes around them instead of collapsing inwards on them.
- The ballerina dolls look much more doll-like than they did in the original production.
- Mrs. Wiggs has a completely different and simplified design that makes her look like a knitted doll, while Sergeant Rugg and the Kitchen Boy are given shiny textures that give them the appearance of porcelain dolls.
- Mrs. Wiggs' plates have pictures of the TARDIS on them.
- When the Toymaker reprimands Mrs. Wiggs and Sergeant Rugg for allowing Steven and Dodo to escape, he initially appears to them atop the perch of the cuckoo clock on the kitchen wall.
- When Steven and Dodo enter the Dancing Floor, the scene of the ballerina dolls finishing their dance is replaced with a surreal hallucinatory sequence set to the original incidental music.
- Cyril, while resembling his live-action counterpart more so than most, still has a more exaggerated appearance than he initially did.
- Instead of simply throwing the dice onto the triangle they are on, a floating triangle is provided for Cyril, Steven and Dodo to throw their dice into.
- Cyril is directly shown spilling slippery powder onto the triangle instead of it only being revealed after his demise.
Ratings[]
- "The Celestial Toyroom" - 8.0 million viewers
- "The Hall of Dolls" - 8.0 million viewers
- "The Dancing Floor" - 9.4 million viewers
- "The Final Test" - 7.8 million viewers
Filming locations[]
Production errors[]
Original production[]
- Michael Gough trips up on a line in "The Celestial Toyroom" (taken from the existing audio recording). When Steven asks the Toymaker "What do you mean, 'the real one'?" (i.e. the TARDIS), he replies "As you - as you have seen, I have many copies."
- Campbell Singer fluffs a line as Sergeant Rugg in "The Dancing Floor" (taken from the existing audio recording), when he says to Dodo "Well, Mrs. Wiggs has got much too warm a heart to creep - keep a quarrel going, Miss".
- During a scene in "The Final Test" where the Doctor is playing the Trilogic game, a shadow can be seen behind the game even though only he and the Toymaker are in the room.
- During the Trilogic game scenes in "The Final Test", the table top is often clearly visible through the Doctor's disembodied right hand and sometimes through the game pieces.
- Whenever the Toymaker advances the Trilogic Game, some of the pieces are shown to be placed at different angles to how they were before he advanced it.
- When Cyril is telling Steven the TARDIS hopscotch floor is electrified in "The Final Test", crew members are visible in the reflection on the wall behind them. This also happens when Cyril is stepping onto the first triangle to begin the game.
- On one of Cyril's moves, he's standing next to the dice indicator and it's shown to have settled on 2 before Cyril has even thrown his die.
- There are multiple occasions during TARDIS hopscotch in which the turns are played out of sequence. For example, after Cyril sends both Steven and Dodo back to the start it should be Dodo's turn next, as Cyril landed on her square while taking the previous turn, but instead it's Steven who takes the next turn.
- Peter Stephens fluffs a line as Cyril, when he says to Dodo "You can go back to the start for—" and then makes a few garbled noises before finishing with "—for moving out of your triangle."
- In "The Final Test", when the Toymaker teases the Doctor and his companions via a toy robot's chest-mounted video screen, and before he suddenly appears in person, the shadow of a boom microphone falls across the robot during Steven's line "Your power? We won through, didn't we?"
- During the TARDIS interior scene in "The Final Test" where the Doctor says to the Toymaker "I will not come out and make that final move", and the Toymaker replies "Then you must stay there forever", the TARDIS's scanner screen image of the Toymaker has the TARDIS itself in the picture.
Animated version[]
- During the kitchen scene, the Trilogic Game counter is shown to be on 840. But when Steven and Dodo go through to the door to the Dancing Floor, it is on 837.
Continuity[]
- The Toymaker, after this story, would become a minor recurring villain with the DWU, appearing in stories in many mediums.
