The Dæmons (TV story)


 * For the Big Finish audio drama, see The Demons.

"Chap with wings, five rounds rapid..."

The Dæmons was the fifth and final story of Season 8. It concluded a series-long succession of stories featuring The Master (though the character would continue to appear on an occasional basis for the next year or so).

Synopsis
The Master, posing as a rural vicar, summons a cloven-hoofed demon in a church basement.

Plot
The Doctor becomes alarmed on seeing television coverage of an archaeological dig by a Professor Horner into an ancient barrow near the village of Devil's End. He hurries to the scene with Jo.

The Master is posing as the local vicar, Mr Magister, and using black magic rituals to summon Azal, the last of a race known as the Dæmons, whose miniaturised spaceship is buried within the barrow. Benton and Yates arrive in a UNIT helicopter but, before the Brigadier and his troops can join them, a heat barrier appears and cuts the village off from the outside world.

As the Doctor attempts to breach the heat barrier, they must contend with Bok, a living gargoyle. The members of the community, under the Master's possession, attempt to burn the Doctor at the stake for being a witch. He is saved with the assistance of Miss Hawthorne, herself an actual witch.

Azal will appear three times and on the last of these occasions will decide whether to transfer his awesome powers to another or to destroy the planet as a failed experiment. The Master hopes to be the recipient of the powers, but in the event Azal offers them to the Doctor instead. The Doctor declines, arguing that the human race should be allowed to develop at its own pace.

Azal decides to kill him, but Jo then offers to take his place and, unable to comprehend this act of self-sacrifice, the Dæmon self-destructs. The Master is finally captured by UNIT and taken away to await trial for his crimes against humanity.

Cast

 * Doctor Who - Jon Pertwee
 * Jo Grant - Katy Manning
 * The Master - Roger Delgado
 * Brigadier Lethbridge-Stewart - Nicholas Courtney
 * Captain Mike Yates - Richard Franklin
 * Sergeant Benton - John Levene
 * Olive Hawthorne - Damaris Hayman
 * Bert the Landlord - Don McKillop
 * Winstanley - Rollo Gamble
 * Professor Horner - Robin Wentworth
 * Alastair Fergus - David Simeon
 * Harry - James Snell
 * Garvin - John Joyce
 * Dr. Reeves - Eric Hillyard
 * Tom Girton - Jon Croft
 * PC Groom - Christopher Wray
 * Baker's Man - Gerald Taylor
 * Bok - Stanley Mason
 * Sgt. Osgood - Alec Linstead
 * Thorpe - John Owens
 * Azal - Stephen Thorne
 * Morris Dancers - The Headington Quarry Men
 * Jones - Matthew Corbett

Crew

 * Assistant Floor Manager - Sue Hedden
 * Costumes - Barbara Lane
 * Designer - Roger Ford
 * Fight Arranger - Peter Diamond
 * Film Cameraman - Fred Hamilton
 * Film Editor - Chris Wimble
 * Incidental Music - Dudley Simpson
 * Make-Up - Jan Harrison
 * Producer - Barry Letts
 * Production Assistant - Peter Grimwade
 * Script Editor - Terrance Dicks
 * Special Sounds - Brian Hodgson
 * Studio Lighting - Tony Millier
 * Studio Sound - Ralph Walton
 * Theme Arrangement - Delia Derbyshire
 * Title Music - Ron Grainer
 * Visual Effects - Peter Day

Story Notes

 * The shot of the exploding helicopter is actually a scene taken from James Bond film From Russia With Love.
 * The Master's summoning phrases for Azal is 'Mary had a little lamb' backwards.
 * 'Guy Leopold' (the writer), is a pen name for Robert Sloman and Barry Letts.
 * This story had the working title; The Demons.
 * The area under the church is always referred to as 'the cavern' and never 'the crypt'. This was a BBC requirement to avoid the risk of causing offence to viewers with religious sensibilities. Similarly, much to director Christopher Barry's amazement, no mention of God was permitted to be made in the story's dialogue, in case this was considered to be blasphemeous – although references to the Devil were acceptable.
 * The Doctor calls himself "the Great Wizard Quiquaeqoud". Qui, quae and quod are, respectively, the masculine, feminine and neuter forms of the Latin word for "who".
 * Despite a request made by Barry Letts whilst he was still producer for the 625 line PAL Colour Videotapes of the story to be preserved in the BBC Archives as an example of 1970s Doctor Who, for some unknown reason only Episode Four was kept. The 625 line PAL Colour Videotapes of Episodes One, Two, Three and Five were either erased for reuse, junked or lost, with only 16mm Black & White Film telerecordings made for overseas sale being retained.
 * In the DVD featurette Terrance Dicks: Fact & Fiction (included on the DVD of Horror of Fang Rock), Dicks confesses that he originally cut out the famous "Chap with the wings, five rounds rapid" line, but it was reinstated at Letts' request.
 * It was believed by a number of viewers that the model of the church blown up for the final episode (a replica of an actual church) was in fact real. Calls were received by the BBC deploring the destruction of the church.

