Tardis

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Tardis
Tardis
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{{real world}}
 
{{real world}}
 
{{Infobox Story
 
{{Infobox Story
|name = {{StoryTitle}}
 
 
|image =
 
|image =
  +
|range = Main Range
|series = [[Big Finish Doctor Who audio stories|Big Finish ''Doctor Who'' audio stories]]
 
  +
|number in range = 100b
|anthology = [[100 (audio anthology)|100]]
 
  +
|series = ''[[Main Range]]''
 
|audio anthology = [[100 (audio anthology)|100]]
 
|number = 100b
 
|number = 100b
 
|doctor = Sixth Doctor
 
|doctor = Sixth Doctor
 
|companions = [[Evelyn Smythe|Evelyn]]
 
|companions = [[Evelyn Smythe|Evelyn]]
 
|enemy =
 
|enemy =
|setting = {{il|[[Europe]], [[1856]]|[[Vienna]], [[1791]]}}
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|setting = {{il|[[Alternate timeline]], [[1856]]|[[Vienna]], [[1791]]}}
 
|writer = [[Robert Shearman]]
 
|writer = [[Robert Shearman]]
 
|director = [[Nicholas Briggs]]
 
|director = [[Nicholas Briggs]]
 
|music = [[Andy Hardwick]]
 
|music = [[Andy Hardwick]]
|sound = [[Andy Hardwick]]
+
|sound = [[David Darlington]]
 
|publisher = Big Finish Productions
 
|publisher = Big Finish Productions
 
|release date = [[September (releases)|September]] [[2007 (releases)|2007]]
 
|release date = [[September (releases)|September]] [[2007 (releases)|2007]]
 
|format = 1 X 25 min.
 
|format = 1 X 25 min.
|production code = 7C/MC
+
|production code = [[List_of_production_codes#Big_Finish_production_codes|7C/MC]]
 
|isbn = ISBN 978-1-84435-286-9
 
|isbn = ISBN 978-1-84435-286-9
 
|prev = 100 BC (audio story)
 
|prev = 100 BC (audio story)
 
|next = Bedtime Story (audio story)
 
|next = Bedtime Story (audio story)
 
}}{{audio stub}}
 
}}{{audio stub}}
  +
'''''{{StoryTitle}}''''' was the second story in the audio anthology, ''[[100 (audio anthology)|100]]'', which comprised the hundredth release in [[Big Finish]]'s [[Main Range|monthly range]]. It was written by [[Robert Shearman]] and featured [[Colin Baker]] as the [[Sixth Doctor]] and [[Maggie Stables]] as [[Evelyn Smythe]].
'''''{{StoryTitle}}''''' was a [[2007 (releases)|2007]] [[Big Finish Productions]] full-cast audio short story, featuring the [[Sixth Doctor]] and Dr [[Evelyn Smythe]]. It was part of ''[[100 (audio anthology)|100]]'', the one hundredth [[Big Finish Doctor Who audio stories|monthly ''Doctor Who'' audio release]] produced by [[Big Finish Productions]].
 
   
It had a notably innovative structure for a [[pseudo-historical]] story. The story began with a difference between how the audience and the [[The Doctor's TARDIS|TARDIS]] crew viewed historical events. It ended with the Doctor unwittingly changing history into a shape the audience recognises. In the beginning, the Doctor and Evelyn accept an exceptionally long-lived Mozart as being the norm for their time stream, but they change history so that Mozart died a young man in [[1791]].
+
It had a notably innovative structure for a pseudo-historical story. The story began with a difference between how the audience and the [[The Doctor's TARDIS|TARDIS]] crew viewed historical events. It ended with the Doctor unwittingly changing history into a shape the audience recognises. In the beginning, the Doctor and Evelyn accept an exceptionally long-lived Mozart as being the norm for their time stream, but they change history so that Mozart died a young man in [[1791]].
   
 
== Publisher's summary ==
 
== Publisher's summary ==
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== References ==
 
== References ==
* Mozart's compositions, ''[[The Magic Flute]]'' and ''[[Requiem (Mozart)|Requiem]]'', are mentioned.
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* Mozart's compositions, "[[The Magic Flute]]" and "[[Requiem in D minor (Mozart)|Requiem]]", are mentioned. "[[Piano Concerto in C Major]]" is also mentioned.
   
 
== Notes ==
 
== Notes ==
  +
* [[AUDIO]]: ''[[A Requiem for the Doctor (audio story)|A Requiem for the Doctor]]'' would later give a different account of how Mozart's ''Requiem'' came to be unfinished.
''to be added''
 
  +
* The audio abruptly ends with the [[Sixth Doctor]] saying, "Well, nobody likes an abrupt end..."
   
 
== Continuity ==
 
== Continuity ==
 
''to be added''
 
''to be added''
  +
 
{{BFA monthly}}
 
{{BFA monthly}}
 
{{TitleSort}}
 
{{TitleSort}}
 
[[Category:Sixth Doctor audio stories]]
 
[[Category:2007 audio stories]]
 
[[Category:Pseudo-historical stories]]
 
[[Category:Doctor Who monthly audio stories]]
 
 
[[Category:Stories set in Vienna]]
 
[[Category:Stories set in Vienna]]
 
[[Category:Stories set in 1791]]
 
[[Category:Stories set in 1791]]
 
[[Category:Stories set in 1856]]
 
[[Category:Stories set in 1856]]
 
[[Category:Stories set in alternate timelines]]
 
[[Category:Stories set in alternate timelines]]
[[Category:Stories with unique variations of the Doctor Who theme]]
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[[Category:Audio stories with unique variations of the Doctor Who theme]]
[[Category:Audio stories that use the Dominic Glynn theme]]
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[[Category:100 audio stories]]

Revision as of 21:45, 16 November 2019

RealWorld

audio stub

My Own Private Wolfgang was the second story in the audio anthology, 100, which comprised the hundredth release in Big Finish's monthly range. It was written by Robert Shearman and featured Colin Baker as the Sixth Doctor and Maggie Stables as Evelyn Smythe.

It had a notably innovative structure for a pseudo-historical story. The story began with a difference between how the audience and the TARDIS crew viewed historical events. It ended with the Doctor unwittingly changing history into a shape the audience recognises. In the beginning, the Doctor and Evelyn accept an exceptionally long-lived Mozart as being the norm for their time stream, but they change history so that Mozart died a young man in 1791.

Publisher's summary

Wolfgang Amadeus Mozart. Born in 1756, a veritable wonderkind — playing music for the crowned heads of Europe as an infant, composing by the time he was five years old. But it's tempting to wonder whether his amazing longevity has overshadowed his creative genius — would Mozart's music be better respected, maybe, if he'd died as a young man? Would he be a legend of music, rather than of scientific curiosity, if he'd never lived to compose the film score for the remake of The Italian Job?

Plot

to be added

Cast

References

Notes

  • AUDIO: A Requiem for the Doctor would later give a different account of how Mozart's Requiem came to be unfinished.
  • The audio abruptly ends with the Sixth Doctor saying, "Well, nobody likes an abrupt end..."

Continuity

to be added