Tardis talk:Valid sources

Possible mistake
In the following sentence, at the end of "Explaining the Rules" it currently says: "Extraordinary non-narrative evidence — such as the story's author directly saying that the story doesn't happen in the normal DWU – must be presented to the community for a story to be kicked out based on Rule 3."  This sentence seems more like an example of Rule 4, and the paragraph is about Rule 4. Article is flagged against editing, so commenting here. Agonaga talk to me 14:40, July 11, 2012 (UTC)

Only Stories Count
Sounds like a reasonable rule. I just wonder, how does that apply when it comes to the interpretation of stories? For exapmple, take The Doctors Wife. It was never made clear wether or not that particular control room still existed after it was deleted. The writer/director/whatever stated somewhere that it obviously still existed, and that anything else would be a missinterpretation. Does that mean the control room still exists, or that it's uncertain?Thomsons Gazelle ☎  13:36, December 15, 2012 (UTC)


 * Any information from outside of the narrative (the story) should go in the behind the scenes section of the article if it's in-universe or in the story notes section on the story article's page.
 * I'm a little unsure what you mean by "interpretation" however. Idris/the TARDIS said she saved it and then it's deleted by House. The information seems pretty straight forward. --Tangerineduel / talk 13:51, December 15, 2012 (UTC)


 * Personally, I think it is rather decadent. Yes, I read what it said below that, but I take Doctor Who: Monsters and Villains and similar books to be TIE-IN WORKS, not "works of non-fiction". They may contain some behind-the-scenes info, sure, but they also contain some extra in-universe information that could be crucial to understanding the characters described (like what was music probably like in 5 billion or how exactly were the Forest of Cheem created?). On Wookieepedia (yes, I also know that we're not Wookieepedia, but I'm still not trying to make us Wookieepedia-- I only want us to be more in favor of some fans like me), reference works are treated as valid sources depending on their content--in-universe or behind-the-scenes. The aforementioned books contain both, but it shouldn't take a well trained person to distinguish the two where they're together. Imagine if a new guide like Monsters and Villains was printed that contained never-before-seen illustrations of Fitz Kreiner AND Nobody No-One? How would you deal with that, CzechOut?


 * I also take the tie-in websites to contain canon information (Whoisdoctorwho.co.uk implies where and when the Ninth Doctor traveled before he met Rose), even if they might also contain behind-the-scenes data. I think we should create a new category of publication, Template:Tie-in work, which could say something like "This is a licenced tie-in work. This source can be used for both in-universe and behind-the-scenes sections". And I'm not sure about using "licenced" before "tie-in work", because the BBC doesn't hold all the copyrights. K-9, anyone? -- Vultraz Nuva ☎  19:56, December 27, 2013 (UTC)
 * Not sure what your alternative would be. You'd actually require the admin staff of this wiki to look at every single book ever made and decide on a case-by-case basis? That's completely unreasonable, I think you'd agree. After discussing the matter since 2005, it became abundantly clear that we need a rule that was simple to administer — and that didn't require our administrative staff to outlay huge amounts of cash.


 * And that's really why your comparisons to Wookieepedia aren't particularly relevant. See, the BBC has no Leland Chee. It would be great if there were such a person, and I'm certainly jealous of Wookieepedia.  They've got the great benefit of a Lucasfilm employee telling them what the scope of the SWG is.  He has access to everything and can sit there and make a case-by-case review of everything. Not only can he; he has to.  It's his job. And he doesn't have to pay for access to the complete library of Star Wars branded stuff.


 * By contrast we're not getting paid to do this, so we all have to work within our own personal budgets. And if we can't get a copy of a particular book, we can't get a copy of that book.  So our rule that "only stories count" is immensely practical.  It's something we can enforce without having to buy and sit in judgement upon every single release.


 * And, honestly, I don't think you realise just how much utter crap there is out there under the guise of a "reference work". Pick up The Doctor Who Technical Manual. Give that one a whirl for accuracy. Check out most any annual and tell us how we're supposed to integrate material from games pages that are introduced by characters. Are we to believe the Doctor actually told us about lunar missions or astronomy? Did the Third Doctor write a treatise on the production of Doctor Who for The Making of Doctor Who?  Of course not.  That would be ridiculous.


