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Tardis
Chameleon Circuit

The Doctor's TARDIS turns from a police box into a dresser. (TV: Attack of the Cybermen)

You may be looking for the band.

The chameleon circuit was the component of a TARDIS which changed its outer plasmic shell to assume a shape which blended in with its surroundings so it would be unnoticed when it landed. The Time Lords' greatest rivals, the Daleks, developed the same technology for their ships as well.

Function[]

Default TARDIS exteriors looked like plain, grey cabinets or tall columns which opened via a sliding door. (TV: The War Games [+]Terrance Dicks and Malcolm Hulke, Doctor Who season 6 (BBC1, 1969)., The Name of the Doctor [+]Steven Moffat, Doctor Who series 7 (BBC One, 2013)., Hell Bent [+]Steven Moffat, Doctor Who series 9 (BBC One, 2015)., The Timeless Children [+]Chris Chibnall, Doctor Who series 12 (BBC One, 2020).)

Type 30 were the first TT Capsule to be fitted with a chameleon circuit, done by Jelen and her technicians and dating before the Eye of Harmony creation. (PROSE: The Scrolls of Rassilon [+]John Peel, 1991.)

A TARDIS with a functioning chameleon circuit could appear as almost anything desired. The owner could program the circuit to make it assume a specific shape. If no appearance was specified, the TARDIS automatically chose its own shape. (TV: Logopolis [+]Christopher H. Bidmead, Doctor Who season 18 (BBC1, 1981).) When a TARDIS materialised in a new location, within the first nanosecond of landing its chameleon circuit analysed the surrounding area, calculated a twelve-dimensional data map of all objects within a thousand-mile radius and then determined which outer shell would best blend in with the environment. According to the Eleventh Doctor, his TARDIS would perform these functions, but then disguise itself as a 1960s era police box anyway. (TV: Meanwhile in the TARDIS [+]Error: Code 2 - no data stored in variables, cache or SMW.)

The circuit could contain the large and futuristic interior doors of TARDISes, making it seem from the outside that the doors from the exterior were also that of the interior and vice versa. (TV: An Unearthly Child [+]Anthony Coburn, adapted from The Pilot Episode (Anthony Coburn), Doctor Who season 1 (BBC tv, 1963). et al.) The circuit was also capable of this when the two doors were incompatible, for example being of different sizes.

Chameleon Circuit contains

Vicki and Steven crouch to enter the Monk's TARDIS. (TV: The Time Meddler)

At least in the case of the Monk's TARDIS when being disguised as a sarcophagus, the two doors existed simultaneously stacked against each other. The camouflaged doors opened outwards and once inside a black wall could be seen that covered the part of the doorway not part of the disguise leaving a small hatch to exit that blended in to the surroundings, the interior doors opening into the inside of the craft as to not disturb this. (TV: The Time Meddler [+]Dennis Spooner, Doctor Who season 2 (BBC1, 1965).) Later iterations of the Doctor's TARDIS incorporated the police box doors into both the interior and exterior. (TV: Rose [+]Russell T Davies, Doctor Who series 1 (BBC One, 2005). et al.)

In the Thirteenth Doctor's TARDIS, the console room began extending from the back of the police box rather than beginning after the doors, essentially meaning that an entire police box was part of the disguise in both the exterior and interior. (TV: The Ghost Monument [+]Chris Chibnall, Doctor Who series 11 (BBC One, 2018). et al.)

The chameleon circuit could be used to have one TARDIS mimic the outer appearance of the other, down to the TARDIS control room looking the same through the doors. (TV: Revolution of the Daleks [+]Chris Chibnall, Doctor Who New Year Special 2021 (BBC One, 2021).)

Specific TARDISes[]

The Doctor's TARDIS[]

The chameleon circuit was operational during the First Doctor and his granddaughter Susan Foreman's initial journeys together in the TARDIS after leaving Gallifrey.

