City of Death (novelisation)

City of Death by James Goss was a novelisation of the TV story of the same name written under the pen name David Agnew by Douglas Adams and Graham Williams during a last minute rewrite of the script A Gamble With Time written by David Fisher. It was the first novelisation since Shada.

Gareth Roberts, who wrote the Shada novelisation, was originally meant to write that of City of Death, but dropped out during writing.

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"You're tinkering with time. That's always a bad idea unless you know what you're doing."

The Doctor takes Romana for a holiday in Paris – a city which, like a fine wine, has a bouquet all its own. Especially if you visit during one of the vintage years. But the TARDIS takes them to 1979, a table-wine year, a year whose vintage is soured by cracks – not in their wine glasses but in the very fabric of time itself.

Soon the Time Lords are embroiled in an audacious alien scheme which encompasses home-made time machines, the theft of the Mona Lisa, the resurrection of the much-feared Jagaroth race, and the beginning (and quite possibly the end) of all life on Earth.

Aided by British private detective Duggan, whose speciality is thumping people, the Doctor and Romana must thwart the machinations of the suave, mysterious Count Scarlioni – all twelve of him – if the human race has any chance of survival.

But then, the Doctor's holidays tend to turn out a bit like this.

Chapter titles

 * Part One
 * All Roads Lead to Paris
 * Isn't it Nice?
 * A Painting Like...
 * Look to the Lady
 * Mixed Doubles
 * Part Two
 * Paris in a Day
 * Lies Beneath
 * Unique Plurals
 * Count Down
 * Part Three
 * Renaissance Man
 * Follies
 * Déjà Vu
 * The Father of Invention
 * Material Witness
 * Part Four
 * The Discrete Charm of the Bourgeoisise
 * Goodbye, Not Au Revoir
 * We'll Never Have Paris
 * À la Recherche du Temps Perdu
 * French without Tears in the Fabric of Space-Time

Characters

 * Fourth Doctor
 * Romana II
 * Duggan
 * Scaroth
 * Countess Heidi Scarlioni
 * Hermann
 * Fyodor Nikolai Kerensky

Continuity

 * The Doctor recently defeated the Black Guardian. (TV: The Armageddon Factor)
 * Many previous companions left because they were no longer enjoying the experience of travelling with the Doctor; some got married, such as Jo (TV: The Green Death) and Leela, (TV: The Invasion of Time) whilst one wandered off halfway through a battle with a supercomputer. (TV: The War Machines)
 * Romana regenerated for the fun of it, and suffered few ill-effects from it, before then defeating the Daleks. Various other explanations have previously been given. (AUDIO: Lies, PROSE: The Lying Old Witch in the Wardrobe, TV: Destiny of the Daleks)
 * The Doctor compares Paris to the rooms of the TARDIS, where its rooms always seems to rearrange itself. (AUDIO: No Place Like Home, TV: The Doctor's Wife)
 * Genghis Khan threw an army at the TARDIS to little success, and was won in a game of backgammon by his grandson. (TV: Marco Polo, Rose)
 * Romana has a sonic screwdriver. (TV: The Horns of Nimon)

Deviations from the televised story

 * An original scene features Romana and Duggan going on a night out together, with Romana getting drunk on wine in the process.
 * The background of the art critics is expanded upon.
 * Scarlioni does not know he is Scaroth until the scene where he removes his face.
 * The character of Countess Scarlioni is greatly expanded upon, given a backstory and a first name, Heidi. She is also shown to have a closer relationship with the Count, with him regretting having to kill her greatly.
 * K9 features briefly in the novel; he did not appear at all in the televised version.
 * Duggan's backstory as to how he ended up in Paris is explored in great detail, with a scene depicting his last case before the events of this story.
 * There are several other minor changes, for instance the length of time that Scaroth can travel back in time is changed, he can travel back for three minutes as opposed to the two he had in the televised version, and the words the Doctor writes on the Mona Lisa read "These are Fakes" as opposed to "This is a Fake".
 * The death of Kerensky is presented from his perspective, showing him living out decades within the time bubble musing over his past.
 * Hermann is given a back story as a German soldier who provided Scarlioni with art treasures after World War II.
 * The sketcher from the café is named as Bourget, as per an early storyline, and makes several more appearances, repeatedly compelled to draw people with clock faces.
 * The tour guide is named as Madame Henriette and given a collection of cats.
 * Scaroth is not killed in the chateau explosion but left trapped in the time bubble.
 * There is an extra sequence of Duggan fighting a group of Scarlioni's men while escaping from the chateau. It is Romana, rather than Duggan, who knocks the Countess unconscious. The Countess is armed with a gatling gun rather than a hand gun.
 * The Doctor does not realise the explosion of the Jagaroth ship started life on Earth until he travels back in time, instead worrying history will be changed drastically if Scaroth's splinters are removed from history.
 * The Doctor displays more anger towards Romana for building Scarlioni a time machine.
 * The Doctor states Shakespeare sprained his wrist playing croquet rather than writing sonnets.
 * The Jagaroth ship is named the Sephiroth, the name of the species in early storylines.
 * Some characters are switched around: For instance when the Doctor returns to the show on television he is escorted in by a thug and sends a maid to inform Scarlioni. In the novelisation, he gets the maid to take him inside and sends Hermann to get Scarlioni.
 * The Countess' bracelet is said to be isomorphic, meaning in theory only Scarlioni can remove it, and allows him a degree of control over her.
 * The Doctor gives the remaining Mona Lisa to Duggan at the end; the televised version is vague as to what happened to it.
 * Duggan sees the Doctor and Romana leaving in the Doctor's TARDIS from the bottle of the Eiffel Tower.
 * Count Scarlioni is said to possess a fireplace previously owned by Madame du Pompadour (TV: The Girl in the Fireplace).