 * But I can't think of anything less fun in the whole world than looking at every single scrap of "non-narrative-but-in-character" writing and judging the validity of each one, individually. So we're not doing that. Nor are we inventing some kinda halfway house of "tie-in material" — whatever that's supposed to mean. It's either valid or it's not.  Period.


 * All rules of the wiki have to be clear and easy to administer.


 * I think one thing you're missing about this policy is that it does not stop people from adding information from such works. It merely forces editors to place such information under a "behind the scenes" heading, so that readers know they're not reading info that comes from an ordinary story. There are many articles, for instance, which contain a "Brilliant Book" section, wherein information from The Brilliant Book 2011 or its sequel can be placed.


 * So we won't be changing from our policy of accepting only stories for the in-universe part of our articles. But if you find an interesting tidbit in a non-narrative source, slip it into a "behind the scenes" section. We're not trying to lose information; we're just trying to draw a clear line between information from stories and information that's not from stories.   22:11: Fri 27 Dec 2013


 * Thank you. You prove a point. But if somebody finds a picture of say, Nobody No-One, as I mentioned before, in a Brilliant Book, do you think 'twould seem out-of-place at all in the "behind the scenes" section? I'm not sure myself. Vultraz Nuva ☎  23:09, January 4, 2014 (UTC)

Artefact of the prefix move
Naturally, there's no such thing as "an TV audiobook from AudioGO", so could that bit be amended to say "a Sarah Jane Adventures audiobook"? Also, could the bit involving prefixes next to the "Fictional information presented non-narratively" be fixed to get rid off all this COMIC and DAN stuff? -- Tybort (talk page) 12:22, August 15, 2013 (UTC)
 * Done. Shambala108 ☎  13:38, August 15, 2013 (UTC)

Small typo
Rule Four should probably read "needed to make," the "to" is currently absent. &mdash; Rob T Firefly - &#916;&#8711; - 17:02, May 25, 2014 (UTC)
 * Done, thanks for catching that. Shambala108 ☎  17:27, May 25, 2014 (UTC)

Rule One Needs Clarification
Now, to start, I've read the previous discussion on this talk page about "only real stories," and that was unhelpful. The page itself needs to be edited to explain. I have a complete understanding of what the rule means; I just wonder why. There's no explanation on the actual article, and the explanation on the talk page is illogical. I understand that there is no central canon authority in DW and that makes everything a mess, but this rule makes no sense. The reasoning about star wars having Leeland Chee is wrong. Wookieepedia's Legends continuity is still a mess, even with his guidance. Wookieepedia votes on what to do about particularly troublesome parts of sources, rather than putting everything in BTS. Besides that, there are so many articles here that contain info that would be very useful if it were in the right order in the main body of an article, rather than displaced in BTS. I think Tardis editors are intelligent enough to figure out what information is weird and should be put in BTS. CloneMarshalCommanderCody ☎  20:33, July 26, 2014 (UTC)

Typo
Paragraph three of the "Out of Universe Sources" section has a typo. Fourth line, the sentence that starts "Some long-standing webistes" has a typo in it as you can see here. 23skidoo ☎  16:38, August 11, 2014 (UTC)

Review copies reference
Aside from admonishing people to "keep it to yourself" it might also be worth spelling out that there is precedent for review copies to not reflect the final televised version of the episode and should not therefore be used even after the episode airs. For example, the review copies of Partners in Crime that omitted Billie Piper. 23skidoo ☎  16:43, August 11, 2014 (UTC)

Non-Doctor New Adventures and Bernice Summerfield
Rule 2 states in big bold letters : A story that isn't commercially licensed by all of the relevant copyright holders doesn't count..

of note, there are certain stories, like the 'Professor and Ace' stories like "Republica" using characters/concepts from DW that are clearly not valid sources for obvious reasons. Many stories were written as sequels to officially licensed stories by the same authors that wrote the original licensed stories, but do not count as they use DW elements/characters without proper licensing, eg. "Time's Champion" as a sequel to The Quantum Archangel (novel). Then there are stories where some characters are officially licensed DW characters, while others clearly are not. Over on the Faction Paradox Wiki the Main Page states:

"The trickiest thing to understand about the series, is that even though it's a spin off of Doctor Who it is not a part of the DWU. Creator Lawrence Miles had no access to concepts like "the Doctor", "the Master", "the TARDIS", "the Time Lords" — any of the things that make Doctor Who what it is. So you won't find direct mentions of these people and concepts."