For the Doctor and Susan's first trip in the TARDIS, to Earth's Moon in the distant past, it took the form of a tall boulder. On their second trip, to a planet orbiting a blue sun, it assumed the form of a giant mushroom. (AUDIO: The Beginning [+]Error: Code 2 - no data stored in variables, cache or SMW.)

On Iwa, it again took the form of a boulder. (PROSE: Frayed [+]Tara Samms, Telos Doctor Who novellas (Telos Publishing, 2003).)

On Rua, it took the form of a large alloy cupboard. Susan was uncertain as to how well it fit with its surroundings. (AUDIO: The Sleeping Blood [+]Martin Day, The First Doctor: Volume One (The Companion Chronicles, Big Finish Productions, 2015).)

On a Planet 483 light-years from Earth Central, the TARDIS took the form of a tree stump. (PROSE:The Arboreals [+]Marc Platt, The Scientific Secrets of Doctor Who (2015).)

In Worms, Germany in the 16th century, it disguised itself as a shed. (PROSE: The Price of Conviction [+]Error: Code 2 - no data stored in variables, cache or SMW.)

On other occasions, the TARDIS disguised itself as a Corinthian column and a Christmas tree. (PROSE: The Time Travellers [+]Simon Guerrier, Past Doctor Adventures (BBC Books, 2005).)

When it materialised in Bridgetown on Quinnis in the fourth universe, the TARDIS assumed the form of a wooden kiosk with red and white awnings. (AUDIO: Quinnis [+]Marc Platt, The Companion Chronicles (2010).)

According to one account, the Eleventh Doctor travelled back in time to 1963 and destroyed the TARDIS' chameleon circuit so that the TARDIS would always remain a police box and the mental image of the TARDIS would be etched into human culture and history. (COMIC: Hunters of the Burning Stone [+]Scott Gray, DWM Comics (2013).)

According to the Eighth Doctor, the chameleon circuit was removed from the First Doctor's TARDIS in order to disguise the container of the Hand of Omega, which he hid in 1963 London. (AUDIO: The Shoreditch Intervention [+]Alan Barnes, Susan's War (Big Finish Productions, 2020).)

Jack Harkness once suggested that a dimensionally transcendental chameleon circuit was placed on a particular spot in Roald Dahl Plass, where it welded its perception properties to the Cardiff Space-Time Rift, allowing for the invisible lift used to enter Torchwood Cardiff. (TV: Everything Changes [+]Russell T Davies, Torchwood series 1 (BBC Three, 2006).) Indeed, Jack had been present in one instance where the Doctor's TARDIS landed on Roald Dahl Plass, where it used the rift to refuel. (TV: Boom Town [+]Russell T Davies, Doctor Who series 1 (BBC One, 2005).)

Flaw discovered[]

After Ian Chesterton and Barbara Wright joined the TARDIS crew, it remained fixed in the shape of a London police box following its departure from I.M. Foreman's yard and rematerialisation in Earth's distant past. Neither the First Doctor nor Susan could explain why the ship had lost its ability to disguise itself, though both of them were alarmed. (TV: An Unearthly Child [+]Anthony Coburn, adapted from The Pilot Episode (Anthony Coburn), Doctor Who season 1 (BBC tv, 1963).)

The Second Doctor and Jamie would later learn that the TARDIS's malfunctioning chameleon circuit had actually created a policeman to go with it, in the form of Bernard Whittam. Bernard ended up exerting such significant influence on his reality that he even created a wife and parents for himself, but locked them at a specific age out of a subconscious refusal to change. Eventually, the Doctor found Bernard, and was forced to erase Bernard from history so that he wouldn't distort reality any further, but he was able to give Bernard the choice. (AUDIO: The Last Day at Work [+]Harry Draper, Short Trips (Big Finish Productions, 2018).)

The Fourth Doctor told Adric he had "borrowed" the TARDIS while it was in for repairs. He simply took it before the technicians got around to "doing the chameleon conversion" because "there were other pressing reasons at the time". (TV: Logopolis [+]Christopher H. Bidmead, Doctor Who season 18 (BBC1, 1981).)

