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You may be looking for Revolution of the Daleks.

Revelation of the Daleks was the sixth and final serial of season 22 of Doctor Who.

The story continued a schism between the Daleks into the Imperial and Renegade factions, and featured the Sixth Doctor's first interactions with Davros as well as the destruction of Davros's right hand. It was the last Doctor Who story to be produced in forty-five-minute episodes until Rose in 2005. It was also the last televised two-parter until Dimensions in Time in 1993, and the last full-length two-parter until Aliens of London / World War Three in 2005. It was also the last Doctor Who story to have its location scenes shot on film.

This story was nearly the final Doctor Who serial ever made; ultimately, the show was put on hiatus for the following eighteen months instead. The original ending had the Doctor tell Peri they were off to Blackpool, leading directly into The Nightmare Fair. The ending was changed to a freeze-frame before the Doctor could complete the sentence, leaving his destination open. (DOC: The Lost Season) The Nightmare Fair was later adapted into a novel in 1989, and eventually produced in the form of an audio story in 2009.

Synopsis[]

The Doctor and Peri arrive on the planet Necros to visit a facility called Tranquil Repose, where the wealthy can have their bodies cryogenically frozen until medical science can cure them of their ailment. The Doctor wishes to pay his last respects to his friend, Professor Arthur Stengos, but it turns out this is just a ruse to lure him into a trap. The Great Healer masterminding the ruse is in fact Davros, who has been using the organic material in cryogenic storage to create a whole new army of Daleks to conquer the universe.

Plot[]

Part one[]

The TARDIS lands on Necros, the planet housing the funeral home and suspended animation centre Tranquil Repose. The Sixth Doctor and Peri Brown have come to visit an admitted acquaintance. The Doctor materialises the TARDIS some distance away from the facility so as not to draw attention, so he and Peri have to walk to the facility. On the way, the Doctor points out great numbers of flowers similar to the soybean in food versatility. During their walk, the Doctor is attacked by a mutant, who Peri accidentally kills whilst trying to save the Doctor. Before he dies, the mutant tells the Doctor that the Great Healer used him as a genetic experiment. His appearance and hostility were caused by these experiments.

At Tranquil Repose, a disc jockey plays songs and entertains those in suspended animation, keeping them aware of current events. However he does not share the fact that cures for some of the afflicted were perfected decades ago. The DJ notices the arrival of the Doctor and Peri through his camera.

Memento

The Sixth Doctor finds a statue, created in memory of him.

Meanwhile, a couple, Natasha and Grigory, have illegally entered Tranquil Repose, also looking for the scientist the Doctor is visiting — Arthur Stengos, Natasha's father. They find his assigned suspended animation capsule empty. Shocked, they continue looking and proceed deeper into the facility, where they find a dark room filled with pulsating brains and other experiments. Grigory walks past a Glass Dalek casing with a mutating red creature inside it. It opens its eye and when Natasha looks at it, the creature says her name. Natasha realises it is her father, and he discloses that he is being changed into a Dalek.

Elsewhere, Kara awaits visitors. Kara is an executive whose company distributes a protein food supplement throughout the famine-decimated galaxy, but she has actually been creating the food supplement out of the bodies of those at Tranquil Repose, with no intention of ever bringing healing to most of its residents, as the famine has made it unreasonable to allow more people back into the population. She fell under the authority of the Great Healer when he took over operations at Tranquil Repose. In actuality, the Great Healer is Davros, who is now apparently reduced to a disembodied head in a tank as a result of being infected by the Movellan virus, and is leading Daleks loyal to him. He takes virtually all the money she makes, leading her to hire the mercenary Orcini and his grubby squire, Bostock to assassinate him. Orcini accepts the contract solely for the honour of killing Davros, and Kara gives him a transmitter with a five-button passcode that must be entered when he enters Davros's headquarters. With Davros eliminated, she believes she will have the power and the capital to control the galaxy.

Back in the lab, Arthur explains to Natasha and Grigory that the brains of everybody in Tranquil Repose are being changed into new Dalek mutants. He says his mind has been conditioned to serve "the Great Healer", but he can't remember who "the Great Healer" actually is. He tells his daughter to kill him before he fully mutates, and begins to exclaim Dalek rhetoric. When Natasha hesitates, Grigory pulls his own gun, but Natasha stops him and shoots her father herself. The two are then captured, thrown in a cell, and questioned by Takis and Lilt, who try to inebriate Grigory to get him to talk.

