The Aztecs (TV story)

The Aztecs was the sixth story of Season 1 of Doctor Who. It was the first story to address the issue of altering the course of history.

Synopsis
The arrival of the TARDIS in 15th century Mexico leads the crew to encounter the doomed Aztec people, a mixture of high culture and brutal savagery side by side; and matters are further complicated when Barbara is mistaken for a god and the Doctor becomes engaged to be married...

The Temple of Evil (1)
The TARDIS crew arrive in Mexico in the Fifteenth Century in the inner sanctum of an Aztec tomb. Barbara and Susan leave the TARDIS first and begin to explore the tomb. barbar, whose specialist knowledge is on the Aztecs, finds a bracelet on the floor and absent-mindedly puts it on. Susan finds a door in the wall and Barbara goes through it. Susan goes back to the Tardis for the others. Susan is met by a man who fetches warriors thinking she is a trespasser however when the warriors come for her he sees the braelet and his opinion changes. By the time that The Doctor and Ian go through the trap door they find Barbara gone. Even more worringly the door closes behind them and refuses to open. The Doctor states that it would have been built to allow the Gods out but no one in. Soon the man that accosted Barbara returns and introduces himself as Autloc, the High Priest of knowledge,and says that Yetaxa seeks an audience with them. The travellers go to meet this deity. On their way they are introducd to High Priest Tlotoxl, who cuts a grusome figure and is the priest of sacrifices. When the travellers are taken to Yetaxa they are suprised to see it is Barbara. When alone she explains that as she was wearing Yetaxa's bracelet when she was captured they believe her to be a reincarnation of the God. She demands that The Doctor and Ian be given free run of the civilisation and this is granted by the Aztecs. However Tlotoxl has other ideas. Heconvinces Autloc that Ian should be the leader of their army. Something that Ian begrudingly agrees to so as not to rouse suspicion. While Ian goes to meet Ixta, a competitor for commanding the army, The Doctor is taken to The Garden of Peace. Here he meets Cameca, a local sage and philosopher, with whom he becomes immediatly smitten with. However this does not stop him from smooth-talking her into a meeting with the son of the designer of the temple in order to find a way of retreaving his TARDIS from the centre of the tomb. Ian meets up with The Doctor again and states that in order to prove himself to Autloc and Ixta he needs to hold down a sacrifice to the god of rain in order to put an end to a drought. Ian is reluctant but The Doctor says that he has to do this in order to not blow their cover. The Doctor goes to Barbara to inform her of this and Barbara outright refuses to allow this to happen. She states that if she stops human sacrifices the Aztecs will not become extinct and will live on as a better civilisation. The Doctor outright refuses to let her do this saying that it is impossible to change history. However Barbara remains head strong. Just as the sacrifice takes place Barbara puts a stop to it. Both Ixta and the sacrifice are outraged. The sacrifice, furious that he has not had the chance to prove himself throws himself from the top of the tomb. This causes the rains to start. Triumphant Ixta proves this sarifices are necessary but Barbara refuses and says that sacrifices shall no longer be practiced. This infuriatesd Ixta who vows that he will unmask Barbara as the fraud that she is.

The Warriors of Death (2)
The bloodthirsty Tlotoxl begins to suspect Yetaxa is not what she seems, especially because she is trying to bring an end to human sacrifice. He sets a series of elaborate traps for her and her companions. For example, Ian has been conscripted into the military and must fight the strongest warrior, Ixta, to prove his ability to command the Aztec forces. Thus Ixta develops a grudge against Ian and is used by Tlotoxl to try to prove that Barbara is not Yetaxa. The Doctor unwittingly tells Ixta how to defeat Ian in combat using a drugging agent. The battle nearly ends in the Doctor witnessing his friend's death. When this fails to be conclusive, Tlotoxl convinces the priest Tonila to make a poison for Barbara; the death of Barbara following consumption of the poison would prove she is not immortal and therefore not a god. Barbara refuses to drink the poison and tells Tlotoxl that she is not Yetaxa but warns him not to tell the people. He now knows the truth - but must find a way to unmask the false goddess.

