Warriors' Gate (TV story)

Warriors' Gate is the fifth story of the 18th season of Doctor Who. It saw the departure of Romana II and K9 from the regular cast, and concluded the "E-Space trilogy".

From a production standpoint, it marked Graeme Harper's directorial debut on the programme, although he wasn't credited in that capacity for his work. His promotion to the director's chair followed one of the rare instances that a director was fired during production of a Doctor Who story — although credited director, Paul Joyce, was quickly re-hired.

Synopsis
A strange creature forces its way into the TARDIS, steering it to a white void occupied only by the ruins of an old building and a spaceship. This empty space is a gateway to the past and future and the creature responsible for taking them there is Biroc, a member of the enslaved race known as the Tharil. The gateway offers the only exit out of E-Space, but the void is contracting. Are the Fourth Doctor and his friends fated to spend eternity in E-Space? And what final shocking revelation awaits the Doctor?

Part one
A countdown takes place, leading up to the crew of a spacecraft using a Tharil to try and escape from “nowhere”, they fail. Onboard the TARDIS the Fourth Doctor is at the controls. They have entered a disruption and the Doctor struggles to make sense of it. The Tharil, Biroc is taken away but escapes from his escort. He is seen by Lane, who warns the bridge. Meanwhile, the Doctor is trying to land the TARDIS. He moves to press a button but Romana prevents him from doing so because it is dangerous. He considers if he subconsciously wanted to press the button.

Romana is still trying to avoid returning to Gallifrey. She asks the Doctor if they have the right to take Adric out of his own time. The Doctor tells her Adric will love it on Gallifrey. Adric decides to press a button and does so, determined by flipping a coin, a method suggested by the Doctor. Biroc has escaped the craft and runs through a white void.

The TARDIS lands and the console sparks. Smoke pours out of K9. The Doctor avoid the Time winds coming through the open doors of the TARDIS. Biroc enters and walks to the controls. One the spacecraft they pick up the TARDIS on their scanners, noting it as a craft. Biroc begins operating the TARDIS controls. The Doctor and Romana note that he is on a different time line. Romana wonders why he hasn’t been torn apart. On the craft, Captain Rorvik decides to wake another Tharil up to navigate them out of the “gap between timelines”. He announces that they are to go out to the TARDIS. Biroc speaks with the TARDIS crew; he tells them not to trust Rorvik and his men. He says he is a “shadow of his past, and your future”, then leaves to cross the white void.

The Doctor shows Romana the co-ordinates, all zero. He leaves to follow Biroc, after telling K9 to follow him but then realises he has been damaged by the Time winds; he finds a sign of life in him and then sets off. Romana tells Adric that they are in the gap between the negative co-ordinates of E-Space and the positive N-Space, which Adric likens to an intersection. The pair set about repairing K9, who warns them of three approaching humanoids. Using a mass detector, Rorvik and two of his crew search for the craft they picked up. The TARDIS crew see them approaching on their scanner. Biroc arrives at a stone arch with a door in it; he enters and is closely followed by the Doctor. Inside, Biroc inspects a cobwebbed dining hall. He passes through what appears to be a mirror and disappears. Rorvik’s group are inspecting the TARDIS. They cannot determine what it is. The Doctor arrives in the dining hall and makes his way around it. He inspects two skeletons in armour, brushing off cobwebs he moves on; one skeleton moves. The Doctor crouches by the mirror as the skeleton advances on him; it raises its axe and swings.

Part two
to be added

Part three
to be added

Part four
to be added

Cast

 * The Doctor - Tom Baker
 * Romana II - Lalla Ward
 * Adric - Matthew Waterhouse
 * K9 - John Leeson
 * Rorvik - Clifford Rose
 * Packard - Kenneth Cope
 * Lane - David Kincaid
 * Aldo - Freddie Earlle
 * Royce - Harry Waters
 * Biroc - David Weston
 * Sagan - Vincent Pickering
 * Gundan - Robert Vowles
 * Lazlo - Jeremy Gittins

Crew

 * Assistant Floor Manager - Val McCrimmon
 * Costumes - June Hudson
 * Designer - Graeme Story
 * Executive Producer - Barry Letts
 * Incidental Music - Peter Howell
 * Make-Up - Pauline Cox
 * Producer - John Nathan-Turner
 * Production Assistant - Graeme Harper
 * Production Unit Manager - Angela Smith
 * Script Editor - Christopher H. Bidmead
 * Special Sounds - Dick Mills
 * Studio Lighting - John Dixon
 * Studio Sound - Alan Fogg
 * Theme Arrangement - Peter Howell
 * Title Music - Ron Grainer
 * Visual Effects - Mat Irvine

Cultural References from the Real World

 * When Biroc vanishes during a conversation with the Doctor, the Doctor states that he is gone again, which is "like talking to a Cheshire cat" - an allusion to the well-known character from Alice's Adventures in Wonderland by Lewis Carroll.