The Doctor and Peri finally arrive at Tranquil Repose, but as they are about to enter, they find a giant statue of the Doctor in the Garden of Fond Memories. The Doctor realises this means that he will die here in his current incarnation. As he tries to come to terms with this, Peri cries out in alarm and the statue falls towards the Doctor, collapsing on top of him...

Part two[]

Peri sees Mr Jobel and tries to enlist his help, but he says there is nothing they can do; the Doctor must surely have been crushed. However, the statue is not made of stone, and the Doctor isn't harmed. He believes somebody raised it to get his attention. Inside Tranquil Repose, he and Peri are greeted by the hostess Tasambeker. Intrigued by the DJ's recordings, Peri wants to meet him and the Doctor urges her to do so, despite having the amorous Jobel as a companion. In the meantime the Doctor wants to see the person who erected the statue dedicated to his passing. He suspects trouble.

Elsewhere in the facility, Orcini begins his mission to assassinate Davros, but when he destroys a Dalek, Davros is notified. He is convinced that Kara has sent assassins, so he deploys Daleks to bring her to him. They obey, killing her secretary in the process.

Davros hover

Orcini, with only one leg.

While Peri is on her way to meet the DJ, the Daleks capture the Doctor. He is thrown in the cell with Natasha and Grigory, but they are soon rescued by Orcini as he makes his way to find Davros. Orcini eventually penetrates Davros's lair, and he and Bostock empty their guns into Davros' life-support system. Davros appears to be killed by the ensuing explosion, but Orcini realises the kill was too easy. Sure enough, the real Davros — who has survived the virus unscathed — appears with a group of Daleks. Orcini and Bostock try to shoot their way out, but they are quickly subdued, with one of Orcini's legs blown off in the fight. The Daleks with Kara arrive, and Orcini betrays her motives to Davros. Shocked, Kara states that they are both dead. Orcini responds, "You before me," and kills her for her betrayal — the "transmitter" she'd given him to contact her was actually a bomb.

Natasha and Grigory infiltrate the incubator room yet again. They plan to destroy the brains scheduled for metamorphosis, but when Natasha tries to fire her gun, it dies for lack of power. Grigory reckons there's a way to disempower the brain incubator console, and he presses some buttons but stops when Natasha sees a glass Dalek incubator materialise.

The Doctor, via communicator, tells Peri to get back to the TARDIS and hail the President's ship, which is en route with the body of the deceased First Lady. The DJ offers Peri the use of his equipment. Overhearing the transmission, Davros orders the DJ killed and Peri captured. Seeing the oncoming attack, the DJ produces a sonar weapon and blows up the Daleks as they enter his room. He can only hold them off for so long, however, and he is eventually killed and Peri captured. The Doctor overhears the events via the DJ's broadcast, and he rushes to save her but is caught en route by two Daleks.

Back in the incubator room, Natasha and Grigory plan to escape before the appearing Dalek fully forms. They make their way to the door, but Natasha turns around and notices the glass Dalek has disappeared. The two look up to see a Dalek machine flying high above the ground towards them. They try to open the door, but the flying Dalek exterminates them. The Dalek is then destroyed when Grigory's sabotage seemingly causes the incubators to explode.

In his laboratory, Davros gleefully informs the Doctor of Natasha and Grigory's deaths and reveals that even had they succeeded in destroying the laboratory, it would have achieved nothing, as his main force of Daleks is safely hidden elsewhere. As he goes to activate his army of Daleks, Bostock retrieves his gun and blows off Davros's hand. Bostock is immediately exterminated by a nearby Dalek, and a furious Davros vows to have the Doctor and Peri converted into Daleks as revenge for all the problems the Time Lord has ever caused him.

Meanwhile, Daleks loyal to the Supreme Dalek arrive from Skaro, called by Takis who sought to end Davros's control over Necros. The forces of the Dalek Empire demand to be taken to Davros, and Takis leads the way. Shortly afterwards, some of Davros's Daleks appear, and the two factions battle. The Skarosian Daleks win and progress toward Davros.

Davros is shocked when the newly arrived Daleks enter the room and declare their intent to take over his operations on Necros. He tries to persuade them to capture the Doctor; however, they do not recognise the Doctor because of his regeneration. The Daleks inform Davros that he is to be taken back to Skaro to be put on trial for crimes against the Daleks, while Davros's Daleks will be reprogrammed to serve the Supreme Dalek. Before being escorted away, Davros tells the Doctor that he will return. "And I shall be waiting for you," replies the Doctor.

