Dimensions in Time (TV story)

Dimensions in Time was a two-part sketch broadcast in 1993 as a part of that year's Children in Need appeal.

It was a nominal "celebration" of the thirtieth anniversary of Doctor Who, largely made because of the cancellation of the BBC's original idea for a thirtieth anniversary story, The Dark Dimension. Since the BBC had already obtained, at least in principle, agreement from most of the ex-Doctors to do some sort of anniversary programme, they went ahead with a charity sketch. (DOC: The Seven Year Hitch) Dimensions raised over £101,000 for Children in Need according to presenter, Noel Edmonds.

A major narrative feature of the piece was that it was a full crossover between the EastEnders and Doctor Who universes. That is, the characters were narratively implied to be a part of the same universe. As the years have gone by, this odd narrative choice has caused the piece to be viewed with suspicion by both fan groups. Ignored by both Doctor Who and EastEnders writers, Dimensions is a largely irrelevant story. Still, there have been a few prose stories in the DWU which have tried to follow on from Dimensions. Steven Moffat's pre-titles sketch for the 2011 NTAs is the only televised narrative to come close to acknowledging the story, because it implies that Dot Cotton had met the Doctor before.

Dimensions was a milestone production in many ways: It was the first and only time that John Nathan-Turner received a writing credit on a televised story. Despite the fact that its narrative is largely ridiculed, it attracted the biggest audience of anything JNT produced. It was also the final BBC1 appearance for most of the Doctor Who characters involved, the first time in Doctor Who history that 3D technology had been used in the recording and broadcast of a television story and the first time that the televised audience was able to affect the outcome of a Doctor Who story by telephone vote.

Part 1
The Rani is assembling a menagerie of sentient life-forms from throughout space and time, hoping to use them to gain control of all individual minds in the Universe. She requires only one more specimen, a human from Earth. Knowing that the Doctor will act to stop her, she creates a temporal trap to ensnare the Doctor in all his incarnations.

The Rani has already captured the First and Second Doctors. The Fourth Doctor attempts to send a warning to his previous and future incarnations of her threat.

The renegade Time Lord seizes control of the TARDIS. The Seventh Doctor and Ace, en route to China, find themselves instead materialising in Cutty Sark Gardens in 1973. As they walk, Ace is shocked to see the Doctor turn into his sixth incarnation. He explains they must have encountered a "groove" in time. They continue their search. Ace finds a clothing stand and they are offered a discount by its owner, angering his wife. The Doctor is shocked to discover that they have moved to 1993.

Suddenly, Ace becomes Melanie Bush and the Sixth Doctor becomes the Third. The Doctor explains to Mel that someone has been going through his timeline, pulling out early versions of himself and his companions. He meets two old shop owners who are selling over-priced fruit. The Doctor learns that the year is 2013 just before he jumps in time again.

They find themselves jumping time tracks between the years 1973, 1993 and 2013, in an area within a few miles of Albert Square in London's East End. The Doctor is also changing back and forth between his Third, Fifth, Sixth and Seventh incarnations, while Ace keeps being replaced by varying past companions. Worse, the Rani has released her menagerie, all under her control, to attack the Doctors and their companions.

