Planet of Giants (TV story)

Planet of Giants was the first serial of Season 2 of Doctor Who. Episode one, or "Planet of Giants", was the first episode set in then-contemporary England since "An Unearthly Child". Though similar to an idea first proposed by C. E. Webber for the pilot of Doctor Who, writer Louis Marks claimed that the inspiration for the story was the seminal pro-ecology work by Rachel Carson, Silent Spring, which contained strong warnings against the use of insecticides. He reckoned that by shrinking the Doctor, he would have the opportunity to put the TARDIS crew face-to-face with the dangers Carson had warned against in her book. (REF: The First Doctor Handbook) It was therefore the first "environmentalist" Doctor Who story, a kind of gently moralistic tale — like Invasion of the Dinosaurs and The Green Death — later to be particularly favoured by Barry Letts.

Though fully scripted and recorded as a four-parter, parts three and four were merged into a single episode, effectively leaving an episode on the cutting room floor. This edited material was never retained — though some of it made it into the novelisation. In a sense, then, Planet of Giants was the first serial to have a missing episode.

Aside from being Marks' first work on the series, it was also the Doctor Who debut of long-time composer, Dudley Simpson, and the first credit for frequent director, Douglas Camfield.

Synopsis
The main doors of the TARDIS open of their own accord just before it materialises, causing it to run out of control. On emerging, the travellers discover that the ship has been reduced in size and they are now only about an inch tall.

In this miniaturised state, they stumble across a plot by a ruthless businessman, Forester, and his misguided scientist colleague, Smithers, to launch a new insecticide named DN6 - a product so destructive that it would kill not only those insects harmful to agriculture but also those vital to it.

Forester is even willing to commit murder to ensure the success of his business, as civil servant Arnold Farrow discovers to his cost.

The criminals are eventually brought to justice when the Doctor and his friends - hampered by the fact that Barbara has herself been made ill by the insecticide - tamper with the telephone in Smithers' laboratory, thus fuelling the suspicions of the local exchange operator, Hilda Rowse, who sends her police constable husband Bert to investigate.

Planet of the Dead (1)
The Doctor is in the process of landing the TARDIS in, what the Doctor believes to be mid 20th century Earth. As he does, so he discovers that the console is burning up and discovers a fault with the TARDIS. However, the fault locator shows nothing is wrong. Despite this, the doors begin to open just as the TARDIS begins its materilisation. The Doctor begins to panic, as due to the space pressure differential between the vortex and other planets, any malfunction during materilisation can be very dangerous. However, the only real damage done seems to be to an overloading of the scanner circuits, causing the TARDIS's screen to implode. The Doctor considers it safe to venture outside.

He leads his companions Ian, Barbara and Susan to the world beyond. There curiousity is aroused initially by the odd rock formation by which they have materialised. It seems both rough but evenly spaced and there appears to be residues of concrete at there feet. it is decided that they split up, The Dcotor and Barbara exploring around the TARDIS and Ian and Susan further afield. Within minutes The Doctor and Barbara find what they believe to be a snake, however turns out to be a dead giant earthworm. At the same time Ian and Susan are shocked by a large deceased ant. Both of the creatures seem to have died immediately. After some confusion as to what could possibly explain why a planet would spawn giganticised versions of Earth creatures Ian and Susan come across a giant pack of cigarettes and a large matchbox. As Ian climbs into the matchbox, believing it to be an exhibition piece, Susan realises that it is not everything else that has been gigantified but them that have shrunk.

After this revelation thunderous footseps are heard. Susan runs for cover but Ian is trapped inside the box that is picked up by someone. The Doctor and Barbara soon find Susan and it is discovered that The Doctor has also made the connection that Susan made. The Doctor climbs a large rock to discover the man who picked up Ian far away in the distance, which in real terms is just the length of a garden.

The man that has unwittingly kidnapped Ian is a government scientist called Arnold Farrow, who has come to the home of callous businessman named Forester to tell him that his application for DN6, a new pesticide, has been rejected. In reality, DN6 should not be licensed: it is far too deadly to all life. When they fall out over this news, Forester shoots Farrow and leaves him for dead outside his home.

The Doctor, Barbara and Susan hear the gunshot as an enormous explosion, and head for the house. On there way a wasp falls from the sky. The trio marvel at the death of all wildlife that they are met with and The Doctor orders the women not to ingest anything until they get on the TARDIS. Meanwhile Ian uses this opportunity to escape from the box. The foursome meet by the dead body and surmise a murder has taken place but can do little about it. Just as they head off to the TARDIS they turn to see a cat looking down on them.