I'll take you to-

"I'll take you to-"

After the Daleks leave with Davros, the Doctor and the others manage to destroy their lone Dalek guard. Orcini wants to explode the bomb before Davros's ship leaves — he hesitates and allows all to leave only because of the Doctor. The Doctor wants to set a timer, but Orcini says there is no time. They all rush out, and Orcini detonates the bomb while hugging the body of Bostock. Unfortunately, the blast does not destroy the escaping Dalek ship, which causes Peri to think that Orcini threw his life away for nothing. The Doctor reassures her that Orcini died for something very honourable: the destruction of Davros's new generation of Daleks.

With Tranquil Repose now devoid of its clients, and most of the facility having been destroyed by the explosion, the Doctor tells the surviving staff that they can continue to live their lives by cultivating the native weed plant, which can replace the food that Davros and Kara were supplying. With the ordeal over, Peri asks for a vacation. The Doctor agrees, proclaiming "All right, I'll take you to—"

(A freeze-frame occurs before the Doctor can name the intended destination.)

Cast[]

Crew[]

Worldbuilding[]

Necros[]

Language[]

  • The Doctor offers several synonyms for the word "interment".

Daleks[]

  • Bastic bullets can destroy Daleks.
  • A Necros Dalek visibly levitates at one point, without the aid of an antigravity mat or any similar device.

Davros[]

Individuals[]

Cultural references from the real world[]

Story notes[]