The nonchalance of the Fourth Doctor about the malfunctioning circuit was far more typical than the First Doctor's earlier characterisation of it as "most distressing". Although he fleetingly lamented the fact that he never got around to having Romana help him fix it, (TV: Logopolis [+]Christopher H. Bidmead, Doctor Who season 18 (BBC1, 1981).) the Doctor generally seemed to take it in his stride that the chameleon circuit had failed to function. By the time of his ninth incarnation, for instance, he intimated to Rose Tyler that he simply liked its appearance as a police box. (TV: Boom Town [+]Russell T Davies, Doctor Who series 1 (BBC One, 2005).) Other Time Lords who encountered the Doctor's TARDIS seemed not to want to repair it, either. When the Master tried to repair the Doctor's Earth-bound TARDIS, he expressed no particular concern with fixing the chameleon circuit, though the Master was more focused on getting the ship working again. (TV: The Claws of Axos [+]Bob Baker and Dave Martin, Doctor Who season 8 (BBC1, 1971).) Much later, another incarnation of the Master took possession of the TARDIS for an extended period of time, but made no effort to fix the chameleon circuit. (TV: The Sound of Drums [+]Russell T Davies, Doctor Who series 3 (BBC One, 2007). / Last of the Time Lords [+]Russell T Davies, Doctor Who series 3 (BBC One, 2007).)

Despite the chameleon circuit's malfunctioning condition, the TARDIS occasionally still did change details of its outer shell's appearance. Though keeping the general form of a police box, it would change such things as the overall exterior size, shade of blue, window panes, lamp colour, and the text which appeared on the telephone hatch. (TV: The Eleventh Hour [+]Steven Moffat, Doctor Who series 5 (BBC One, 2010). et al.)

Much later, the Eleventh Doctor expounded on the flaw further to Amy Pond, telling her that the circuit scanned the surroundings upon materialisation, decided on the best disguise, but then always disguised itself as a 1963 police box anyway. (TV: Meanwhile in the TARDIS [+]Error: Code 2 - no data stored in variables, cache or SMW.)

11 in 1's TARDIS - 2

The Eleventh Doctor impairs the chameleon circuit for a just cause. (COMIC: Hunters of the Burning Stone)

The Eleventh Doctor later learned that he had gone back to deliberately sabotage his TARDIS' own chameleon circuit some time before Ian and Barbara followed Susan back to the TARDIS. It was a necessary sacrifice to defeat a plan concocted by the Prometheans, who wished to alter the ancestral memories of humanity to the days when they worshiped the Sun, reverting the species back to a Stone Age mentality. By ensuring that the TARDIS would remain fixed in one particular shape, he implanted the image of the TARDIS into humankind's race memories, establishing a multi-generational link for them to remember their advancement, because the Blue Box image would be implanted into the Ancestral Memory of Earth's history. Where the Prometheans used the Sun as an image of worship, the Doctor used the Blue Box as a symbol of protection and strength, reminding humanity not to fear the dark as there was always help for those who needed it. (COMIC: Hunters of the Burning Stone [+]Scott Gray, DWM Comics (2013).)

Repair attempts[]

Despite a general lack of enthusiasm for repairing the chameleon circuit, there were nevertheless a few efforts made.

The Fourth Doctor was hoping to repair it in Logopolis by using Block Transfer Computations when the Tremas Master interfered with the Logopolitans' calculations. (TV: Logopolis [+]Christopher H. Bidmead, Doctor Who season 18 (BBC1, 1981).) However, earlier in his fourth incarnation, he had described the idea of his future self repairing the chameleon circuit as "vulgar". (AUDIO: The Light at the End [+]Nicholas Briggs, Big Finish Doctor Who Special Releases (Big Finish Productions, 2013).)

Nyssa tried to repair it on her own, without even referencing the TARDIS manual. After double-checking her work and finding it surprisingly sound, the Fifth Doctor chose an overly-ambitious environment for the first test of Nyssa's work. He materialised in one of Earth's oceans, whereupon it turned into a whale – both externally and internally. It became so comfortable in its new form that it seemed to forget that it was a TARDIS at all. Only by transmitting his heartbeats underwater and reminding it of its link to him was the Doctor able to swim into one of its arteries, undo Nyssa's fixes, and return it to its usual police box shape. (AUDIO: The Deep [+]Error: Code 2 - no data stored in variables, cache or SMW.)