Dangerous Journey (2)
After they avoid the cat the travellers split up again, with Ian and Barbara hiding in a briefcase. The giant Forester returns to the garden and collects the briefcase, taking it inside to his laboratory. His aide, Smithers, suspects him of murder, but does not report him for fear of undermining the DN6 project to which he has given his life. The Doctor and Susan scale a drainpipe to gain access to the house and locate their friends, braving the height as they go.

Meanwhile Ian and Barbara examine the laboratory. She foolishly touches a seed that has been contaminated with DN6 and soon starts to feel unwell. Ian and Barbara return to the briefcase to try to make a ladder from paper clips to climb down off the table. While Ian is trying to open the briefcase, Barbara encounters a giant fly. It flys away and lands on the seeds, dying instantly.

Shortly thereafter, attracted by Susan's voice in the reverberating plughole, the four friends are momentarily reunited. Then the Smithers and Forester return to wash up.

Crisis (3)
Ian and Barbara quickly retreat from the sink but the Doctor and Susan are still in the drain. While Smithers washes his hands, The Doctor and Susan climb into the overflow pipe. Ian and Barbara fear that the others have drowned, but are plesantly surprised when they crawl back out of the drain.

Forester has meanwhile doctored Farrow's report so as to give DN6 the licence he wants and, disguising his voice as Farrow's, makes a supportive phone call to the ministry to the same effect. This is overheard by the local telephone operator, Hilda Rowse, and her policeman husband Bert, who start to suspect something is wrong.

The Doctor has meanwhile realised the deadly nature of DN6 and the probable contamination of Barbara. They try to alert someone by hoisting up the phone receiver with corks, but cannot make themselves heard. However, Hilda notes the engaged signal and she and Bert become even more concerned. Forester and Smithers return to the lab and correct the engaged handset and then Hilda rings to check things are okay. She rings again moments later and asks for Farrow and, when Forester impersonates him, knows there is something badly wrong. Bert heads off to the house to investigate.

The Doctor and his companions decide to start a fire to attract attention to the house and succeed in setting up an aerosol can of insecticide as a bomb. This coincides with Smithers discovering the true virulence of DN6 - it's lethal to everything - and demanding Forester stop seeking a licence. Forester spots the makeshift bomb, which goes off in his face. Smithers retrieves the gun as PC Rowse arrives.

Their work done, the travellers return to the TARDIS and the Doctor reconfigures the machine to return them to normal size. Barbara, who was on the verge of death, recovers on being returned to full size; the insecticide in her bloodstream and the seed responsible remain their proper miniscule size.

Cast

 * The Doctor - William Hartnell
 * Ian Chesterton - William Russell
 * Barbara Wright - Jacqueline Hill
 * Susan Foreman - Carole Ann Ford
 * Forester - Alan Tilvern
 * Arnold Farrow - Frank Crawshaw
 * Smithers - Reginald Barratt
 * Hilda Rowse - Rosemary Johnson
 * PC Bert Rowse - Fred Ferris

Crew

 * Writer - Louis Marks
 * Director - Mervyn Pinfield
 * Director - Douglas Camfield (material for episode 4 which was included in episode 3)
 * Producer - Verity Lambert
 * Script Editor - David Whitaker
 * Designer - Raymond Cusick
 * Assistant Floor Manager - Dawn Robertson
 * Assistant Floor Manager - Val McCrimmon
 * Associate Producer - Mervyn Pinfield
 * Costumes - Daphne Dare
 * Incidental Music - Dudley Simpson
 * Make-Up - Jill Summers
 * Production Assistant - Norman Stewart
 * Special Sound - Brian Hodgson
 * Studio Lighting - Howard King
 * Studio Sound - Alan Fogg
 * Theme Arrangement - Delia Derbyshire
 * Title Music - Ron Grainer

Story notes

 * All 3 episodes exist as 16mm telerecordings.
 * Negative film prints of all 3 episodes were recovered in 1978.
 * Arabic prints of all 3 episodes are also held by the BBC.
 * The request to compress this serial into three parts came from Donald Wilson, BBC Head of Serials, who felt the story simply didn't work in four parts. Episode 3 was entitled, "Crisis", and episode 4 was to be called, "The Urge to Live". In the end, the edited episode retained the original title of episode 3, "Crisis", but the end credits for "The Urge to Live", because that required the fewest edits at a time when editing was a very expensive proposition.  Thus Douglas Camfield, who was in fact the director of "The Urge to Live", came to be the credited director of the transmitted version of "Crisis".
 * The story was originally developed under the title The Miniscules. The working title of "Dangerous Journey" was "Death in the Afternoon". (REF: The First Doctor Handbook)
 * The story was filmed as part of the first bloc of stories but a decision was made to hold it over as the opener for the second series.

Shrinking the Doctor
It is sometimes casually asserted that Planet of Giants was a story that had been proposed by C. E. Webber as the first story of season 1. However, it was merely the general idea of shrinking the Doctor and his companions that linked Marks' script to Webber's idea. All the details were quite different. Indeed the story of how a miniaturised TARDIS eventually made it on screen was relatively complex.