  • A transparent Dalek (frequently known as a Glass Dalek) appears for the first time — an idea devised by the series' original story editor, David Whitaker, for his 1964 novelisation of the creatures' debut story. Some accounts indicate that it was Terry Nation's original intention, but was abandoned for budgetary reasons.
  • This is the first time Davros and his Daleks are seen on screen to hover above the ground. However, Remembrance of the Daleks would be the first to show a Dalek hovering up stairs.
  • In part two, the DJ wears a pinstripe suit very similar to the one worn by the Tenth Doctor.
  • The story was supposed to end with the Doctor saying "Blackpool" to Peri, but this was cut prior to transmission (as a result, the story ends with a freeze-frame before the Doctor reveals this destination). This was to have led into the story The Nightmare Fair, production of which was cancelled due to the hiatus, though it was later adapted as a novel by Target Books as well as a Big Finish Productions audio story. The adventure would have featured the return of the Celestial Toymaker, who hadn't been seen since 1966.
  • This was the last Doctor Who story to use the practice of shooting interior scenes on videotape and location scenes on film, something that had been in place since The Reign of Terror in 1964 and in many other British television productions, although it had been falling out of favour since the start of the 1980s. Discounting the 1996 telefilm, it wasn't until Rose in 2005 that a film-like look was once again applied to Doctor Who, although in fact the series is recorded on standard-definition (HD from 2009-present) video and then "filmized". Therefore, Revelation of the Daleks remains the last standard television story to use true film in major scenes (film would still be used for most model shots for the rest of the classic series).
  • The Doctor and Peri appear entirely on film in part one and have no interaction with the characters portrayed in the videotaped segments, i.e. in studio.
  • This was the final televised serial to use Peter Howell's arrangement of the "Doctor Who Theme" that had been introduced in 1980. It was replaced by the arrangement by Dominic Glynn for Season 23.
  • The Radio Times programme listing for part one was accompanied by a black-and-white full-length photographic cut-out image of two of Davros' white and gold Daleks, with the accompanying caption "The Daleks are back and so is Davros, as The Doctor discovers when he visits the planet Necros / BBC1, 5.20 p.m. Doctor Who". (original published text)
  • Following the broadcast of this serial, the BBC decided to postpone the broadcast of the next season of Doctor Who. Although frequently called an "eighteen-month hiatus", the broadcast of the next episode of Doctor Who was only delayed by about nine months. It actually marked a return to an autumn premiere, as had been the standard during most seasons of the Hartnell, Troughton and Tom Baker eras. While this was technically the longest break between seasons of the 1963 version of the show, it was not entirely without precedent. Throughout the show's broadcast history, the BBC changed the time of year in which the show was broadcast, meaning that there was no "standard" gap between seasons. Viewers then used to a gap of only about three months between seasons were forced to endure a six-month gap between seasons 6 and 7. A gap of six months then became the de facto standard of the Pertwee/Baker eras. However, the exact inverse of what happened between Seasons 22 and 23 occurred between seasons 12 and 13. Then, the BBC moved the broadcast of Doctor Who up by a quarter, collapsing the gap between the two seasons to just three months in its desire to return the show to the autumn schedule. Things changed substantially immediately upon Tom Baker's departure. Viewers had to wait nine months between his final story and Peter Davison's first. The new twice-weekly broadcast schedule reduced the total time for a broadcast season to just three months. Nine-month gaps became the standard for the rest of the original series' run. Viewed in this light, an eighteen-month gap was the equivalent to the nine-month gap between Seasons 18 and 19.
  • Although Doctor Who returned to air in 1986, it was still "cancelled" after Revelation of the Daleks in the sense that the original season 23 was scrapped, with its associated costs being written off. The Trial season was mounted as part of the next financial year as opposed to being an immediate replacement for the aborted season.
  • "Moonlight Serenade" by Glenn Miller is being played by the DJ. The same song was also heard in The Empty Child. Both stories involve people speaking with American accents, despite not being from America — namely, the DJ and Jack Harkness respectively. Other songs that can be heard are "A Whiter Shade of Pale", originally by Procol Harum, and "Blue Suede Shoes", originally by Carl Perkins.
  • When this story was broadcast in the United States, Australia, Canada, Germany, United Arab Emirates and New Zealand, it was as four twenty-five-minute episodes. The part one cliffhanger sees Natasha and Grigory hiding in the catacombs as Takis and Lilt are wheeling a body through the tunnels, while the cliffhanger in part three features either the Doctor telling Peri that she's in great danger, or — in some edits of the story — Davros ordering his Daleks to kill the DJ.
  • The complete footage of the Doctor finishing his line "...Blackpool" at the end of the episode (a scene that was cut, being replaced by a freeze-frame in the finished programme) no longer exists.
  • This is the first Dalek story to explicitly show a Dalek that is capable of levitation. Though this ability was first implied in The Chase, the Daleks' groundedness was a recurring source of mockery among fans and even served as the butt of a joke in Destiny of the Daleks. From this story until Journey's End, all televised appearances of the Daleks would feature them levitating.