Part 2
to be added

Cast

 * Seventh Doctor - Sylvester McCoy
 * Sixth Doctor - Colin Baker
 * Fifth Doctor - Peter Davison
 * Fourth Doctor - Tom Baker
 * Third Doctor - Jon Pertwee
 * The Rani - Kate O'Mara
 * Ace - Sophie Aldred
 * Susan Foreman - Carole Ann Ford
 * Brigadier Lethbridge-Stewart - Nicholas Courtney
 * Romana II - Lalla Ward
 * Sarah Jane Smith - Elisabeth Sladen
 * Nyssa - Sarah Sutton
 * Leela - Louise Jameson
 * Peri - Nicola Bryant
 * Mel - Bonnie Langford
 * Voice of K9 - John Leeson
 * K9 Operator - Matt Irvine
 * Liz Shaw - Caroline John
 * Mike Yates - Richard Franklin
 * Victoria Waterfield - Deborah Watling
 * Gita Kapoor - Shobu Kapoor
 * Grant Mitchell - Ross Kemp
 * Phil Mitchell - Steve McFadden
 * Sharon Watts - Letitia Dean
 * Frank Butcher - Mike Reid
 * Pauline Fowler - Wendy Richard
 * Vanir - John Frank Rosenblum
 * Mandy Salter - Nicola Stapleton
 * Pat Butcher - Pam St. Clement
 * Kathy Beale - Gillian Taylforth
 * Sanjay Kapoor - Deepak Verma
 * Big Ron - Ron Tarr (scenes not shown in televised version)
 * Cyrian - Sam West
 * Ian Beale - Adam Woodyatt, Tim Handel
 * Sea Devil - Michael Fillis
 * Ogron - Derek Handley
 * Tractator/Tetrap/Zog/Dragon Operator - Martin Wilkie
 * Argolin - Anthony Hopkinson
 * Cybermen - Tony Kirke, David Miller
 * Fifi operator - Stephen Mansfield
 * Kiv - Philip Newman
 * Mawdryn mutant - Paul Lunn
 * Mogarian - Steven Coats
 * Ogron - Derek Handley
 * Plasmaton - Tim Packham
 * Ruffian - Alan Cave
 * Sea Devil - Mike Fillis
 * Time Lord - Andrew Beech
 * Vanir - J.F. Rosenblum
 * Vervoid - Anthony Clark
 * -Robot - Ilona MacDonald

Crew

 * Theme Music composed by - Ron Grainer
 * Theme music arranged by - Cybertech
 * Incidental Music - Keff McCulloch
 * Production Manager - Gary Downie
 * Assistant Floor Manager - Jenny Drewett
 * Visual Effects Designer - Mike Tucker
 * Video Effects - Dave Chapman
 * Graphic Designer - Oliver Elmes
 * Costume Designer - Ken Trew
 * Make-Up Designer - Leslie Smith
 * Designer - Derek Evans
 * Producer - John Nathan-Turner
 * Director - Stuart McDonald

Species
A menagerie of aliens collected by the Rani included:
 * Argolin
 * Biomechanoid
 * Cyberman
 * Fifi
 * Mentor
 * Ogron
 * Sandminer robot
 * Sea Devil
 * Tetrap
 * Time Lord from Gallifrey
 * Tractator
 * Vanir
 * Vervoid
 * Zog
 * Kiv