The idea of a story that featured the minaturisation of the TARDIS crew went back to one of the foundational documents of Doctor Who: "Dr. Who: General Ideas on Background and Approach" written by C. E. Webber and heavily amended by Sydney Newman. There, Webber said that the first story "may result from the use of a micro-reducer in the machine which makes our characters all become tiny". The idea was carried forward in a 16th May 1963 document, prepared by Newman, Webber and Donald Wilson, in which the first story, called The Giants, was proposed. Its first episode was to be broadly similar to "An Unearthly Child", but instead of landing in Earth's past, the TARDIS would land in the Coal Hill School laboratory — at a much-reduced size. The travellers would then spend the next three episodes avoiding the now-huge students, teachers and classroom objects all around them. By 4th June 1963, Webber had completed his full outline, which now included a scene in which the travellers placed themselves under a microscopes so the students could see and communicate with them.

By 10th June, Newman began to sour somewhat on Webber's idea, noting that the storyline didn't seem to allow for much in the way of character development. He also felt that portraying the shrinkage of the TARDIS would be "patently impossible without spending a tremendous amount of money", and asked Webber to reconsider his ideas such that they could be practically achieved. Webber only got as far as the draft scripts of the first two episodes before the script was officially rejected by Donald Wilson and Rex Tucker, the interim producer who briefly preceded Verity Lambert. Their objections were quite different to Newman's. They now knew that the first serial of Doctor Who had to be recorded at Lime Grove Studio D, whose cameras couldn't be fitted with wide-angle or zoom lenses. This made the convincing portrayal of miniaturisation impossible. Webber was duly paid for his first two scripts in July 1963, and the idea was temporarily shelved.

Nevertheless, script editor David Whitaker — who, having been appointed in the last week of June, was not party to the decision to reject The Giants — wasn't ready to give up on the idea just yet. He wrote an 8th August memo to Ayton Whitaker saying, "We badly need a serial about our four running characters being reduced in size". His plan of attack to achieving this goal was to eliminate Wilson and Tucker's objection: Lime Grove. He argued that Studio D was simply not up to the production of a variable format show like Doctor Who, and that the production could not continue if it was permanently restricted to that antiquated studio.

By 16th September, David Whitaker had placed a "shrunken Doctor" serial back on the season 1 schedule. Never named, it was to be written by Robert Gould, and it had nothing to do with Coal Hill School. It did, however, posit the notion of returning the TARDIS crew to 1963. The Gould script proceeded slowly, however, and by 4th February 1964, Whitaker released Gould from that idea and requested a replacement story — one that also never even made it to the synopsis stage. Whitaker commissioned Louis Marks to write an outline for a "shrunken Doctor" script, on which Gould had given up. By late May 1964, the idea finally moved to full commission, with four episodes being requested of Marks. More importantly, Whitaker achieved his ambition of ensuring that the story would be recorded at BBC Television Centre, rather than Lime Grove.

Even after Giants went before the cameras at TC4, it still underwent changes. Donald Wilson didn't feel it was a great season opener and would have actually preferred to have begun with The Dalek Invasion of Earth, had not Carole Ann Ford's departure in Invasion made the transposition of the serials impossible. Saying that "by its nature and the resources needed we could not do everything we wanted to do to make it wholly satisfactory", he took the unusual step of editing the already-recorded third and fourth episodes into a single episode. (REF: The First Doctor Handbook)

Ratings

 * Planet of Giants - 8.4 million viewers
 * Dangerous Journey - 8.4 million viewers
 * Crisis - 8.9 million viewers

Myths
to be added

Filming locations

 * Ealing Television Film Studios
 * Lime Grove Studios (Studio D)

Production errors

 * At the end of episode 2 the sink is emptied and the plug is placed upon the bench. At the beginning of episode 3 the plug is back in the sink providing a method of escape.

Continuity

 * An emergency klaxon is heard in the TARDIS in episode one which appears to be a forerunner of the Cloister bell (first heard in DW: Logopolis, and various stories since).

Timeline

 * This story occurs after ST: The Duke's Folly
 * This story occurs before PDA: The Time Travellers

Video releases

 * UK Release: January 2002 / US Release: May 2003
 * Planet_of_Gaints.jpg
 * PAL - BBC Video BBCV7263
 * NTSC - Warner Video E1740

This story was enhanced by the Doctor Who Restoration Team and further information on this project can be found at Restoration Team Website


 * 

DVD release
Currently being reviewed for release in February 2011. Could be released 2012

Novelisation and its audiobook

 * Main article: Planet of Giants (novelisation)

Novelised as Planet of the Giants in 1990 by Terrance Dicks.