Ratings

 * Episode 1 - 9.2 million viewers
 * Episode 2 - 8.0 million viewers
 * Episode 3 - 8.1 million viewers
 * Episode 4 - 8.1 million viewers
 * Episode 5 - 8.3 million viewers

Myths

 * There was a sixth episode planned, where the Master escaped UNIT. (This was an April Fool's joke in the fanzine DWB.)

Influences

 * This story makes a few nods towards Quatermass and the Pit, and not just for the idea that stories of devils and demons may be a race memory of horned aliens who conducted a eugenics experiment on early humans. Devil's End is essentially the same as Hobb's End, the fictitious London setting of the earlier story, Hob being an old name for the Devil. The use of iron to hold both Azal and Bok at bay is an old folk superstition that is also referred to in the Quatermass story. (See also DW: Image of the Fendahl.)
 * The large hoof prints left by Azal as he walks around the village of Devil's End and encircles the community with a heat barrier brings to mind a famous and well-documented case. On the morning of 9th February, 1855 the inhabitants of several villages and towns in Devon awoke to find what appeared to be the tracks of a hooved, two-legged creature in the snow, traversing a total distance of one hundred miles, going over rooftops, a 14-foot wall, and even apparently leaping across a two mile wide estuary. Many believed that the Devil himself had walked through Devon the previous night.

Filming Locations

 * Aldbourne, Wiltshire
 * Ramsbury Airfield, Ramsbury, Wiltshire
 * BBC Television Centre (Studio 4), Shepherd's Bush, London

Discontinuity, Plot Holes, Errors

 * Various pronunciations of 'Dæmons', 'Dæmos' (and all other permutations) are used throughout the story. The characters could be unsure of how to pronounce it, or simply make errors in doing so.
 * No explanation is offered for why Bok - a stone automaton animated by Azal and mind-controlled by the Master - shares the superstitious credulity of the villagers when it comes to iron and Venusian lullabies. Furthermore, if he is so cripplingly frightened of iron-based metals, he ought to be terrified whenever he passes through the church gate (though he opens it with no apparent reluctance in episode 6). (Bok isn't mind controlled by the Master, he is brought to life by Azal's power and works under the Master's direction. As a gargoyle, he was built to represent the villagers' superstitions, so of course he would beleve in them. As for the gate, it is unknown if it is made of iron, or if it's the combination of iron and the Venusian lullaby - which sounds like a spell or hex - that scares him off.)
 * A signpost next to the heat barrier says: 'Devil's End 1'. However, in episode two, the barrier has a five mile radius, centered on the church. Signposts usually list distance to the border point of a town. Depending on how large the township of Devil's End is within that border, this would not be an inconsistency.
 * If the "breached" heat barrier is still hot enough to make the Brigadier's swagger stick smoulder so profusely, it ought to have some fairly unpleasant effects on human flesh (but the troops pass through entirely unscathed).
 * In episode three, the energy exchanger interferes with radio communication, but by episode five it has lost this side effect.
 * Surely any alien race that has taken such a keen interest in the development of homo sapiens and their direct evolutionary predecessors over the last hundred thousand years, would be aware that altruism and the capacity for self sacrifice is a key human trait, and arguably is one of the major contributory factors in allowing them to survive and become Earth's dominant species. Would Azal then, really by so shocked by Jo's attempt to protect the Doctor to the extent that it leads to his own destruction? Depends which humans he had met previously. Not many would really so readily sacrifice their lives for someone else.

Continuity

 * The Doctor uses a few lines of a Venusian lullaby which is heard in full during The Curse of Peladon. The melody is that of the Christmas carol "God Rest Ye Merry, Gentlemen" which decades later would be featured in DW: The Next Doctor.
 * The Master sends his TARDIS to the Devil's End crypt at the close of PDA: The Face of the Enemy.
 * After being featured in every story of Season 8, the Master is captured by UNIT forces at the conclusion of this story and is next seen in prison in DW: The Sea Devils.
 * The Master retrieves his TARDIS from the debris of the church in EDA: The Eight Doctors.
 * A Daemon carcass is used by the Faction Paradox as a spaceship in EDA: Interference - Book Two.
 * The planet Daemos is mentioned in DW: The Satan Pit.
 * Some events of this episode are referred to in DW: Last of the Time Lords.

DVD, Video and Other Releases
Video Releases
 * The Dæmons was released on VHS in the UK and Australia in 1993. This was a color restored version of the story completed by the Doctor Who Restoration Team.

Novelisation

 * Main article: Doctor Who and the Dæmons


 * Novelised as Doctor Who and the Dæmons in 1974 by Barry Letts.

Script book

 * The Dæmons was released by Titan Books as a script book in November 1992.