Foods and beverages

 * The Doctor eats pickled onions with Rorvik and drinks wine with Biroc.

Locations

 * The Gateway is the point which intersects between E-Space and Normal Space.

Minerals

 * Rorvik's ship is made of Dwarf star alloy, the only material that can hold time sensitives such as the Tharils.

Species

 * Tharils are not affected by the Time winds and can walk the timelines.

Robots

 * The Gundans were built by the humans to walk the time lines and travel through the mirrors at the Gateway.

Romana

 * Romana leaves the Doctor, but does not wish to return to the Time Lords or Gallifrey. She takes with her K9, whose memory wafers have been replaced and reworked to function past the mirrors.

Technology

 * Mass detectors can be used to find objects within a space with zero coordinates.
 * The Tardis is called a "Ship for Midgets"

Story notes

 * This is the final story in the 'E-Space Trilogy'.
 * The script development for this serial went through two distinct phases. Initially, the project was tackled by Christopher Priest. In Priest's version of the final chapter of the E-Space trilogy, the Doctor and Romana would have exited E-Space via a political thriller involving Gallifrey. This script was called Sealed Orders, and presumably would have dealt more directly with Romana's failure to return to her home planet following her temporary assignment to find the Key to Time. After considerable time massaging this treatment, it was abandoned, to be replaced by a Steve Gallagher-penned effort called "Dream Time". Though the basic elements of this story would remain in Warrior's Gate, the final script was heavily re-written by script editor Christopher H. Bidmead and director Paul Joyce. Joyce would later claim that in fact the scripts were so much a product of his efforts that he, in fact, deserved the writing credit.
 * In addition to the difficulties surrounding the writing of this story, virtually every phase of the production of this serial was problematic. Tom Baker was particularly tetchy due both to his ongoing illness during the seasons and the departure of his then-lover, Lalla Ward, from the series. Both he and Ward were deeply displeased with their characterisations in the initial script — which was one of the reasons Paul Joyce became so heavily involved in the re-write. He couldn't get his stars to perform unless their script concerns were directly addressed. Meanwhile, Paul Joyce had little experience directing for television, and had considerable disagreements with John Nathan-Turner and lighting director John Dixon. Ultimately, only about half of the production was directed by Joyce, with most of the final half being tackled by credited production assistant, Graeme Harper. Also, the production was hit by a strike of the BBC carpenters, which further delayed matters.

Ratings

 * Part 1 - 7.1 million viewers
 * Part 2 - 6.7 million viewers
 * Part 3 - 8.3 million viewers
 * Part 4 - 7.8 million viewers

Myths
to be added

Filming locations

 * Powis Castle, Welshpool, Powys (Stills used in the story)
 * BBC Television Centre (TC6 & TC1), Shepherd's Bush, London

Production errors

 * In part two, a Gundan's axe falls onto the Doctor's back, without harm.
 * In part three, a boom mike pokes out from behind the MZ.
 * Adric takes K9's ear, but when the computer arrives at the Doctor, he's got both.
 * When Packard swings K9 overhead, its hollow interior is visible, it is also visible momentairily before the time winds damage him.
 * In part one, when the Time Winds damage K9, smoke pours out of him. Behind the prop (visible just below its head) is a pipe leading to it, which can be seen filling up with smoke at the beginning of this shot.
 * The supposedly immense mass of the privateer ship is not very well supported by the pyrotechnics modelwork in episode four, where it hops lightly on its base.
 * Throughout the entire story, the actors cast shadows on the greenscreen set walls, and can be seen in the finished production, even though the landscape is supposed to be blank white.

Continuity

 * DW: The Keeper of Traken follows straight on from this story.
 * In NA: Blood Harvest Romana is retrieved from E-Space by the Doctor.

Timeline

 * This story takes place after ST: O, Darkness
 * This story takes place before DWAN: Conundrum

DVD releases
Easter Egg- On the second special features menu, go down to Continuity, click right and a green Doctor Who logo will be highighted on the left, click it to see a short clip of Matt Irvine talking about props in "Warrior's Gate"
 * Warriors' Gate has been released in a box set alongside Full Circle and State of Decay. The box set in titled The E-Space Trilogy.
 * Editing for DVD release completed by Doctor Who Restoration Team.
 * Contents:

Video releases

 * Warriors' Gate was released on video in 1997 by BBC Worldwide as part of a boxed set containing: Full Circle, State of Decay and Warriors' Gate.

Novelisation and its audiobook

 * Main article: Doctor Who and Warriors' Gate


 * Novelised as Doctor Who and Warriors' Gate in 1982 by John Lydecker.