Rex Tucker

Rex Tucker (20 February 1913-10 August 1996) directed DW: The Gunfighters and contributed to the lyrics of "The Ballad of the Last Chance Saloon". He also had a significant impact upon the very origins of Doctor Who.

Despite a lack of screen credit, he was the programme's first producer. Appointed in May 1963 as an "interim" or "caretaker" producer until Sydney Newman could find a permanent replacement, Tucker was also, for many months, the director of 100,000 BC. Had the show been filmed for its original 24 August 1963 launch date, he would have definitely been Doctor Who's first director.

On 28 May 1963, he became the first in a very long line of people to send a memo to his superiors about the unsuitability of Lime Grove Studio D for the recording of Doctor Who. His memo to Donald Wilson worked, inasmuch as it got Wilson, Ayton Whitaker and Ian Atkins to accept the word of an experienced director that Lime Grove simply didn't meet the technical requirements of a programme like Doctor Who. It also resulted in Wilson supporting the notion of Riverside Studios as an acceptable substitute, should studios at Television Centre prove unavailable. In the end, of course, Lime Grove would be used, but Tucker's initial memo had the effect of getting important players mobilised in the fight for facilities. It also resulted in what would become the basic facilities priority of the 1960s: TC first, then Riverside, then — as the very last resort — Lime Grove.

He also began the process of staffing for the show. He was the original point of contact between Doctor Who and Tristram Cary. Though Cary would ultimately not provide the theme and incidental music for the first serial, he would be in place to score The Daleks and The Dalek Invasion of Earth, thereby cementing some musical punctuation into the fabric of Doctor Who. Tucker would also bring back Cary for The Gunfighters.

Tucker was also concerned with initial casting. He was the first person to offer the role of the Doctor to an actor. Had Hugh David accepted, Verity Lambert would have been saddled with a star she did not choose. He also held casting sessions for the part of Susan and Miss McGovern, a character that would become Barbara Wright. As with the Doctor, however, he was not able to select an actor for either of these parts.

He was also responsible for reducing C. E. Webber's contributions to early Doctor Who. He rejected Webber's The Giants, the first of three attempts to write a story about a miniaturised TARDIS crew. This story would have been the programme's first serial, and the one Tucker was slated to direct. Instead, he and Donald Wilson tapped Anthony Coburn to bring his story, then called The Tribe of Gum, forward to the first position, but to rewrite it so that it incorporated some elements of Webber's first episode.

He also was known to have worked out a production schedule for the first serial that would have allowed recording to begin about 19 July 1963. On 1 July, however, Donald Baverstock's office informed the Doctor Who office that the series would not begin transmission until 9th November. This meant that the recording of The Tribe of Gum, as it was still known, would largely happen whilst Tucker was on his scheduled vacation. For a brief time, he was assigned to the second story, and then got bumped to the fourth story, which was, at the time, the Terry Nation script. Thus he might have become the director who introduced the Daleks. It is unclear, however, what preparatory work, if any, he did for that serial. By the time he left for holiday on 30th August he had begged off Doctor Who and been re-assigned to Madame Bovary, a serial on which he would again be joined by Tristram Cary. (REF: The First Doctor Handbook)