Story notes

 * Dimensions in Time featured the final non-archival BBC1 appearance of every companion and incarnation of the Doctor in its cast, except for K9, Sarah Jane Smith, the Fifth Doctor, and the Seventh Doctor — the first three of whom appeared in the BBC Wales version of Doctor Who, and the fourth of whom appeared in the 1996 telefilm — and the First and Second Doctors, who had made their final, non-archival appearances prior to Dimensions. The Brigadier made his final new BBC1 appearance in Dimensions, but would have his later Enemy of the Bane performance repeated on BBC One.
 * It featured Tom Baker's first and only onscreen performance as the Doctor since leaving the series. He had turned down a part in the twentieth anniversary story, The Five Doctors, a decision he later said he regretted. In 1997, he reprised his role for GAME: Destiny of the Doctors. In 2011, he returned to the role of the Fourth Doctor for Big Finish Productions.
 * Because William Hartnell and Patrick Troughton were both deceased (as was Hartnell's Five Doctors replacement Richard Hurndall) by the time the story was produced, the idea was developed to use still images of them, already caught in the Rani's temporal trap. Because the stills could not be made to look three-dimensional, busts of the actor's heads were fashioned and filmed.
 * For scenes set inside the Rani's TARDIS, the Doctor's console from the original series was set inside a TARDIS console room mock-up constructed for a recent fan convention, the original console room for the series had already been destroyed.
 * This story features guest and cameo appearances by various characters from the popular BBC soap opera EastEnders, with the bulk of the story being set in the same neighbourhood as that series. While cross universe stories in which the Doctor meets characters from various other television, film, and literary works have long been a popular motif in fan fiction pieces, this is the first BBC-produced instance of such a motif being employed in a Doctor Who story. Sophie Aldred had, earlier that year, portrayed "Suzie" on EastEnders. Five years after this story was produced, Louise Jameson joined the cast of EastEnders for two years as Rosa Di Marco.
 * Lalla Ward, as Romana II, gets the honour of uttering the obligatory "Doctor who?". She is also the only Doctor Who character seen on her own during the story.
 * This was the only story co-written by longtime series producer John Nathan-Turner and marked his final official involvement with the franchise which he joined in the late 1970s.
 * This story has the only televised evidence of a meeting between the Sixth Doctor and Brigadier Lethbridge-Stewart.
 * According to Louise Jameson, Sylvester McCoy arrived slightly late and slightly hung over for location filming, having had "a bit of a first night" the previous evening. During his absence, the other actors playing the Doctors reassigned several lines of "" to him, saying "Sylvester can do this bit". (DCOM: The Talons of Weng-Chiang)
 * This story is generally not considered canon, by either EastEnders fans or Doctor Who fans, as the continuity problems posed for both franchises are simply insurmountable. For EastEnders fans, one of the bigger issues is surely that Pauline Fowler is depicted as being alive in 2013, when EastEnders continuity has her dead in 2006. For Doctor Who fans, EastEnders is firmly shown to be a television programme in Army of Ghosts, and implied to be so in The Impossible Planet and Night Terrors, making it hard to explain Albert Square's existence as a "real" place in Dimensions.
 * This story was broadcast as a segment of the Children In Need charity telethon, with Part One being introduced by Noel Edmonds and Jon Pertwee (in character as the Doctor), and Part Two being broadcast as part of Edmond's programme.
 * The story raised money for Children in Need principally because people called in on a pay telephone line to vote for one of two EastEnders characters to help the Doctor. In the fight between Big Ron and Mandy Salter, Mandy won with 53% of the vote.

Deleted scenes
There were multiple deleted scenes:
 * The Daleks were to have featured (the segment was shot), but due to disputes with Terry Nation's estate, they were removed. (DWM 324)
 * The opening was to originally to feature stock footage from the 60's, but was cut.
 * The ending was originally longer, with the Doctor asking Ace where she would like to go now. She states "...when you set the TARDIS to go to the Great Wall of China we end up Albert Square." "Well, in that case," The Doctor states, "Let's head for Albert Square."
 * The scene with Big Ron was was recorded, but never used, because it was Mandy who won the phone vote.

Ratings

 * Part 1 - 13.8 million
 * Part 2 - 13.6 million

Filming locations

 * BBC Elstree, Borehamwood, Hertfordshire
 * Old Royal Naval College, Greenwich, London
 * The Cutty Sark, Greenwich, London
 * National Maritime Museum, Greenwich, London

Production errors

 * Ace, Leela, Romana, Victoria, Mel, Mike and Sarah Jane are seen wearing clothes similar to (or at least suggested by) what they wore in the series; Sarah Jane, for example, is wearing her Andy Pandy overalls from her final regular serial, The Hand of Fear despite having since adopted a more mature wardrobe in K9 and Company and The Five Doctors. While Leela's primitive garb is evocative of her typical series costume, she is without her standard boots and is instead barefoot which was previously the case only when swimming in the TARDIS pool at the start of her final regular serial, The Invasion of Time. Liz and Peri are wearing clothes of a type they could have worn. Nyssa is shown wearing a regular Earth-style blouse rather than something closer to what she might have worn during her time with the Doctor.

Continuity

 * This story is generally not considered canon, and therefore is not considered a valid source by this wiki.

Home video
This story was produced especially for Children in Need, and the cast and production crew gave their services free of charge on conditions laid down at the time by the actors' union, Equity. Dimensions would receive only one transmission and would never be exploited commercially in any way. Nevertheless, because it was broadcast during a period of time where home VHS was widely available, it was recorded by many fans. It is now easily, if illegally, available on the internet — albeit at rather primitive quality, due to the age and lower technical specifications of early 1990s home video tapes.