Music of the Spheres (TV story)

Music of the Spheres was a short episode which first broadcast in audio form on 27 July 2008 as part of the BBC proms season, during an event known as Doctor Who at the Proms. Prior to broadcast it was variously known as Proms Special and Proms Cutaway, with episode writer Russell T Davies using this as the title when promoting the episode in Doctor Who Magazine. The Proms concert was initially broadcast on radio, and so the mini-episode was initially only seen by the audience at the Royal Albert Hall and heard by radio listeners, with the video version of the episode available online for a brief period. The Proms concert, and Music of the Spheres, was broadcast on television for the first time on 1 January 2009.

Plot
Alone in the TARDIS, the Doctor is busy composing his own piece of music, when an alert sounds. Investigating, he realizes that there is a teleport breach due to the TARDIS's shields being down for just a few minutes. At that moment, a Graske suddenly appears, much to the Doctor's annoyance. Before the Doctor can do anything, the Graske inquires to what the harmonious sound echoing through the TARDIS is. The Doctor claims that this is the Music of the Spheres, which is the sound of planets orbiting stars and stars orbiting the galaxy and galaxies orbiting each other making up the universe, the gravity patterns of which are fed through the TARDIS' harmonic filter. The Graske claims that he is here to warn the Doctor of a hole in space, which manifests itself near the entrance of the TARDIS. Looking through the hole, the Doctor realizes the hole has appeared in the Royal Albert Hall in London, during the Proms.

Seizing his chance, the Doctor passes his sheets of music through the hole to the Albert Hall, and asks if the orchestra would play it. He also asks the conductor to step down, as he will conduct the orchestra himself using his Sonic Screwdriver, which he does, rather flamboyantly. He calls the piece "Ode to the Universe", and thanks the orchestra for playing it, where he realizes that the Graske has traveled through the hole, arriving in London. Coming to the conclusion that the Graske was lying to him in order to reach Earth, he stops him from creating any more trouble by reversing the polarity of the neutron flow, which sends the Graske back to the TARDIS. The Doctor then sends him to the end of the galaxy using his screwdriver. He then says farewell to the audience, but not before informing them that everyone is a musician, and that they can hear the Music of the Spheres by closing their eyes, and listening to the universe.

Cast

 * The Doctor - David Tennant
 * The Graske - Jimmy Vee
 * Voice of the Graske - Philip Hurd-Wood

