Dan McDaid

Dan McDaid is a British comic writer/artist born in 1977, who is sometimes credited as "Daniel McDaid". Although he has some pre-dating work as an illustrator, his professional comic book debut was in Doctor Who Magazine.

Overview of Doctor Who work
In 2007 he became professionally engaged in Doctor Who comic art by providing illustrations for a Gareth Roberts-penned text story called "The Body Bank" in Panini's 2008 Doctor Who Storybook. From there, his services were engaged by the parent Panini publication, Doctor Who Magazine. He was rotated into the line-up of revolving artists in the interim between Series 3 and Series 4. Initially, he was paid as a writer for his story, "The First".

However, in issue #394, he made his professional debut as a comic book artist. Despite having never been paid to draw a comic strip, he was effectively the sole creator of the story, "Hotel Historia". This work was unusual on many levels. It marked the first time in DWM history that a single person had written, drawn and colored a story. Moreover the story was the first truly companion-less story of the RTD era, and the first in DWM since the Seventh Doctor's era. McDaid is also likely the first penciller to debut in DWM, and probably the first to do so in any regularly published Doctor Who comics.

Style
McDaid's art is strikingly different than most other artists working for DWM in that it is deliberately representative, rather than realistic. His work is, perhaps unsurprisingly, evocative of several artists he claims to have been influenced by, like John Romita, Jr. and Grant Morrison. He describes himself as having a "man-crush on Darwyn Cooke" — something immediately obvious on comparison of his work to Cooke's definitive The New Frontier.

Opinions of other Doctor Who artists
He calls the original Alan Moore/Dave Gibbons/Pat Mills/John Wagner run of Fourth and Fifth Doctor stories "seriously mad" and "mind-blowing". He's also noted the commonality between those comic strips and the RTD era of Doctor Who, noting that after Steve Parkhouse came in to DWM:
 * ' . . . 'the strips get more otherworldly and oblique, taking Who into territory where the TV show would never go. That was twenty years ago of course — these days, the TV show is practically a spin-off of those comic strips.  And more power to it, I say."

However, he seems to have been most influenced by Scott Gray's Eighth Doctor run, which he claims are his bible for "how to write Who — and particularly Who comics."