Back to this page, and it clearly and unambiguously states:

"A rose by any other name is not as sweet. If the story consistently uses alternate names for DWU characters, places and situations, it's probably not allowed. The big exception to this is the story that contains analogous elements. As a general rule, if something is an approximation of something else in the DWU, then we don't fool with it. The classic example is the independently-published Faction Paradox stories that are not a part of the BBC Books range. Because writer Lawrence Miles does not have a license to DWU elements other than the Faction Paradox organisation itself, he must resort to using "code names" for Gallifrey, the Doctor, TARDISes, the Master and any number of the basic building blocks of the universe."

All of which brings us back to the Bernice Summerfield novels, audios and short stories. Bernice Summerfield of course first appeared in the officially licensed novel Love and War (novel). She then remained for most of the New Adventures. So far, so good. However, after Virgin's licence expired, they decided to carry on using Bernice as the main character(as they were legally entitled to do). However, they no longer had the rights to concepts like Time Lords, TARDISes, the Doctor etc.

Yet, the post-The Dying Days (novel) novels feature what are unambiguously Time Lords. The Big Finish Productions Bernice audios and books exist in a totally separate licence to their Doctor Who Audio ranges. The bernice stories were not legally allowed to use the Doctor, Time Lords, TARDISes etc. Thus, it must be asked exactly who are Irving Braxiatel's people who keep getting mentioned, and are influenetial in numerous stories? What exactly is that "time space machine" that Braxatiel travels in? When Bernice meets Iris Wildthyme and they both mention that they have travelled with the same time-traveller, who was it? It can't be the Doctor, can it, because the Bernice audios couldn't legally use or mention him.

And who are those creatures from Mars in the Benny novels and audios? The way they are described, the way they behave, even what they sound like on the audios, one could be forgiven for thinking they are Ice Warriors. Yet, the Bernice stories never acquired the legal rights for the Ice Warriors. Note how in the officially licensed audio Red Dawn (audio story), the term "ice Warriors" can and is used frequently.

So, what disqualifies Faction Paradox? It's a story that while some aspects are legally owned(eg. The Faction, Compassion, Chris Cwej, Sontarans etc.), when it comes to "the building blocks of the DWU", FP had to use the same "code words" or "euphemisms" for the Doctor, the Time Lords TARDISes etc.

Which is EXACTLY the same as the Bernice Summerfield novels, short stories and audios(certainly the early ones). Characters like Bernice Summerfield and Chris Cwej could be used. Meanwhile Irving Braxiatel was clearly a Time Lord who travelled in a TARDIS, yet they were never legally allowed to SAY "Time Lord" or "TARDIS". Benny mentioned her friend a lot, who we all know who he is, however they could never legally call him "The Doctor". Iris Wildthyme shows up, and SHE can't say "Doctor" or "Time Lord" or even tell us what her bus is! There are characters that are clearly supposed to be Ice Warriors but nobody, not even the characters themselves(!), are legally allowed to call them "Ice Warriors".

In this article's own words:

1) 	A story that isn't commercially licensed by all of the relevant copyright holders doesn't count.

2)A rose by any other name is not as sweet. If the story consistently uses alternate names for DWU characters, places and situations, it's probably not allowed.

And we can change a few names in the reason Miles' FP isn't part of the DWU and get:

Because writer Paul Cornell does not have a license to DWU elements other than the Bernice Summerfield character herself, he must resort to using "code names" for Gallifrey, the Doctor, TARDISes, the Master and any number of the basic building blocks of the universe. M

Master of Spiders ☎  10:59, May 18, 2015 (UTC)