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Another vital interaction the second has with the principal cast is in the provision of daily shooting scripts to the cast and crew. These "mini-scripts" will usually only be a few sides long, covering only what is being shot that day. They will have any last-minute changes made by the writing staff to the master shooting script the actors would have received around the time of the initial [[read-through]]. As with the call sheet, the second will have to liaise carefully with the production secretary (in this capacity technically known as the script secretary) to actually get the scripts for delivery. |
Another vital interaction the second has with the principal cast is in the provision of daily shooting scripts to the cast and crew. These "mini-scripts" will usually only be a few sides long, covering only what is being shot that day. They will have any last-minute changes made by the writing staff to the master shooting script the actors would have received around the time of the initial [[read-through]]. As with the call sheet, the second will have to liaise carefully with the production secretary (in this capacity technically known as the script secretary) to actually get the scripts for delivery. |
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− | [[BBC Wales]] productions have almost always enjoyed the presence of a [[3rd AD]], who principally deals with [[extra]]s. In the special case of [[Doctor Who ( |
+ | [[BBC Wales]] productions have almost always enjoyed the presence of a [[3rd AD]], who principally deals with [[extra]]s. In the special case of [[Doctor Who (1996)|the 1996 tele-film with Paul McGann]], where there was no third, second [[David Klohn]] would have also had to oversee the extras, as well, and otherwise assume the general responsibilities of the third. |
{{job table|job1=2AD}} |
{{job table|job1=2AD}} |