The Sixth Doctor's attempt was temporarily successful. He repaired it for a brief period when he returned to Totter's Lane in 1985, but after a few transformations into shapes that still refused to blend into their surroundings – and, on some occasions, even made it hard to figure out how he was meant to enter his ship in the first place – it reverted to its usual police box form. (TV: Attack of the Cybermen [+]Paula Moore, Doctor Who season 22 (BBC1, 1985).) He persisted on another occasion, with the TARDIS rapidly shifting between a variety of increasingly incongruous forms before settling back into the shape of the police box (though with a new coat of paint); Peri, quite put-off by the sight, demanded he put an end to his tinkerings. (COMIC: Quick Change [+]Error: Code 2 - no data stored in variables, cache or SMW.)

During his seventh incarnation, the Doctor temporarily used an alternate version of his TARDIS that he discovered in an alternate universe where his third incarnation was killed by the Silurians and took when his own ship was lost in a tar pit. (PROSE:Blood Heat [+]Jim Mortimore, Virgin New Adventures (Virgin Books, 1993).) He was able to restore the functionality of this ship's chameleon circuit. (PROSE: Conundrum [+]Steve Lyons, Virgin New Adventures (Virgin Books, 1994).) He later reset it to a police box after the Monk hacked into the circuit and nearly gave away its location by turning it into the Statue of Liberty while it was materialised around Nelson's Column, the Doctor concluding that, while the police box look was old-fashioned, he had come to regard it as very him. (PROSE: No Future [+]Paul Cornell, Virgin New Adventures (Virgin Books, 1994).)

When Donna Noble briefly had an active Time Lord consciousness, she began to tell the Tenth Doctor how he might be able to repair the circuit, but her brain began to overload before she could complete the instructions. (TV: Journey's End [+]Russell T Davies, Doctor Who series 4 (BBC One, 2008).)

You know you could fix that chameleon circuit if you just tried hotbinding the fragment links and superseding the binary, binary, binary, binary, binary, binary, binary, binary, binary, binary, binary, binary, binary, binary.Donna Noble

The Monk's TARDIS[]

The Monk's TARDIS appeared as a Saxon sarcophagus in an abandoned English monastery of 1066, (TV: The Time Meddler [+]Dennis Spooner, Doctor Who season 2 (BBC1, 1965).) a large stone on Tigus and a stone block in Egypt in 2650 BC. (TV: The Daleks' Master Plan [+]Terry Nation and Dennis Spooner, Doctor Who season 3 (BBC1, 1965-1966).)

The First Doctor caused it to appear as a motorcycle, an ornamental coach, a covered wagon, a tank and possibly other forms before impishly setting it as a police box to distract the Daleks into thinking the Monk's TARDIS was his own. When the Doctor stole the directional unit from the Monk's TARDIS and stranded him on an ice planet, it assumed the form of a block of ice. (TV: The Daleks' Master Plan [+]Terry Nation and Dennis Spooner, Doctor Who season 3 (BBC1, 1965-1966).)

In London in 1976, it assumed the form of a wooden desk, a phone booth, a van, a ship funnel, a BBC prop cupboard, a motorcycle and a filing cabinet. When attempting to trap the Doctor in a cylinder on the same iceworld he trapped him in, his TARDIS took the form of a rocky outcrop. (PROSE: No Future [+]Paul Cornell, Virgin New Adventures (Virgin Books, 1994).)

In the Abbey of Kells in Ireland in 1006, it once again assumed the form of a sarcophagus. (AUDIO: The Book of Kells [+]Barnaby Edwards, Eighth Doctor Adventures (Big Finish Productions, 2010).)

