Underworld (TV story)

Underworld was the penultimate story of Season 15, and the first over which script editor Anthony Read had complete creative control. Read had requested that writers Bob Baker and Dave Martin make the script explicitly allegorical of the ancient myth of Jason and the Quest for the Golden Fleece.

Beyond this, though, Underworld was unusual in number of regards. Perhaps most obviously, it was the serial that used by far the most colour separation overlay (CSO) in the programme's history. Rampant inflation had eaten away at the budget for the back half of the season, and using CSO to recreate virtually every shot of the alien world featured in the story was the only feasible way to preserve production of The Invasion of Time. It also advanced the mythos of the Time Lords, by explaining the origin of their non-interference policy.

Synopsis
The TARDIS arrives on a Minyan space craft, the R1C, commanded by a man named Jackson. Jackson and his crew are on a long quest to recover the Minyan race banks from a ship called the P7E which left their planet centuries ago. The Doctor helps to free the R1C after it becomes buried in a meteorite storm, but it then crashes into another newly-formed planet.

Inside the planet is a system of caves at the heart of which is the P7E. The P7E's computer, the Oracle, was programmed to protect the race banks but subsequently went insane and - with the aid of its servants, the Seers - imposed its rule upon the Minyan survivors and their descendants. It allows Jackson to take what appear to be the race banks, but they are actually imitations containing fission grenades.

The Doctor realises the deception and obtains the genuine race banks. He then tricks the Oracle's guards into taking the grenades back to their leader. The resulting explosion destroys the planet and the P7E and boosts the R1C off on a voyage to Minyos II, carrying with it the Minyan survivors.

Episode one
Aboard the TARDIS, the Doctor is painting and Leela is playing with the the console. When they reach the edge of the cosmos, the Doctor is in awe, but K9 informs him that there is a nearby spacecraft and that they are both heading into a spiral nebula. The TARDIS escapes and materialises aboard the vessel, the R1C. When its crew hears the TARDIS, they recognise it as the technology of the gods.

The Doctor, now in the ship's cargo hold, determines that it is from Minyos, a planet on the other side of the universe. The Time Lords once helped the Minyan civilisation to develop before being rejected, which led to their non-interference policy after the Minyans destroyed their own world. Leela uses a Minyan weapon to blast the door open and they head for the bridge. As the crew try to avoid the nebula, the Doctor offers to help. Herrick holds a weapon on him, until Captain Jackson orders Orfe to use the Pacifier to subdue Herrick and Leela. Jackson explains that the R1C has been searching for another ship, the P7E, for 100,000 years and, while the crew can endlessly regenerate, their ship is failing. The P7E contained the genetic Race banks necessary to rebuild Minyos.

The Doctor connects K9 to the failing systems and the R1C escapes the nebula. However, the signal from the P7E is still coming from inside and Jackson orders the ship to go back in. With K9's help, the ship survives the journey, but its huge mass starts to attract debris. As the rock starts to build up, the Doctor suggests using the ship's weapons to blast itself free, but the laser cannon starts to burn through the hull as well...

Cast

 * The Doctor - Tom Baker
 * Leela - Louise Jameson
 * Voice of K9 - John Leeson
 * Jackson - James Maxwell
 * Herrick - Alan Lake
 * Orfe - Jonathan Newth
 * Tala - Imogen Bickford-Smith
 * Rask - James Marcus
 * Tarn - Godfrey James
 * Idmon - Jimmy Gardner
 * Idas - Norman Tipton
 * Guard Klimt - Jay Neill
 * Ankh - Frank Jarvis
 * Lakh - Richard Shaw
 * Naia - Stacey Tendeter
 * Voice of the Oracle - Christine Pollon

Crew

 * Assistant Floor Manager - Gary Downie
 * Costumes - Rupert Jarvis
 * Designer - Dick Coles
 * Film Editor - Richard Trevor
 * Incidental Music - Dudley Simpson
 * Make-Up - Cecile Hay-Arthur
 * Producer - Graham Williams
 * Production Assistant - Mike Cager
 * Production Unit Manager - John Nathan-Turner
 * Script Editor - Anthony Read
 * Special Sounds - Dick Mills
 * Studio Lighting - Mike Jefferies
 * Studio Sound - Richard Chubb
 * Theme Arrangement - Delia Derbyshire
 * Title Music - Ron Grainer
 * Visual Effects - Richard Conway

The Doctor

 * The Doctor has been to Aberdeen and Blackpool. In retrospect one wonders if this means he knew perfectly well where he'd left Sarah Jane Smith (as DW: School Reunion reveals he'd dropped her off in Aberdeen rather than South Croydon).