Susan and the Doctor have meanwhile both become involved in marriage-making scenarios. She has transgressed Aztec law and has been promised to the Perfect Victim, who has been scheduled for sacrifice by Tlotoxl on the day of the next eclipse; the Doctor, who knows little of Aztec customs, has become engaged to an Aztec woman named Cameca after they shared a cup of cocoa. Cameca is a kind lady and helps the Doctor and Ian find a way to re-enter the tomb by a secret entrance, despite realising this will help her beloved leave her. Ian braves a treacherous tunnel to re-enter the tomb by a secret door and soon tells his friends that they can flee.

Despite her efforts Barbara realises she cannot change an entire culture, although she does succeed in changing the views of one man, Autloc. He helps her become reunited with her friends before departing to meditate in the wilderness on what remains of his faith. In a pitched battle to gain access to the tomb door, Ian fights and kills Ixta to protect the TARDIS crew.

The Doctor and his companions leave knowing that despite their intervention history will take its pre-destined course. As they depart Tlotoxl is very much in control and sacrifices the Perfect Victim to end the naturally occurring eclipse.

Cast

 * The Doctor - William Hartnell
 * Ian Chesterton - William Russell
 * Barbara Wright - Jacqueline Hill
 * Susan Foreman - Carole Ann Ford
 * Autloc - Keith Pyott
 * Tlotoxl - John Ringham
 * Ixta - Ian Cullen
 * Cameca - Margot Van der Burgh
 * First Victim - Tom Booth
 * Aztec Captain - David Anderson
 * Tonila - Walter Randall
 * Perfect Victim - André Boulay
 * Aztec Warriors (all uncredited) - Brian Baker, John Beavis, James Duval, James Fitzgerald, Andrew Jacks, Alan Viccars
 * Aztec Citizens (all uncredited) - Eileen Brady, Lionel Gadsen, Alicepuss Greenwood, John Whore, Bill Raynor, Stella Wilkinson
 * Double for Ian (uncredited) - David Anderson
 * Double for Ixta (uncredited) - Billy Cornelius

Crew

 * Writer - John Lucarotti
 * Director - John Crockett
 * Producer - Verity Lambert
 * Script Editor - David Whitaker
 * Designer - Barry Newbury
 * Assistant Floor Manager - Ken Howard
 * Associate Producer - Mervyn Pinfield
 * Costumes - Daphne Dare, Tony Pearce
 * Fight Arranger - David Anderson
 * Fight Arranger - Derek Ware
 * Incidental Music - Richard Rodney Bennett
 * Incidental Music Conductor - Marcus Dods
 * Make-Up - Jill Summers
 * Production Assistant - Ron Craddock
 * Special Sound - Brian Hodgson
 * Studio Lighting - Howard King
 * Studio Sound - Jack Brummitt
 * Studio Sound - John Staple
 * Theme Arrangement - Delia Derbyshire
 * Title Music - Ron Grainer

Story notes

 * All episodes exist in 16mm telerecordings.
 * David Anderson (Aztec Captain) is credited as Warrior Captain in Radio Times for The Temple of Evil. As fight arranger, Anderson is billed on-screen for The Day of Darkness only, but also arranged fights on The Warriors of Death, and is credited in Radio Times for both episodes.
 * Negative film prints of all episodes were recovered from BBC Enterprises in 1978.
 * John Lucarotti spent a lot of time researching the real Aztecs before writing this story.
 * Carole Ann Ford was on holiday during the filming of episodes 2 and 3 and appeared only in pre-taped film sequences which were shot during rehearsals for episode 5 of the preceding story, The Keys of Marinus.
 * The credits at the end of episode 3 had to be re-filmed as they were not acceptable for broadcast.
 * This is one of the stories selected to be shown as part of BSB's Doctor Who Weekend in September 1990.