When the Monk took the Eighth Doctor's companion Tamsin Drew to the planet Halcyon in the 33rd century, his TARDIS assumed the form of a Punch and Judy stall. He told her that it could have taken the form of a tree which would have made it less conspicuous but that would also have made it more difficult to find, given that it had materialised in a forest. (AUDIO: The Resurrection of Mars [+]Jonathan Morris, Eighth Doctor Adventures (Big Finish Productions, 2010).)

While in a stolen spaceship under Loch Ness in 1979, the Monk's TARDIS took the form of a plain white wardrobe. (PROSE: The Persistence of Memory [+]Error: Code 2 - no data stored in variables, cache or SMW.)

The Master's TARDIS[]

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The Master's TARDIS took on several different forms during his many encounters with the Doctor. It often adapted to fit a need of the Master or to hide it as a generic object, although he tended to program it to adopt the "default" form of a column when he was materialising in a manner where he didn't care if the Doctor knew where he'd hidden the ship.

On several occasions, the Master's TARDIS took the form of a grandfather clock. (TV: The Deadly Assassin [+]Robert Holmes, Doctor Who season 14 (BBC1, 1976)., The Keeper of Traken [+]Johnny Byrne, Doctor Who season 18 (BBC1, 1981).; AUDIO: And You Will Obey Me [+]Alan Barnes, Main Range (Big Finish Productions, 2016)., The Two Masters [+]John Dorney, Main Range (Big Finish Productions, 2016).)

In England on 4 March 1215, it took the form of an iron maiden. (TV: The King's Demons [+]Terence Dudley, Doctor Who season 20 (BBC1, 1983).)

In Heathrow Airport in 1982, it took the form of a Concorde Golf Victor Foxtrot. (TV: Time-Flight [+]Peter Grimwade, Doctor Who season 19 (BBC1, 1982).)

While in a pocket dimension located on 23 November 1963, it was disguised as a military tank. (AUDIO: The Light at the End [+]Nicholas Briggs, Big Finish Doctor Who Special Releases (Big Finish Productions, 2013).)

While posing as the home of "O", it took the form of a hut in the Australian outback up to 2020. The TARDIS remained in this form as the Spy Master took it through the time vortex to Paris in 1943. (TV: Spyfall [+]Chris Chibnall, Doctor Who series 12 (BBC One, 2020).) During the Master's Dalek Plan, on the Cyber-conversion planet, the Master had his TARDIS take on the form of a police box identical to the Doctor's, with the door's text replaced by manic laughter. (TV: The Power of the Doctor [+]Chris Chibnall, Doctor Who Centenary Special 2022 (BBC One, 2022).)

Others[]

The Daleks had their own version of the circuit. (AUDIO: The Apocalypse Element [+]Stephen Cole, Main Range (Big Finish Productions, 2000).)

The Rani's TARDIS took the form of both a cabinet (TV: The Mark of the Rani [+]Pip & Jane Baker, Doctor Who season 22 (BBC1, 1985).) and a translucent pyramid. (TV: Time and the Rani [+]Pip & Jane Baker, Doctor Who season 24 (BBC1, 1987).)

Iris Wildthyme's TARDIS took the shape of a red double decker bus (Number 22 to Putney Common), and at one point, according to Iris, was slightly smaller inside than out. (PROSE: The Scarlet Empress [+]Paul Magrs, BBC Eighth Doctor Adventures (BBC Books, 1998)., The Blue Angel [+]Paul Magrs and Jeremy Hoad, BBC Eighth Doctor Adventures (BBC Books, 1999)., Mad Dogs and Englishmen [+]Paul Magrs, BBC Eighth Doctor Adventures (BBC Books, 2002)., Verdigris [+]Paul Magrs, BBC Past Doctor Adventures (BBC Books, 2000).)

The War Chief's TARDIS disguised itself as a sacred oak tree in the Sacred Wood during his scheme in 43 AD Britain. (GAME: The Legions of Death [+]J. Andrew Keith, The Doctor Who Role Playing Game (FASA, 1986).)

The TARDIS exterior of Professor Chronotis looked like his rooms' entrance door at St Cedd's College. (TV: Shada [+]Douglas Adams, Doctor Who (1992).)