Production credits
Directed by: Euros Lyn

Writen by: Russell T. Davies

Excutive Producers: Russell T. Davies and Julie Gardner

Producer: Catrin Lewis Defis

Original Music by: Murray Gold

Director of Photography: Roger Pearce

Film Editing by: Ceres Doyle

Casting by: Andy Pryor

Production Design by: Edward Thomas

Set Decoration by: Ben Morris

Costume Design by: Louise Page

Prosthetics Makeup Artist: Sarah Lockwood

Prosthetics Designer: Rob Mayor

Makeup Artist: Steve Smith

Makeup Designer: Barbara Southcott

Post-Production Supervisors: Chirs Blatchford and Samantha Hall

First Assistant Director: Rhidian Evans

Second Assistant Director: Jennie Fava

Stand-by Art Director: Julia Challis

Chief Supervising Art Director: Stephen Nicholas

Storyboard Artist: Shaun Williams

Foley Editor: Kelly-Marie Angell

Sound Effects Editor: Paul Jeffries

Sound Recordist: Simon Koelmeyer

Supervising Sound Editor: Paul McFadden

Dubbing Mixor: Tim Ricketts

Boom Operator: Adam Ridge

On Set Visual Effects Supervisor: Tim Barter

Visual Effects Producers: Will Cohen and Marie Jones

Visual Effects Supervisor: Dave Houghton

Gaffer: Peter Chester

Grip: Dai Hopkins

Camera Assistant: Jon Vidgen

Casting Associate: Andy Brierley

Costume Supervisor: Lindsay Bonaccorsi

Costume Assistant: Barbara Harrington

Post-Production Coordinator: Marie Brown

Assistant Editor: Carmen Roberts

Composer: Ron Grainer

Driver: Kevin Kearns

Production Accountant: Oliver Ager

Auto Cue Operator: Delyth Mair Davies

Contracts Assistant: Lisa Hayward

Finance Manager: Chris Rogers

Script Editor: Gary Russell

Production Executive: Julie Scott

Production and Script Secretary: Claire Thomas

Continuity: Susannah Unsworth

Production Coordinator: Jess Van Niekerk

Assistant Production Accountant: Carole Wakefield

Floor Manager: Sian Warrilow

Production Company: BBC Wales

Distributor: BBC

Visual Effects: The Mill

Special Effects: Any Effects

Prosthetics: Millenium FX

Thanks: BBC National Orchestra of Wales

Closing Music: The BBC Radiophonic Workshop

Story notes

 * The story's title, as well as the concept of music generated by the Universe itself, are based on the ancient philosophical concept of musica universalis.
 * According to Doctor Who Magazine, production of this mini-episode officially concluded production of Series 4 on May 3, 2008. Davies told DWM that he had to write the episode in a special way as it is scheduled to be broadcast both on television and on radio. This makes this special the first such hybrid episode ever produced for the series.
 * This special aired on Sunday 27th July between 11A.M. and 1P.M. on BBC Radio 3. The video version of Music of the Spheres was available on the Doctor Who website at 11.40 A.M, however the clip was only be made available for a short period of time.
 * For the first time since 1966 the original closing theme arrangement by Delia Derbyshire, as introduced in 1963's An Unearthly Child, is used in lieu of Murray Gold's work.  The specific reason for including this version of the theme was not readily apparent to those who watched the mini-episode in isolation from the Proms event.  As explained to the audience in the Royal Albert Hall by Proms host Freema Agyeman, it was employed as a way to feature a piece of music which celebrated the 50th anniversary of the BBC Radiophonic Workshop. Some have erroneously identified the version played as the arrangement featured up until the late 1970s, but the lack of echo identifies it as the original version; this is the first time the original rendition has been used on a Doctor Who episode since 1967.
 * This is an unusual example of the BBC Wales version of Doctor Who crediting only one actor above the titles. It had only previously happened with Attack of the Graske.  Both times this occurred the lone actor credited was the same: David Tennant.

Ratings
Ratings for just this episode were never calculated. It was only aired as a part of Doctor Who at the Proms.

Myths and Rumours

 * Russell T Davies, in promoting the mini-episode, indicated it would feature a returning guest star. Fan speculation included virtually every major companion or guest star since the series returned, and also extended to include classic series companions and Doctors.

Filming locations

 * Upper Boat Studios, Pontypridd, Wales.

Production errors
to be added

Continuity

 * Graskes previously appeared in the interactive episode Attack of the Graske and the Graske working for The Trickster appeared in the SJA episodes Whatever Happened to Sarah Jane? and The Temptation of Sarah Jane Smith.
 * The Doctor says (upon looking at the screen) "What? What? What?!" in quick succession; he has previously intoned these lines at the beginning of DW: The Runaway Bride, Last of the Time Lords, Voyage of the Damned and Time Crash. He also says "What?" when he finds the Graske has escaped through the time portal.
 * The Doctor says the TARDIS defences were down, as they were in DW: Time Crash. They were down so the TARDIS could hear the universe.
 * The Doctor comments off hand "And he's stolen my water pistol." He used his water pistol in DW: The Fires of Pompeii.
 * The Doctor appears to break the fourth wall in the course of this episode by directly addressing the audience in the Royal Albert Hall. The First Doctor also broke the fourth wall by wishing "all of you at home" a "Merry Christmas" in "The Feast of Steven" (DW:The Daleks' Master Plan). The Tenth Doctor also addressed the viewer directly throughout Attack of the Graske.
 * The Doctor uses the full phrase "reverse the polarity of the neutron flow", commonly associated with the Third Doctor. He had previously commented that it had taken him an unexpectedly long time to "reverse the polarity" of Richard Lazarus' genetic manipulator (DW: The Lazarus Experiment), but this is the first time he has used the full phrase since DW: The Five Doctors.

Timeline

 * This story takes place after IDW: The Forgotten
 * This story takes place before WC: Number 1, Gallows Gate Road

Home video releases

 * Music of the Spheres was released on DVD in the UK on 19 January 2009 as a bonus feature with The Next Doctor. Also included was the rest of the BBC Proms Doctor Who concert. North American release occurred on 15th September 2009, marking the first availability of the mini-episode in North America.

The DVD version of Music of the Spheres appears to differ somewhat from the version originally played at the Albert Hall in that the opening and closing credits -- including the latter's use of the original Derbyshire theme arrangement -- are omitted.

Doctor Who at the Proms, including Music of the Spheres was released to both DVD and Blu-Ray in January 2010 (UK) and February 2010 (North America) as part of the Complete 2009 Specials box set. The special is presented in standard definition in the set.

Differing versions
Two different versions of Music of the Spheres have circulated on the Internet. One version intercuts the mini-episode with audience reaction shots, as well as showing reaction from Ben Foster and the orchestra, and the Graske running around the stage. A second version is the mini-episode by itself, with no cutaways to the audience (versions with and without audience sounds have been circulated). Both the Proms version and the standalone version include opening and closing credits, and the Derbyshire closing theme. The DVD release utilizes an "audience reaction" version, but using different edits than circulated online and, as noted above, omitting the opening and closing credits.