Ratings

 * The Temple of Evil - 7.4 million viewers
 * The Warriors of Death - 7.4 million viewers
 * The Bride of Sacrifice - 7.9 million viewers
 * The Day of Darkness - 7.4 million viewers

Myths

 * The costumes used by the Aztecs covered more of their body than was the case in reality so as not to offend 1960s standards of decency (The costumes used had been researched before filming and were accurate reflections of those worn by the real Aztecs. It can be cold in Mexico!).

Filming locations

 * Ealing Television Film Studios
 * Lime Grove Studios (Studio D)

Production errors

 * During the fight sequences in episode 4 it is clear that doubles are being used for William Russell and Ian Cullen.
 * There was apparently no consensus as to the pronunciation of Tlotoxl's name given the varied pronunciations given by various cast members.

Continuity

 * One of the few examples of The Doctor being involved in a romantic relationship. Other examples include BFA: Loups-Garoux, BFA: The One Doctor, DW: Doctor Who, ST: The Queen of Eros, EDA: Casualties of War, Sam Jones especially in EDA: Seeing I, DW: Human Nature/The Family of Blood and DW: The Parting of the Ways.
 * The Doctor tells Barbara "You can't rewrite history! Not one line!" Although the nature of Time and its laws has never been fully explained, numerous later episodes would further explore them, showing that some fixed points of time are absolute, and others are indeed changeable. The Time Lords (including the Doctor) give clear indication of their position that they and they alone understand how to properly "rewrite history".
 * In NA: Timewyrm: Exodus it is suggested that only Time Lords or other very powerful individuals can change the course of history.
 * By contrast, EDA: Interference - Book Two suggests that any individual can change the course of history, including the Doctor, but he has chosen not to do so. In Interference, he actually influences events to allow Sam to change the course of history.

Timeline

 * This story occurs after DW: The Keys of Marinus
 * This story occurs before ST: The Mother Road

DVD releases
Released as Doctor Who: The Aztecs.

Released:
 * Region 2 21st October 2002


 * PAL Region 2 - BBCDVD1099


 * Region 4 2nd December 2002
 * Region 1 3rd March 2003


 * NTSC - Warner Video E1719

Contents:
 * Remembering The Aztecs - Interviews with John Ringham, Walter Randall, and Ian Cullen.
 * Designing The Aztecs - An interview with set designer Barry Newbery.
 * Restoring The Aztecs - A look at the digital remastering process for the DVD.
 * Blue Peter - The Story of Cortez and Montezuma (UK tx: 21st September 1970).
 * Making Cocoa - An animated guide to making cocoa the Aztec way.
 * Arabic soundtrack - The final episode includes an option to view it in Arabic.
 * TARDIS-Cam #3
 * Photo Gallery
 * Production Note Subtitles
 * Easter Egg (BBC Enterprises Globe)
 * Commentary: Verity Lambert, William Russell, and Carol Ann Ford

Rear Credits:
 * Starring William Hartnell with William Russell, Jacqueline Hill and Carole Ann Ford
 * Written by John Lucarotti
 * Produced by Verity Lambert
 * Directed by John Crockett
 * Incidental Music by Richard Rodney Bennett

Notes:
 * Editing for DVD release completed by Doctor Who Restoration Team.

VHS releases
Released as Doctor Who: The Aztecs. This was originally going to be a Woolworths exclusive release, but at the last minute the company decided on a colour release instead (The Twin Dilemma).

Released:
 * UK November 1992


 * PAL - BBC Video BBCV4743


 * US May 1994


 * NTSC - CBS/FOX Video 8100
 * NTSC - Warner Video E1257

Notes: The 'Next Episode' caption has been removed from Episode 4.

Novelisation and its audiobook

 * Main article: The Aztecs (novelisation)


 * This story was published as Doctor Who: The Aztecs, published by Target Books in September of 1984, ISBN 0-426-19588-4. The story was written by John Lucarotti, based on his script. It was number 88 in the series of 156 Doctor Who novels published by Target.
 * No audiobook of the novelisation has yet been released as of 2010.