Races and species

 * The Minyans, when living on Minyos, accepted Time Lord technology, then kicked them out by force, went to war and destroyed their world, 100,000 years previously.
 * Minyans can regenerate thousands of times, with mechanical help, but retain the same persona each time.

Story notes

 * The Minyan spacecraft set turned out to be more expensive than anticipated, thus almost all other scenes were created using CSO.
 * The story makes frequent allusion to the story of Jason and the Argonauts, including the similar naming of various characters: Jackson/Jason, Herrick/Heracles, Tala/Atalanta, Orfe/Orpheus, Minyos/Minos, R1C/Argossey, P7E/Persephone.
 * This story had a working title of Underground.
 * The DVD production notes point out that all 4 episodes ran short of their allotted running time, forcing the use of extended shots and repeated shots for padding. Part 2 and 3, in particular, were so much in need of padding that reprises much longer than usual were used in both.
 * Also according to the production notes, the recently released Star Wars influenced certain aspects of the production, especially when it was learned that the film would be released in the UK 10 days before Underworld was scheduled to air.
 * Episode 1 was broadcast only a few days after the Terry Nation-created series Blake's 7 debuted. Composer Dudley Simpson worked on both shows and, according to the DVD production notes, snuck a reference to the Blake's 7 theme music into the score for the Underworld episode.
 * The DVD featurette Into the Unknown reveals that budget restrictions were so tight on Underworld that the idea of cancelling it altogether and allotting its budget to The Invasion of Time (or cancelling The Invasion of Time and using that story's budget to fund a location shoot for the cave sequences in this story) was suggested, but was ultimately rejected as an option by Graham Williams.
 * The scenes of the Doctor shepherding the Trogs through the caves and onto the P7E were devised and organised by Tom Baker himself.

Ratings

 * Part 1 - 8.9 million viewers
 * Part 2 - 9.1 million viewers
 * Part 3 - 8.9 million viewers
 * Part 4 - 11.7 million viewers

Myths

 * Imogen Bickford-Smith was going to replace Louise Jameson as the Doctor's companion. Though an actual news story at the time, it was a complete fabrication of the actor's agent, who had gotten wind of Jameson's impending departure. Producer Graham Williams never considered retaining Bickford-Smith beyond Underworld.

Filming locations

 * BBC Television Centre (TC3 and TC4), Shepherd's Bush, London

Production errors

 * The green screen back projection used to create scenes within the caves works surprisingly well, except for a few occasions in which characters can be seen moving through supposedly solid rock, and during episode 2 there are a couple of moments where people's heads can be seen to "vanish".
 * In episode 1, Leela uses a ray gun to blast away a door. Tom Baker wasn't in the correct position when the camera started rolling again when the door was removed, so his body placement is seen to change instantly.
 * Due to incorrect placement of the CSO, K-9 appears to float in midair in a few cave scenes.

Continuity

 * Further information is revealed of Minyos in BFG: The Inquiry.
 * In DW: Mawdryn Undead there is seen another example of Time Lord technology allowing for perpetual regeneration.
 * This was the first story to show regeneration being applied by non-Time Lords. A key difference is that the Minyans' regeneration process does not result in complete physical change and new personalities, just a reversal of the aging process.
 * The Doctor mentions that he's gone through regeneration "two or three times" and remarks it's "not pleasant".
 * The Doctor refers to the Oracle as "another machine with megalomania; another insane object; another self-aggrandizing artefact." He has encountered several similary insane machines before, namely WOTAN (DW: The War Machines), BOSS (DW: The Green Death) and Xoanon (DW: The Face of Evil).

Timeline

 * This story occurs after DW: The Sun Makers
 * This story occurs before VD: People of the Trees

DVD releases

 * This story was first released on DVD in the UK on 29th March 2010 as part of the Myths And Legends Boxset. The one disc set includes a restored version of the story, as well as the following special features:
 * Commentary by Tom Baker (The Doctor), Louise Jameson (Leela) and Bob Baker (Co-Writer).
 * Into The Unknown
 * Underworld – In Studio
 * Coming Soon Trailer (The Creature From The Pit)
 * Radio Times Billings
 * Production Subtitles
 * Photo Gallery


 * Editing for DVD release completed by Doctor Who Restoration Team.

A North American/Region 1 release of the story occurred in July 2010, however in that region the story was released on its own and not as part of a box set.

Video releases

 * UK March 2002
 * US May 2003
 * Australia May 2002

Novelisation and its audiobook

 * Main article: Doctor Who and the Underworld

Novelised as Doctor Who and the Underworld by Terrance Dicks in 1980.