- The Doctor cries out in pain in the cliffhanger that concludes the story, later revealed to be caused by a toothache triggered by biting into a hard sweet, an event for which he will need a dentist. (TV: The Gunfighters)
- After being conditioned by the artificial intelligence WOTAN on 20 July 1966, Dodo suffered a nervous breakdown. She left the TARDIS soon after. Her claims to have played games with living dolls and other similarly outlandish stories resulted in her being sent to a psychiatric institution. (PROSE: Who Killed Kennedy)
- Steven sees himself on the planet Kembel and in 16th century Paris in flashbacks to TV: The Daleks' Master Plan and The Massacre respectively, and also refers to the Monoids from The Ark.
Home video and audio releases[]
VHS release[]
- The surviving episode, "The Final Test", was released on VHS as part of The Hartnell Years in 1991.
Notes[]
- The cliffhanger scene skips over the "Next Episode" caption, because the corresponding frames are missing from the existing 16mm black & white film telerecording.
DVD releases[]
- "The Final Test" was digitally re-mastered and released on the Lost in Time DVD box set in 2004. For this release, the "Next Episode" caption was reconstructed and restored, although it erroneously reads "Next Episode: HOLIDAY FOR THE DOCTOR" rather than "A Holiday for the Doctor". Editing of the surviving episode's DVD release was completed by the Doctor Who Restoration Team.
- All four episodes were animated in black-and-white and colour and released, alongside the newly restored "The Final Test", on DVD, Blu-Ray and Blu-Ray Steelbook on 10 June 2024. For this release, the "Next Episode" caption at the end of "The Final Test" was corrected to instead read "A Holiday for the Doctor".
Special features[]
- Commentary (moderated by Toby Hadoke):
- Episode 1 - The Celestial Toyroom: Actor Peter Purves
- Episode 2 - The Hall of Dolls: Camera operator Dudley Darby
- Episode 3 - The Dancing Floor: Actor Peter Purves, dancer Delia Lindon and make-up assistant Sylvia James
- Episode 4 - The Final Test (animated): Actor Peter Purves and animation series producer/director David Devjak
- Episode 4 - The Final Test (live-action): Actor Peter Purves and camera operator Dudley Darby
- Production Subtitles - On-screen text commentary concerning the making of the original serial and comparing the adventure in its various forms
- The Celestial Toymaker - Photographic reconstruction of the first three episodes from off-screen and production images with soundtrack recordings. This has optional narration by Peter Purves originally recorded for BBC Worldwide's soundtrack CD release and released in April 2001.
- Photo Gallery - Images from the BBC Photo Gallery and designer John Wood accompanied by sound effects by Brian Hodgson
- The Doctor Who Collection Escape Room: Team First Doctor - Emily Cook hosts actors Maureen O'Brien, Peter Purves and Lisa Bowerman's experiences in a Doctor Who-themed escape room
- Carmen Silvera Interview - An audio interview with the actress who appeared in the serial recorded on 20th September 1986 at His Majesty's Theatre, Aberdeen by Ewan Morgan and Ian Fraser
- Making the Animation - A look at the 2024 version featuring animator Jarra Vlasto, producer and series production manager Chloe Grech, lead animator Caitlin Cao, compositor Chris Downey, series producer/director David Devjak, director Adam Boys, art director Anya Shcerban and producer/researcher Gary Russell
- Doctor Who: The Hartnell Years - From the VHS videotape, Sylvester McCoy's introduction to "The Final Test" recorded at the BBC Enterprises exhibition store in Acton on 12th February 1991
- Documents - A full set of camera scripts and 'Radio Times' cuttings for 'The Celestial Toymaker' and a BBC press release in PDF format accessible via a computer DVD or Blu-Ray ROM drive
Audio releases[]
- The soundtrack for the story was released on CD, with linking narration by Peter Purves, on 2 April 2001. This edition was re-released in 2011 as part of the box set Doctor Who: The Lost TV Episodes - Collection Two.
- The story was released again on Vinyl by Demon Records, also with the Peter Purves narration, on 30 September 2022.
External links[]
- The Celestial Toymaker at the BBC's official site (includes a video clip)
- The Celestial Toymaker at RadioTimes
- The Celestial Toymaker at BroaDWcast
- The Celestial Toymaker at the Doctor Who Reference Guide
- The Celestial Toymaker at Shannon Sullivan's A Brief History of Time (Travel)
Footnotes[]
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