Publisher's summary[edit | edit source]
The TARDIS takes the Doctor and Turlough to the London of 1702 where a mysterious highwayman roams the streets, a local occultist has made contact with the dead and gentlemen of fashion are disappearing, only to find themselves in a chamber whose walls weep blood...
Plot[edit | edit source]
to be added
Cast[edit | edit source]
- The Doctor - Peter Davison
- Turlough - Mark Strickson
- Henry Gaunt - Nicholas Briggs
- Quincy Flowers / Ned Cotton - David Walliams
- Edmund Carteret - Jonathan Rigby
- Jasper Jeake - Mark Gatiss
- Poltrot / Major Billy Lovemore / Librarian - Jez Fielder
- Sir Nikolas Valentine - David Ryall
- Dr Samuel Holywell - Steven Wickham
- Hannah Fry - Julia Dalkin
References[edit | edit source]
- Hannah is given brandy to settle her nerves.
- The Doctor gives Turlough his 1928 edition of the Wisden Almanack.
- The Doctor considers cricket to be "the greatest game in the universe", and gives Turlough an extended lecture about it.
- The Doctor and Valentine play patience.
- The Doctor jokes that he is ‘here to read the meter’.
- Jasper learned of Edmund's death from Mother Connitt.
Notes[edit | edit source]
- This story was originally released on CD and cassette. It is now available as a download, as well as to stream on Spotify.
- This audio drama was recorded on 26 and 27 June 1999 at the Nu Groove Studios, London.
- This story is set between the television stories Resurrection of the Daleks and Planet of Fire.
- The title of the story comes from a type of a horror theatre invented in France around 1700. Later, Gatiss put this word in a line for Charles Dickens in his first TV story The Unquiet Dead.
- The idea for the story originated from a card-game sketch that was written by Gatiss and Jeremy Dyson and featured in The League of Gentlemen in 2000/2001.
- Gatiss's idea for a disguised highwayman comes from the film The Wicked Lady.
- Nick Briggs suggested to use the line from the script The Architect of Pain as the title. Other working titles included Chamber of Blood and Restoration.
- Gatiss did a lot of research into the way people spoke in the 17th century. But it was not used in the final version because it was too hard to understand for modern listeners.
- Alistair Lock's soundtrack to the story was released on CD in Music from the New Audio Adventures Volume 1, alongside the scores for The Fearmonger, The Marian Conspiracy and The Spectre of Lanyon Moor.
- It is the first Big Finish audio story to feature only one incarnation of the Doctor which in this case is the fifth, making him the first Doctor to have a Big Finish story where there is only the one actor playing the Doctor.
- Julia Dalkin is credited as Julia Deakin both on the Big Finish website and in The Big Finish Companion: Volume 1.
- The story begins on the day that William of Orange died: 8 March 1702.
Continuity[edit | edit source]
- Turlough enjoyed studying history at Brendon Public School on Earth in 1983. (TV: Mawdryn Undead)
- The Doctor finds a cricket ball and a ball of string in his pocket. (TV: Four to Doomsday)
- The Doctor tells Turlough that he has seen — and was very impressed by — a Type 70 TARDIS. (AUDIO: The Sirens of Time)
- Turlough complains when he has to save Hannah, saying that "this really isn't me at all". He would later save Peri Brown, protesting "Earthlings". (TV: Planet of Fire)
[edit | edit source]
- Official Phantasmagoria page at bigfinish.com
- DisContinuity for Phantasmagoria at Tetrapyriarbus - The DisContinuity Guide