User:SOTO/Forum Archive/The Panopticon/@comment-188432-20130412143615/@comment-88790-20130412152907

User:SOTO/Forum Archive/The Panopticon/@comment-188432-20130412143615/@comment-88790-20130412152907 I would use caution with the phrase "when all else fails CC wins". I'd prefer 'when all else fails we have CC". We are using CC as a last resort. I just see "Tardis" in most of the CC on DVDs and it annoys me. So I don't want CCs getting more credence than they deserve.

Number 4 is the only one I take issue with. If it's in the narrative then we use it, the end credits aren't within the narrative. I understand your Sarah Jane Smith example. But in that situation we fall back to the artefact/artifact discussion.

I'd put prose narratives above officially released scripts (which are almost never the "final" scripts).

I think also move the officially released scripts under end credits (as if the spelling's got as far to be broadcast in the credits it's been locked in).

For clarity my preference is:
 * 1) Dialogue spelled out
 * 2) Onscreen graphics
 * 3) Prose narratives
 * 4) End credits
 * 5) Officially released scripts
 * 6) DW Website
 * 7) Closed captioning