  • Terry Molloy takes credit for getting Davros to hover, with an off-the-cuff remark to Graeme Harper.
  • Colin Spaull was initially cast as the mutant, but was subsequently recast as Lilt.
  • Colin Baker ad-libbed the "No 'arm in trying" gag after Davros' arm is shot off.
  • Planned shots of the Daleks being blown into the sky had to be abandoned because they couldn't get the equipment to the location.
  • Eric Saward considers this to be his best work.
  • Joss Ackland, Tom Adams, George Baker, Ray Brooks, John Carson, James Ellis, Frank Finlay, John Fraser, Peter Gilmore, Julian Glover, Michael Gothard, Del Henney, Peter Jeffrey, Denis Lill, T. P. McKenna, Philip Madoc, Patrick Mower, Clifford Rose, Patrick Stewart, Nigel Stock, Anthony Valentine, Peter Vaughan, David Warner and Frank Windsor were considered for Orcini.
  • Real life DJs such as Alan Freeman, John Peel, Jimmy Savile and Dave Lee Travis were seriously considered for The DJ. Phil Collins, Robbie Coltrane, Kenneth Cranham, Roger Daltrey and Nicky Henson were also considered. According to REF: The Eighties, David Bowie was also considered.
  • Nerys Hughes was offered the role of Kara.
  • Roy Kinnear and Ronald Lacey were considered for Jobel.[1]
  • Robbie Coltrane and Pat Roach were considered for Takis.
  • John Nathan-Turner offered the role of the Mutant to seventy-five-year-old Laurence Olivier, though Nathan-Turner would later deny that this had been entirely serious.
  • Years prior to this story, Alexei Sayle impersonated a Dalek in The Young Ones episode "Boring". Colin Baker made a guest appearance in one episode's skit that was cut from the final broadcast.
  • Eric Saward thought up the idea of blue 'mourning' suits for Necros in order to cover up Colin Baker's costume, which he considered inappropriate for a drama series.
  • Jonathan Powell reacted badly to Jenny Tomasin's portrayal of Tasambeker. As such, both episodes were edited to reduce her screen time.
  • Eric Saward spent a holiday in Rhodes and this influenced the development of his scripts in several respects. Most notably, Orcini was inspired by the Knights Hospitaller who had occupied the island in the fourteenth and fifteenth centuries. Several names were also derived from Saward's time in Rhodes: Tasambeker from the saint Tsambeker (to whom barren women prayed in the hope of conceiving a child), Kara from a local potato called cara, and the planet Necros itself from the Greek word nekros meaning “corpse”. Other names were adapted from The Loved One, in particular Mr Jobel from Waugh's odious mortician Mr Joyboy. Vogel and Bostock were suggested by Mrs Bogolov and Mrs Komstock, while Arthur Stengos was taken from the cosmetician Aimée Thanatogenos (by way of a ferry boat owner whom Saward met in Rhodes).
  • Terry Molloy was ill with flu while taping.
  • The DJ came about when Eric Saward was driving home from a dinner and listening to a boring DJ on the radio. It led to him wondering how people in cryogenic suspension kept up to date with current events.
  • Graeme Harper later said that if he'd known it was going to snow on location he would have utilised it more.
  • According to Clive Swift, Jobel's wig falling off as he dies was the designer's idea.
  • Graeme Harper was appalled when he was told how early the story went out on Saturday and felt that the violence shown would not be allowed today.
  • This story has the distinction of being ranked as Doctor Who Magazine readers' favourite Sixth Doctor story in all four of their major polls, in 1998, 2009, 2014, and 2023. (DWM 591)
  • Natasha was named after Eric Saward's eldest daughter.
  • The DJ's attempts to destroy the Daleks using beams of focussed sound represented Eric Saward's efforts to improve upon a similar scene in The Visitation.
  • The colour of mourning on Necros was originally white, before eventually being changed to blue.
  • No complete Dalek casings had been constructed since Planet of the Daleks, and even those had been lower-quality “goon” Daleks. Of these, one top section and one bottom section survived. Apart from a skirt section made for exhibitions, the remainder of the BBC's complement of four Daleks consisted of parts originally fabricated back in the 60s. For this story, they were given a grey-and-black livery to serve as the Supreme Dalek's forces. Fortunately, visual effects designer John Brace was able to negotiate a deal with BBC Enterprises, the Corporation's commercial wing, to co-finance four new Daleks. Constructed by the BBC Visual Effects Department, they would appear wearing the white-and-gold scheme of the Necros Daleks, after which BBC Enterprises would have use of them for promotional engagements.
  • The glass Dalek was actually constructed out of perspex. It was the realisation of a concept Terry Nation had proposed when writing The Daleks. At the time, the idea had been abandoned due to the prohibitive cost of building such a prop.
  • Cold temperatures and a significant snowfall hampered efforts to reach Bollinge Hill Farm in Buriton, and tractors had to be hired to assist the crew.
  • The IBM North Harbour Building in Portsmouth offered a venue suitable for the Garden of Fond Memories. IBM donated its fee to a school in Cosham, which Colin Baker visited to present the cheque to the headmaster.
  • Alexei Sayle had previously published an article explaining why he should be cast as the Doctor.
  • There is an inconsistency in how Davros and Stengos are credited. Both appear in the first episode in the same manner that of only their heads being presented but only Alec Linstead is credited as playing Head of Stengos while Terry Molloy is simply credited for playing Davros not Head of Davros.
  • Clive Swift considered this to be the most bizarre production he ever took part in, including Pantomime.
  • According to Eric Saward on the audio commentary, Peri referring to the Doctor as "porkie" was based on John Nathan-Turner's criticisms about Colin Baker's weight.

