Jamie Robertson

Jamie Robertson is a member of the post-production team of Big Finish Productions. He has mostly served as a composer for Big Finish but has also worked on sound design for many releases.

Each year he composes music for all different ranges from the spin-offs to the main range. Most notably in 2013, Jamie Robertson was the composer for the show's 50th anniversary official audio The Light at the End.

For the first time in Doctor Who audio history, he mixed and released The Light at the End in Dolby 5.1 as a download extra via the Big Finish site.

Robertson's music varies from contemporary classic to rock-and-roll industrial. In 2010, he added something new for Big Finish: a real choir, the Poringland Singers, debuted for Big Finish on Relative Dimensions.

Through his scores, Robertson has made original contributions to each era of the Doctor, including his leitmotif for the Eighth Doctor, "There's a Man I Know". It crops up in Blue Forgotten Planet when Charley Pollard mentions that incarnation to the Sixth Doctor. It also appears in The Silver Turk.

Robertson has also scored a track known as "Across the Stars". This track debuted on The Chaos Pool. It has since become a standard theme for any sequence in which a character describes the wonders of space. In 2011, The Feast of Axos featured a new, choral version.

Robertson scored the theme tunes for the Eighth Doctor extras in Series 3 and afterwards, Eighth Doctor theme for Mary Shelley adventures and for The Light at the End, Jago & Litefoot, Graceless and other Big Finish series, including Highlander and Sherlock Holmes.

Big Finish main range

 * The Judgement of Isskar - music
 * The Chaos Pool - music
 * Blue Forgotten Planet - music & sound design
 * The Architects of History - music & sound design
 * Legend of the Cybermen - music & sound design
 * The Feast of Axos - music & sound design
 * Heroes of Sontar - music & sound design
 * Robophobia - music & sound design
 * The Silver Turk - music & sound design
 * The Fourth Wall - music & sound design
 * Black and White - music & sound design
 * 1001 Nights - music & sound design
 * Signs and Wonders - music & sound design
 * Shield of the Jötunn - music
 * The Waters of Amsterdam - music
 * The Two Masters - music
 * Fiesta of the Damned - music
 * Order of the Daleks - music
 * Quicksilver - music & sound design
 * The High Price of Parking - music
 * The Middle - music

50th anniversary

 * The Light at the End - music & sound design

Destiny of the Doctor

 * Death's Deal - music & sound design

Eighth Doctor Adventures

 * Wirrn Dawn - music & sound design
 * The Scapegoat - music & sound design
 * Situation Vacant - music & sound design
 * Nevermore - music
 * Relative Dimensions - music & sound design

Fourth Doctor Adventures

 * Destination: Nerva - music & sound design
 * The Renaissance Man - music & sound design
 * Phantoms of the Deep - music & sound design
 * The King of Sontar - music & sound design
 * White Ghosts - music & sound design
 * The Crooked Man - music & sound design
 * The Evil One - music & sound design
 * Last of the Colophon - music & sound design
 * Destroy the Infinite - music & sound design
 * The Darkness of Glass - music & sound design
 * Requiem for the Rocket Men / Death Match - music & sound design
 * The Cloisters of Terror - music & sound design
 * The Fate of Krelos / Return to Telos - music & sound design
 * The Labyrinth of Buda Castle - music & sound design
 * The Paradox Planet / Legacy of Death - music & sound design
 * Gallery of Ghouls - music & sound design
 * The Trouble with Drax - music & sound design
 * The Pursuit of History / Casualties of Time - music & sound design
 * The Beast of Kravenos - music & sound design
 * The Eternal Battle - music & sound design
 * The Silent Scream - music
 * Dethras - music & sound design
 * The Haunting of Malkin Place - music & sound design
 * Subterranea - music & sound design
 * The Movellan Grave - music & sound design
 * The Skin of the Sleek / The Thief Who Stole Time - music & sound design
 * The Sons of Kaldor - music & sound design
 * The Crowmarsh Experiment - music & sound design
 * The Mind Runners / The Demon Rises - music & sound design

Big Finish bonus releases

 * Night of the Stormcrow - music & sound design

Companion Chronicles

 * Resistance - music
 * The Magician's Oath - music
 * Bernice Summerfield and the Criminal Code - music & sound design
 * Peri and the Piscon Paradox - music & sound design

Lost Stories

 * The Nightmare Fair - music & sound design
 * The Second Doctor Box Set
 * The Destroyers - music & sound design
 * The First Sontarans - music & sound design
 * The Rosemariners - music & sound design

Novel Adaptations

 * The English Way of Death - music & sound design

Third Doctor Adventures

 * The Third Doctor Adventures
 * The Havoc of Empires - music
 * The Third Doctor Adventures: Volume 2
 * The Transcendence of Ephros - music
 * The Third Doctor Adventures: Volume 3 - music
 * The Third Doctor Adventures: Volume 4 - music

Doom Coalition

 * Doom Coalition 2
 * Beachhead - music
 * Scenes From Her Life - music
 * The Gift - music
 * The Sonomancer - music
 * Doom Coalition 3
 * Absent Friends - music
 * The Eighth Piece - music
 * The Doomsday Chronometer - music
 * The Crucible of Souls - music
 * Doom Coalition 4
 * Ship in a Bottle - music
 * Songs of Love - music
 * The Side of the Angels - music
 * Stop the Clock - music

The Eighth Doctor: The Time War

 * The Eighth Doctor: The Time War 1
 * The Starship of Theseus - music
 * Echoes of War - music
 * The Conscript - music
 * One Life - music

The New Adventures of Bernice Summerfield

 * The Unbound Universe
 * The Library in the Body - music
 * Planet X - music
 * The Very Dark Thing - music
 * The Emporium At The End - music

Philip Hinchcliffe Presents

 * The Helm of Awe - music

Dalek Empire

 * The Fearless: Part 2 - sound design
 * The Fearless: Part 3 - sound design