Queer representation in Doctor Who

The ongoing and improving portrayal and representation of queer identities in the Doctor Who universe affects how many fans experience Doctor Who, (DOC: LGBTQ In The Worlds Of Doctor Who, REF: Queers Dig Time Lords) and has been considered an important issue by 21st century showrunners such as Russell T Davies and Chris Chibnall.

1963 - 1989
When interviewed for an episode of The Fan Show on LGBTQ+ issues and Doctor Who, Waris Hussein stated that Doctor Who in its original form, being a 1960s BBC children's programme, was not in his mind very associated with queer topics. The only connection he could make was that the character Tegana from Marco Polo was, in being "everything you could possibly associate with dark forces", a copious wearer of leather and thus a potential "fantasy figure" for gay audience members. (DOC: LGBTQ In The Worlds Of Doctor Who)

Within early decades of Doctor Who, some fans considered the Doctor to be, using the Fourth Doctor's line in City of Death that Countess Scarlioni was "probably" beautiful as proof. (REF: The Television Companion) Tom Baker later identified that he played the Fourth Doctor to be asexual and clueless to human sexuality, sometimes for visual humour. (DOC: Getting Blood from the Stones) Sixth Doctor actor Colin Baker agreed with this theory, saying, "Love is a human emotion and the Doctor isn't human." (REF: The Television Companion)

In an interview included in the DVD release of The Curse of Fenric, writer Ian Briggs revealed that the story's Dr Judson was intended to be — like the man he was based on, Alan Turing — struggling with his homosexuality, but this was ultimately cut as it was not at the time considered appropriate to discuss such topics in a family programme. Briggs instead transformed Turing's frustration at being unable to express his true sexual identity into Judson's frustration at being disabled. (DCOM: The Curse of Fenric)

According to Rona Munro, the writer of Survival, there was to be a lesbian subtext to the relationship between Ace and Karra. This raises the possibility of Ace being the first LGBT companion on screen. (DOC: Cat-Flap)

Through their continued use outside television, various characters from the original series of Doctor Who have since been identified as being queer.

1990 - 2004
Virgin Publishing's New Adventures saw the first unambiguous gay representation.

Russell T Davies' novel Damaged Goods put significant focus on British gay culture of the 1980s, with the Doctor's companion Chris Cwej going to a club. Established via Cwej happily having sex with David Daniels in Damaged Goods, Cwej's apparent bisexuality was reinforced in Bad Therapy and The Room With No Doors, the former showing an empath notice that Cwej is interested in both men and women and the latter having an implied sexual relationship between Cwej and Joel Mintz.

In 1995, the P.R.O.B.E. home video The Devil of Winterborne depicted a same-sex romance between its characters Luke Pendrell and Christian Purcell, including an onscreen kiss.

It was heavily controversial when the Eighth Doctor shared his first kiss with Grace Holloway in the 1996 tele-film. (DOC: The Doctors Revisited - The Eighth Doctor) From the TV movie on, the Doctor had an active sexual and romantic life in the BBC Eighth Doctor Adventures and the BBC Wales version of Doctor Who, not always heterosexual. The novel The Year of Intelligent Tigers, for instance, showed the Eighth Doctor in a relationship with Karl Sadeghi intended by author Kate Orman to be romantic and sexual.

Meanwhile, the ongoing Doctor Who Magazine comics introduced Izzy Sinclair as a companion for the Eighth Doctor. Izzy was decided to be a lesbian by Alan Barnes as he wrote her first story Endgame, and it was alluded to throughout her run of about six years. Izzy's character arc culminated in Oblivion with her finding the self-confidence to fully accept her homosexuality and kiss Fey Truscott-Sade. (Author's Commentary: Oblivion)

2005 - present
With Doctor Who's return to television in 2005, Captain Jack Harkness became the first televised non-heterosexual companion. From then on, the programme — not to mention its more adult-oriented spin-off, Torchwood, with Jack in the lead — contained many references to various sexual orientations, and demonstrated the evolution of views towards homosexuality in humanity's future. In including this representation, Russell T Davies's intention was to express that, in his own words, "sexuality is fluid".

Steven Andrew, then Head of Drama and Acquisitions for CBBC, also requested that Davies put a gay character in The Sarah Jane Adventures, in an attempt to introduce a "normal" gay teenager into children's television. Before the show's cancellation, the plan was to have Luke Smith and eventually have a boyfriend, Sanjay. (DCOM: Death of the Doctor)

The 2016 TV spin-off Class featured a gay romance between Charlie Smith and Matteusz Andrzejewski.

2018 saw some of the first prominent and positive transgender representation in Doctor Who, with Sally Salter in PROSE: Rose and Eleanor Blake in AUDIO: The Jabari Countdown.

Bisexuality
The 2016 Short Trip A Full Life shows an adult Adric who has, at separate times, a wife and a husband.

Asexuality
The question of the Doctor's sexuality was a controversial one. It was fanon for decades that he was ; fans used the Fourth Doctor's line in City of Death that Countess Scarlioni was "probably" beautiful as proof. Sixth Doctor actor Colin Baker agreed with this theory, saying, "Love is a human emotion and the Doctor isn't human." (REF: The Television Companion) Both Matt Smith and Tom Baker (DOC: Getting Blood from the Stones) have identified that their respective Doctors are asexual and clueless to human sexuality; both exploited this for visual humour.

Omnisexuality
Steven Moffat has revealed on Twitter that River Song, coming from the same 51st century as Jack Harkness, is just as omnisexual.