Influences[]

  • Eric Saward confirmed fan speculation that the Evelyn Waugh novel The Loved One was his main inspiration for this story in the 2005 DVD commentary, with several characters in Tranquil Repose based directly upon names from Waugh's novel.
  • The synthesis of food protein from those Tranquil Repose clients Davros considers unworthy of becoming Daleks is highly reminiscent of Soylent Green. Saward said in the DVD commentary that he hadn't seen that film when he wrote Revelation of the Daleks.
  • Orcini and Bostock were modelled on Don Quixote and Sancho Panza.
  • According to the audio commentary, Kara was named after a potato Eric Saward had whilst on holiday.

Ratings[]

  • Part one - 7.4 million viewers
  • Part two - 7.7 million viewers

Myths[]

  • A rumoured working title was Conquest of the Daleks or End of the Road. (This was another story submitted by Eric Saward which involved the Daleks either fighting or teaming up with another monster but Terry Nation made writing conditions miserable.)

Filming locations[]

  • Bolinge Hill Farm, Buriton, Petersfield, Hampshire (Location of the TARDIS' arrival)
  • Queen Elizabeth Country Park, Gravel Hill, Horndean, Hampshire
  • Park Lane, Halnaker, West Sussex
  • Butser Hill, Queen Elizabeth Country Park, Horndean, Hampshire
  • IBM North Harbour Building, Portsmouth, Hampshire
  • Tangmere Aerodrome, Tangmere, West Sussex
  • BBC Television Centre (TC1 & TC8), Shepherd's Bush, London

Production errors[]

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.
Can you move yor legs

Orcini appears to move through Davros.

  • At the beginning of part one, the TARDIS door has clearly been left open.
  • Davros' chair is missing part of its base when hovering, leading to Orcini passing his leg through it. (This error has been corrected for the BBC DVD release.)
  • At the end of part two, the Doctor blows the Dalek up with a gun and checks for any more. Even though one is clearly seen down the tunnel, the Doctor continues as if it wasn't there.
  • The grey Dalek that is destroyed in Davros's laboratory clearly switches props from fully-functional Dalek to stunt Dalek as it is explodes: the prop that is blown up has a lighter-coloured mesh around its midsection than the fully-functional Dalek.
  • When Orcini kills one of the guards during "Part Two", the gun he uses fires without a sound effect. (This error has been corrected for the 5.1 mix of the BBC DVD release.)

Continuity[]

Home media releases[]

DVD releases[]

  • This story was released as Doctor Who: Revelation of the Daleks.

It was released:

PAL - BBC DVD BBCDVD1357
NTSC- Warner Video E2504

Special Features[]

  • Commentary by Nicola Bryant (Peri), Terry Molloy (Davros), Eric Saward (Writer) and Graeme Harper (Director)
  • Revelation Exhumed - The cast and crew of Revelation of the Daleks look back on the making of the story in this specially-made documentary
  • CGI Effects - The option to watch this story with some of the original effects replaced with new CGI versions
  • In Studio - A 15-minute look behind the scenes showing re-takes, fluffs and the working pattern of a BBC studio
  • Deleted Scenes - Three short scenes excised from the finished story
  • Optional Dolby Digital 5.1 Surround Mix - A new sound mix created especially for this DVD
  • Music-only Option - Listen to Roger Limb's music score on an isolated soundtrack
  • Continuity Announcements
  • Photo Gallery
  • Production Subtitles
  • Easter Egg: Video clip from the ADR recording for the 5.1 surround sound mix. To access this hidden feature, press left at Episode Selection on the Main Menu to reveal a hidden Doctor Who logo.

Notes[]

Video releases[]

This story was released by BBC Video in November 1999 as part of the second Dalek Tin set, alongside Planet of the Daleks, in the UK.

It was re-released in September 2001 as part of the BBC Video box set The Davros Collection, which was exclusive to branches of W H Smith. Both the front cover illustration and the rear sleeve text and photographs were identical to the previous release, but the fold-out video sleeve contained brand new story background information which had not appeared previously.

Differences between original and updated Visual FX[]

Revelation SE comparrison D

Some of the more subtle changes.

When Revelation of the Daleks was released on DVD, it included various new VFX sequences as optional replacements. Also, the soundtrack was remixed to 5.1 Surround Sound, with new Dalek voices in later scenes.

Revelation SE comparrison K

Some other changes, including the Dalek-teleport effect and the Davros-after explosion colour.

In part one, one notable change was to the colour and intensity of the beam fired from a laser gun. In the second, there were a number of changes to special effects. In the scene where the men try to kill Davros, for instance, Davros's lightning was replaced with slightly brighter CGI lightning. The explosion that occurs at the fake Davros's tank was originally turned purple, but in the re-edit, it was returned to normal. The colour after the explosion was changed from purple to blue. The Dalek extermination was replaced with a brighter effect, with the inverted area better selected. When Davros hovers, the effect under him is more defined.

Revelation SE comparrison M

The less subtle FX changes.

In later scenes, less subtle changes were made. One Dalek in the original was a model from the company Sevans, but it didn't look convincing enough on-screen. It is replaced with another specially constructed model Dalek, with an explosion effect extensively different from the original. When a Necros Dalek visibly hovers, the angle is changed to make its levitation significantly easier for viewers to discern. The explosion of Orcini's bomb at the end of the episode also varied greatly from the original, having been changed from a green "swirling" effect to a red "glowing" effect.

Blu-Ray[]

The story was released on Blu-ray as part of The Collection: Season 22 on 20 June 2022

External links[]

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