Howard Carter (composer)

Howard Carter performs post-production, sound design and music for Big Finish.

He is the nephew of Justin Richards (BFX: Jago & Litefoot Series 6).

Big Finish monthly Doctor Who audio stories

 * Patient Zero — music & sound design
 * The Eternal Summer — music & sound design
 * The Wreck of the Titan — music & sound design
 * Project: Destiny — music & sound design
 * The Crimes of Thomas Brewster — music & sound design
 * The Emerald Tiger — music & sound design
 * Gods and Monsters — music & sound design
 * Starlight Robbery — music
 * 1963: Fanfare for the Common Men — music & sound design
 * 1963: The Space Race — music & sound design
 * Scavenger — music
 * The Widow's Assassin — music

Eighth Doctor Adventures

 * Death in Blackpool — music & sound design
 * Deimos — music & sound design
 * The Resurrection of Mars — music & sound design
 * Prisoner of the Sun — music & sound design

Big Finish bonus releases

 * The Five Companions — music & sound design

The Lost Stories

 * The Fourth Doctor Box Set
 * The Foe from the Future — music & sound design
 * The Valley of Death — music & sound design

Dark Eyes

 * Dark Eyes 4
 * A Life in the Day — music & sound design
 * The Monster of Montmartre — music & sound design
 * Master of the Daleks — music & sound design
 * Eye of Darkness — music & sound design

The Companion Chronicles

 * The Stealers from Saiph — music & sound design
 * The Emperor of Eternity — music & sound design
 * Night's Black Agents — music & sound design
 * The Invasion of E-Space — music & sound design
 * The Rocket Men — music & sound design
 * The Jigsaw War — music & sound design
 * Return of the Rocket Men — music & sound design
 * Starborn — music

Jago & Litefoot

 * Dead Men's Tales — music & sound design
 * The Man at the End of the Garden — music & sound design
 * Swan Song — music & sound design
 * Chronoclasm — music & sound design
 * Jago in Love — music & sound design
 * Beautiful Things — music & sound design
 * The Lonely Clock — music & sound design
 * The Hourglass Killers — music & sound design
 * The Age of Revolution — music & sound design
 * The Case of the Gluttonous Guru — music & sound design
 * The Bloodchild Codex — music & sound design
 * The Final Act — music & sound design
 * The Skeleton Quay — music & sound design
 * Return of the Repressed — music & sound design
 * Military Intelligence — music & sound design
 * The Trial of George Litefoot — music & sound design
 * The Monstrous Menagerie — music & sound design
 * The Night of 1000 Stars — music & sound design
 * Murder at Moorsey Manor — music & sound design
 * The Wax Princess — music & sound design
 * Encore of the Scorchies — music & sound design
 * The Backwards Men — music & sound design
 * Jago & Litefoot & Patsy — music & sound design
 * Higson & Quick — music & sound design
 * The Flying Frenchmen — music & sound design
 * The Devil's Dicemen — music & sound design
 * Island of Death — music & sound design
 * Return of the Nightmare — music & sound design
 * The Case of the Missing Gasogene — music
 * The Year of the Bat — music
 * The Mourning After — music
 * The Museum of Curiosities — music
 * The Haunting — music & sound design
 * Jago & Son — music
 * Maurice — music
 * The Woman in White — music
 * Masterpiece — music

Fourth Doctor Adventures

 * The Auntie Matter — music & sound design
 * The Justice of Jalxar — music & sound design

Destiny of the Doctor

 * Night of the Whisper — music & sound design

Doctor Who Special releases

 * Philip Hinchcliffe Presents
 * The Ghosts of Gralstead — music & sound design
 * The Devil's Armada — music & sound design
 * The Worlds of Doctor Who
 * Mind Games — music & sound design
 * The Reesinger Process — music & sound design
 * The Screaming Skull — music & sound design
 * Second Sight — music & sound design
 * The Sixth Doctor: The Last Adventure
 * The End of the Line — music & sound design
 * The Red House — music & sound design
 * Stage Fright — music & sound design
 * The Brink of Death — music & sound design

Novel Adaptations

 * The Highest Science — music
 * The Romance of Crime — music & sound design
 * Damaged Goods — music & sound design

UNIT: The New Series

 * UNIT: Extinction
 * Vanguard — music & sound design
 * Earthfall — music & sound design
 * Bridgehead — music & sound design
 * Armageddon — music & sound design
 * UNIT: Shutdown
 * Power Cell — music & sound design
 * Death in Geneva — music & sound design
 * The Battle of the Tower — music & sound design
 * Ice Station Alpha — music & sound design

The War Doctor

 * Only the Monstrous
 * The Innocent — music & sound design
 * The Thousand Worlds — music & sound design
 * The Heart of the Battle — music & sound design
 * Infernal Devices
 * Legion of the Lost — music & sound design
 * A Thing of Guile — music & sound design
 * The Neverwhen — music & sound design
 * Agents of Chaos
 * The Shadow Vortex — music & sound design
 * The Eternity Cage — music & sound design
 * Eye of Harmony — music & sound design

Tenth Doctor Adventures

 * Technophobia — music & sound design
 * Time Reaver — music & sound design
 * Death and the Queen — music & sound design

The Diary of River Song

 * The Boundless Sea — music
 * I Went to a Marvellous Party — music & sound design
 * Signs — music & sound design
 * The Rulers of the Universe — music & sound design

The Churchill Years

 * The Churchill Years
 * The Oncoming Storm — music
 * Hounded — music
 * Living History — music
 * The Chartwell Metamorphosis — music

Classic Doctors, New Monsters

 * Classic Doctors, New Monsters
 * Fallen Angels — music & sound design
 * Judoon in Chains — music & sound design
 * Harvest of the Sycorax - music & sound design
 * The Sontaran Ordeal - music & sound design