Jamie Robertson

Jamie Robertson is a member of the post-production team of Big Finish Productions. He has mostly served as a composer for Big Finish but has also worked on sound design for many releases.

Each year he composes music for all different ranges from the spin-offs to the main range. Most notably in 2013 Jamie Robertson was the composer for the show's 50th anniversary official audio The Light at the End.

For the first time in Doctor Who audio history, he mixed and released The Light at the End in Dolby 5.1 as a download extra via the Big Finish site.

Robertson's music varies from contemporary classic to rock-and-roll industrial. In 2010 he added something new for Big Finish: a real choir, the Poringland Singers, debuted for Big Finish on Relative Dimensions.

Through his scores, Robertson has made original contributions to each era of the Doctor, including his leitmotif for the Eighth Doctor, There's a Man I Know. It crops up in Blue Forgotten Planet when Charley Pollard mentions that incarnation to the Sixth Doctor.

Robertson has also scored a track known as "Across the Stars". This track debuted on The Chaos Pool. It has since become a standard theme for any sequence in which a character describes the wonders of space. In 2011, The Feast of Axos featured a new, choral version.

Robertson scored the theme tunes for the Eighth Doctor extras in Series 3 and afterwards, Eighth Doctor theme for Mary Shelly adventures and for The Light at the End, and Jago and Litefoot, Graceless and other Big Finish series, including Highlander  and Sherlock Holmes.

Big Finish main range

 * The Judgement of Isskar - music
 * The Chaos Pool - music
 * Blue Forgotten Planet - music & sound design
 * The Architects of History - music & sound design
 * Legend of the Cybermen - music & sound design
 * The Feast of Axos - music & sound design
 * Heroes of Sontar - music & sound design
 * Robophobia - music & sound design
 * The Silver Turk - music & sound design
 * The Fourth Wall - music & sound design
 * Black and White - music & sound design
 * 1001 Nights - music & sound design
 * Signs and Wonders - music & sound design
 * Shield of the Jötunn - music
 * The Waters of Amsterdam - music
 * The Two Masters - music

50th Anniversary

 * The Light at the End - music & sound design

Destiny of the Doctor

 * Death's Deal - music & sound design

Eighth Doctor Adventures

 * Wirrn Dawn - music & sound design
 * The Scapegoat - music & sound design
 * The Cannibalists - music & sound design
 * Worldwide Web - music & sound design
 * The Eight Truths - music & sound design
 * Situation Vacant - music & sound design
 * Relative Dimensions - music & sound design

Fourth Doctor Adventures

 * Destination: Nerva - music & sound design
 * The Renaissance Man - music & sound design
 * Phantoms of the Deep - music & sound design
 * Night of the Stormcrow - music & sound design
 * The King of Sontar - music & sound design
 * White Ghosts - music & sound design
 * The Darkness of Glass - music & sound design
 * Requiem for the Rocket Men / Death Match - music & sound design
 * The Cloisters of Terror - music & sound design
 * The Fate of Krelos / Return to Telos - music & sound design
 * The Labyrinth of Buda Castle - music & sound design
 * The Paradox Planet / Legacy of Death - music & sound design
 * Gallery of Ghouls - music & sound design
 * The Trouble with Drax - music & sound design

Companion Chronicles

 * Resistance - music
 * The Magician's Oath - music
 * Bernice Summerfield and the Criminal Code - music & sound design
 * Peri and the Piscon Paradox - music & sound design

Lost Stories

 * The Nightmare Fair - music & sound design
 * The First Sontarans - music & sound design
 * The Rosemariners - music & sound design

Novel Adaptations

 * The English Way of Death - music & sound design

Dalek Empire

 * The Fearless: Part 2 - sound design
 * The Fearless: Part 3 - sound design
 * The Fearless: Part 4 - sound design