A TARDIS arriving in Susan Foreman's flat appeared in the form of a wardrobe. (AUDIO: All Hands on Deck [+]Eddie Robson, Short Trips (Big Finish Productions, 2017).)

The TARDIS stolen by the Twelfth Doctor and Clara Oswald from Gallifrey and later used by Clara and Ashildr became stuck in the form of an American diner. Ashildr was unable to fix it even with the help of the manual. (TV: Hell Bent [+]Steven Moffat, Doctor Who series 9 (BBC One, 2015).)

In an alternate timeline, Straxus's TARDIS, which was being used by Kotris, camouflaged itself as a horse and carriage in the Ireland of the early 1890s. (AUDIO: Tangled Web)

In a parallel universe, the Doctor's TARDIS took the form of a barrel when it materialised aboard Sir Francis Drake's space galleon, the Golden Hind. On another occasion, it took the form of a Morris Oxford. (AUDIO: A Storm of Angels [+]Marc Platt, Doctor Who Unbound (Big Finish Productions, 2005).)

A TARDIS stolen by the Thirteenth Doctor in order to get her human friends home had a chameleon circuit that caused it to take the form of a house upon landing on 21st century Earth. (TV: The Timeless Children [+]Chris Chibnall, Doctor Who series 12 (BBC One, 2020).) Later, the Doctor used the chameleon circuit on this TARDIS to have it mimic the outer appearance of her own TARDIS. The mimicry included the appearance of the control room of the Doctor's TARDIS through the doors despite this TARDIS having a different appearance for its control room. This change in outer appearance was enough to fool the Death Squad Daleks into believing that this TARDIS was in fact the Doctor's TARDIS. (TV: Revolution of the Daleks [+]Chris Chibnall, Doctor Who New Year Special 2021 (BBC One, 2021).)

A TARDIS stolen by the Thirteenth Doctor to escape from Gallifrey had a functioning chameleon circuit that caused the TARDIS to take the form of a tree upon landing on the refugee planet. The Doctor complimented the functioning chameleon circuit before abandoning the TARDIS. (TV: The Timeless Children [+]Chris Chibnall, Doctor Who series 12 (BBC One, 2020).)

In the Unbound Universe, the Master copied the chameleon circuit's design, though being built out of Earth technology, this circuit could only render objects invisible. (AUDIO: Sympathy for the Devil [+]Jonathan Clements, Doctor Who Unbound (Big Finish Productions, 2003).)

Ace's TARDIS took the appearance of a large rock whilst on an unknown planet, then as part of a stone henge when Tauras stole it. (AUDIO: Intervention Earth [+]Scott Handcock and David Llewellyn, Gallifrey (Big Finish Productions, 2015).)

Behind the scenes[]

Nomenclature[]

  • Though reference was made to the TARDIS' supposed ability to change to match its surroundings in the first Doctor Who story An Unearthly Child, the chameleon circuit itself was not specifically referred to until The Time Meddler, in which it was called a "camouflage unit". The device was not mentioned again until Logopolis, in which it was called the "chameleon circuit", the term to which it has generally been referred ever since.
  • In the TV Movie, the chameleon circuit was referred to in dialogue as the TARDIS' "cloaking device", a term from Star Trek.
  • The first use of the "chameleon" nomenclature must be attributed to Malcolm Hulke, who wrote the Doctor Who radio script "Journey into Time" recorded by Stanmark Productions in June 1966, in which the circuit was called the "Electronic Chameleon System".
  • The choice of name was inspired by the ability of chameleons to change their skin colour, which has been generally thought to be for the purposes of camouflage.

Malfunction[]

  • The real-world reason for the chameleon circuit's malfunction is thought to be of a far more practical nature than in-universe: the TARDIS was originally intended to blend with its surroundings during the 'historical' episodes, which would have required an expensive redress or replacement of the TARDIS prop for every story. Others have suggested that the constant police box shape was selected to provide something contemporary audiences would instantly recognise in any story settings.
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